Human Rights Council (HRC)
The Human Rights Council (HRC) is the key intergovernmental body within the United Nations system responsible for the promotion and protection of all human rights around the globe. It holds three regular sessions a year: in March, June and September. The Office of the UN High Commissioner for Human Rights (OHCHR) is the secretariat for the HRC.
The HRC works by:
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Debating and passing resolutions on global human rights issues and human rights situations in particular countries
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Examining complaints from victims of human rights violations or activist organizations on behalf of victims of human rights violations
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Appointing independent experts (known as “Special Procedures”) to review human rights violations in specific countries and examine and further global human rights issues
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Engaging in discussions with experts and governments on human rights issues
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Assessing the human rights records of all UN Member States every four and a half years through the Universal Periodic Review
AWID works with feminist, progressive and human rights partners to share key knowledge, convene civil society dialogues and events, and influence negotiations and outcomes of the session.
With our partners, our work will:
◾️ Raise awareness of the findings of the 2017 and 2021 OURs Trends Reports.
◾️Support the work of feminist UN experts in the face of backlash and pressure
◾️Advocate for state accountability
◾️ Work with feminist movements and civil society organizations to advance rights related to gender and sexuality.
Related Content
CFA 2023 - what you need to know - FR

Ce qu'il faut savoir
- La priorité sera donnée aux activités qui facilitent et encouragent la connexion et l'interaction entre les participant.e.s.
- Si votre activité peut se dérouler en ligne ou de manière hybride (en connectant les participant.e.s sur place et en ligne), veuillez réfléchir à la manière de susciter un véritable engagement et une participation active de la part des participant.e.s en ligne.
- Nous encourageons les rencontres, les dialogues et les échanges entre mouvements, régions et générations.
- Veuillez concevoir votre activité de manière à permettre une certaine flexibilité quant au nombre de participant.e.s. Si certaines activités peuvent être limitées à de petits groupes, la majorité d'entre elles devront être adaptées à un plus grand nombre de participant.e.s.
- Si votre activité correspond à un certain nombre de formats, ou ne correspond à aucun, vous pourrez l'indiquer sur le formulaire de candidature.

Langues dans lesquelles vous pouvez soumettre votre activité
- Langues pour les candidatures : les candidatures seront acceptées en Anglais, Français, Espagnol, Thaï et Arabe.
- Langues au Forum : l'interprétation simultanée sera assurée lors des sessions plénières du Forum en Anglais, Français, Espagnol, Thaï et Arabe, ainsi qu'en LSI (Langue des Signes Internationale) et éventuellement d'autres langues. Pour toutes les autres activités, l'interprétation sera proposée dans certaines de ces langues — mais pas toutes — et éventuellement dans d'autres, comme le Swahili et Portugais.
Intro to tweets snippet
As these tweets show, it turns out that sexting like a feminist is sexy, funny – and horny. Yet, it never loses sight of its commitment to equity and justice.
Kunyit Asam: The Roots of Love and Resilience
By Prinka Saraswati, Gianyar, Bali
The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation.
In traditional Javanese culture, this is the moment for women to rest and take care of themselves. During this moment, a woman would take Kunyit Asam, a jamu or herbal drink to soothe the inflammation. This elixir consists of turmeric and tamarind boiled together in a pot.
I still remember my first period - it was one day before graduation day in elementary school. I remember pedaling my bike feeling something warm running between my thighs. When I arrived home I did all I could to clean myself and then put on a menstrual pad. My mother came home from work about four hours later. I told her what had happened. She looked me in the eye and asked how I felt. I told her that it was painful, that my body was swollen in every place. Then she asked me to go with her to the backyard. I followed her to our little jungle, my mother sat down on the soil and smiled.
“See this slender leaf? This is the leaf of Kunyit, *empon-empon that leaves the yellow stain on your fingers. What’s most important is not the leaf, but the roots. You dig the soil and slowly grab the roots.”, my mother showed me how to pick Kunyit or Turmeric roots. Then we went to the kitchen where she boiled water along with some tamarind. While waiting for it to boil, she showed me how to wash and grate the orangey-yellow root. Then, we put the grated turmeric into the boiling tamarind water. “Tomorrow, you can make it for yourself. This will help you to feel better!”.
I remember the first time I tasted it - a slightly bitter taste but also sour. My mother always served it warm. She would also put some in a big bottle which I would place on my stomach or lower back for further relief. For days after, my mother’s hands and mine were yellow. My friends could always tell every time I got period because my hands would be yellow.
A year after my first period, I found out that you could get the bottled version in convenience stores. Still, I made my own Kunyit Asam every time I had my period because the one in the convenience stores was cold. It did not smell of wet soil and warm kitchen.
Fast forward, I am a 26 year old woman who casually makes this drink for friends when they have their periods. I’ve made some for my housemates and I’ve delivered some for friends who live in different towns. I do not grow turmeric roots in my garden, but I have grown and shared the love from my mom. What was once from garden to cup is now from *pasar to cup.
A couple of days ago, I asked my mother who taught her how to make the jamu.
“Who else? Yang Ti*! Your grandmother was not just a teacher”, said my mom. I was never close to my grandmother. She passed away when I was eight. All I knew from my mom was that she was a math teacher who had to teach courses after work. I had this image of my grandmother as a hard worker who was kind of distant with her children. My mom did not disagree with that but explained it came from her survival instinct as a mother. “She tried to make time. She tried. She taught me how to make jamu so I could take care of myself and my sisters”.
My mother is the second child out of seven, six of whom are girls. The reason my grandmother taught her is so that all of her children could take care of each other. While my mother was taught how to make the drink, my mother’s older sister was taught how to plant turmeric. Yang Ti knew which one loved the smell of soil more and which one loved the smell of the kitchen. My mother was the latter. She learned how to plant from my aunt, her older sister.
My grandfather worked in a bank but he got laid off when he was in his 40s. So, my grandmother had to do a side-hustle to support their children. My mother was in high school at that time when Yang Ti woke her and her older sister up at dawn. “Would you help me to pick some roots?”. Of course nobody said no. Especially if it was your mother, especially if you were born in Javanese culture where saying “no” sounded like a bad word. Together, the three of them went to the backyard, and they harvested empon - empon, rhizome, that was buried inside the soil. She grew many kinds of rhizome; temu lawak, temu putih, ginger, galangal, kunci, kencur, and kunyit. That was the day where my mother realized that her mother was never far away from her.
That was the day where she could spend more time with her mother. There, in the garden. There, in the kitchen.
“We’re sending these for Ibu Darti, the lady who lives across the river. Kunyit Asam for her and her daughters.”, said my grandmother to my mother and my aunt that day. They poured the Turmeric-Tamarind warm drink into a tall thermos and later my grandmother would deliver it on the way to school.
Over time, my grandmother got more orders for jamu. Everybody in the family helped her to make and deliver her jamu. The small business lasted only a few years, but that was what paid for my mother and her siblings’ education.
Today, my mother, who got laid off just a few days before I wrote this piece, harvested Turmeric and other roots. She’s making her Turmeric Tamarind drink from her kitchen.
My phone rang in the middle of this afternoon, a couple minutes after I boiled the rest of my grated turmeric. Today is one day after my period.
“Ingka, have you washed your pot after boiling those turmeric? It would forever be yellow if you don’t wash it right away!”
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*empon-empon = roots like ginger, turmeric, etc. coming from the Javanese word “Empu” which means, something or someone that has deep knowledge.
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*jamu = Indonesia’s traditional elixir made of roots, barks, flowers, seeds, leaves, and fruits.
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*Yang Ti = Javanese term for grandmother, taken from the term “Eyang Putri” the female you look up to.
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*pasar = the word for traditional market in Indonesian.
“Feminist Movement”
by Karina Tungari, Hamburg, Germany (@_katung_)
The more women support other women, the quicker we’ll see progress. Together we are stronger and make even more impact.

Chandrika Sharma
¿Cómo involucrarse?
- Visita el sitio oficial de la tercera Conferencia Internacional sobre la FpD (en inglés) para conocer más detalles y actualizaciones.
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Súmate al Women’s Working Group on Financing for Development [Grupo de Trabajo de Mujeres sobre Financiación para el Desarrollo, WWG on FfD en inglés] y entérate de cuáles son sus aportes al proceso de la FpD (también puedes enviar un mensaje electrónico a: wwgonffd@gmail.com).
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Únete al Grupo de las OSC en la Conferencia Internacional sobre la FpD (en inglés) o envía un mensaje electrónico a addiscoordinatinggroup@gmail.com pidiendo sumarte: https://groups.google.com/forum/#!forum/global-social-economy).
Otros enlaces importantes para mantenerse informada/o:
- Sección especial de AWID con contenidos sobre la FpD
- Women’s Major Group [Grupo Principal de Mujeres, en inglés]
- Post-2015 Women’s Coalition [Coalición de Mujeres por el Post-2015, en inglés]
- WWG on FfD
- Sección especial de AWID sobre la Agenda de Desarrollo Post-2015
- OSC en la tercera Conferencia Internacional sobre la FpD (en inglés)
- RightingFinance (en inglés)
- Sitio oficial de la Conferencia (en inglés)
2023 - Hybrid like never before: in person - thai
การประชุมแบบผสมผสานอย่างที่ไม่เคยมีมาก่อน
นับเป็นครั้งแรกที่เวทีประชุม AWID จะเสนอรูปแบบการมีส่วนร่วม 3 รูปแบบ
การเข้าร่วมด้วยตัวเอง ณ สถานที่จัดงาน
ผู้เข้าร่วมสามารถเดินทางเข้าร่วมด้วยตัวเอง ที่กรุงเทพฯ ประเทศไทย ซึ่งเราจะตั้งหน้าตั้งตาคอยท่านอยู่!
Alesha
Pleasure Garden Exhibition
The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.



About the Artists:

She is creative director of HOLAAfrica! a pan-Africanist womanist online collective.
Her solo and collaborative performance work has been featured in a number of festivals and theatre spaces such as Ricca Ricca Festival in Japan
She directed two Naledi nominated productions in 2017 and 2018. She directed a show that won a Standard Bank Ovation award in 2020.
As a photographer she was part of a group exhibition titled Flowers of my Soul in Italy organised by the Misfit Project. Produced three publications for HOLAAfrica and was published in and provided the cover for volume two: As You Like of the Gerald Kraak Anthologies.

One of her most lovely and vivaciously titled works, Universe Protector, portrays the black soul as a divine entity full of strength, power, and greatness. In her youth, her love of graphic design was stimulated by her parents’ artistry and the Photoshop they had downloaded on their computer for their professional photography.
Anchalee Phonklieng
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CFA 2023 - what you need to know - thai

สิ่งที่จำเป็นต้องรู้
- เราให้ความสำคัญกับกิจกรรมที่เอื้อและส่งเสริมการเชื่อมต่อและการมีปฏิสัมพันธ์ระหว่างผู้เข้าร่วม เป็นอันดับแรก
- หากกิจกรรมของท่านสามารถจัดทางออนไลน์หรือแบบผสมผสาน (เชื่อมต่อผู้เข้าร่วมในสถานที่จริง และออนไลน์) โปรดคำนึงถึงการสร้างการมีส่วนร่วมอย่างแท้จริง และการมีปฏิสัมพันธ์กับผู้เข้าร่วม ทางออนไลน์ด้วย
- เราสนับสนุนให้เกิดขบวนการเคลื่อนไหวข้ามสาขา ข้ามภูมิภาค และการสนทนาแลกเปลี่ยน ระหว่างคนรุ่นต่างๆ
- โปรดออกแบบกิจกรรมของท่านในลักษณะยืดหยุ่นกับจำนวนผู้เข้าร่วม อาจมีบางกิจกรรมจำกัดไว้ เฉพาะกลุ่มเล็กๆ แต่กิจกรรมส่วนใหญ่จะต้องรองรับจำนวนคนที่มากได้
- หากกิจกรรมของท่านเหมาะสมกับรูปแบบจำนวนหนึ่งหรือไม่มีเลย สามารถระบุไว้ในแบบฟอร์ม ใบสมัครได้

ภาษาที่ใช้ในการจัดกิจกรรม
- ภาษาสำหรับการสมัคร: ในการสมัคร สามารถใช้ภาษาอังกฤษ ฝรั่งเศส สเปน อาหรับ และไทย
- ภาษาที่ในการประชุม: ในการประชุมรวม มีล่ามแปลภาษาแบบฉับพลันเป็นภาษาอังกฤษ ฝรั่งเศส สเปน อาหรับ และไทย รวมถึงภาษามือสากล (ISL) และอาจมีมากกว่านั้น ส่วนกิจกรรมอื่นๆจะมีการจัดล่ามแปลเป็นบางภาษา แต่ไม่ทั้งหมด และอาจมีล่ามแปลเป็นภาษาอื่น เช่นภาษาสวาฮีลี เป็นต้น
Lindiwe Rasekoala | Snippet FR

Lindiwe Rasekoala est une coach de vie spécialisée dans ce qui touche à l’intimité et au bien-être relationnel. Elle est passionnée de santé sexuelle et contribue à des contenus en ligne. Au travers de ses propres expériences et de méthodes de recherche non conventionnelles, elle pense pouvoir combler le fossé éducatif et le manque d’accès à l’information qui existent autour du bien-être sexuel. Elle contribue à diverses émissions de radio et de télévision et a suivi une formation de coach auprès de la Certified Coaches Alliance. La mission de Lindiwe est d’éradiquer les obstacles qui entravent les conversations autour du bien-être sexuel et de donner à ses client·e·s les moyens de mieux se comprendre afin qu’ils·elles puissent avoir un mode de vie et des relations plus saines et holistiques.
Hande Kader
Colectivo Morivivi
El Colectivo Moriviví es una colectiva de solo mujeres. Nuestra producción artística consiste en muralismo, muralismo comunitario y acciones/performances de protesta. Nuestro trabajo tiene como objetivo democratizar el arte y llevar a la esfera pública las narrativas de las comunidades de Puerto Rico, para generar espacios en donde sean validadas. Creemos que, a través del artivismo, podemos promover conciencia sobre temas sociales y fortalecer nuestra memoria colectiva.





En el marco de su participación en el Grupo de Trabajo Artístico de AWID, el Colectivo Moriviví convocó a un grupo diverso de afiliadxs, asociadxs y personal de AWID y facilitó un proceso colaborativo de imaginación, configuración y decisión sobre el contenido para la creación de un mural comunitario, a través de un proceso de creación conjunta en múltiples etapas. El proyecto comenzó con una conceptualización remota con feministas de diferentes zonas del planeta reunidxs por AWID, y luego evolucionó hacia su recontextualización y realización en Puerto Rico. Nos honra haber contado con la contribución de las artistas locales Las Nietas de Nonó (@lasnietasdenono), la participación de mujeres locales en la Sesión de Pintura Comunitaria, el apoyo logístico de la Municipalidad de Caguas, y el apoyo adicional al colectivo, brindado por FRIDA Young Feminist Fund.
El mural explora la trascendencia de las fronteras, al presentar cuerpos como un mapa en un abrazo que realza la intersección de las distintas manifestaciones, prácticas y realidades feministas.
Agradecemos también a Kelvin Rodríguez, quien documentó y captó las diferentes etapas de este proyecto en Puerto Rico:









Sobre el Colectivo Moriviví

Moriviví es un colectivo de jóvenes artistas mujeres que trabajan en arte público desde abril de 2013. Con sede en Puerto Rico, hemos obtenido reconocimiento por la creación de murales y de arte comunitario.
El grupo se inició en festivales locales de arte urbano. A medida que nuestro trabajo se fue haciendo más conocido, algunas organizaciones y líderes comunitarias comenzaron a contactarnos. Al principio éramos solo ocho estudiantes de secundaria que querían pintar juntas un mural. Y en estos ocho años de duro trabajo hemos enfrentado muchos desafíos. Ahora estamos en un período de transición. Queremos reestructurar internamente el colectivo durante el próximo año. Nuestro objetivo es abrir nuevas oportunidades de colaboración y respaldar nuestro proceso de toma de decisiones con un nuevo sistema de evaluación. Aspiramos, en el largo plazo, a convertirnos en una escuela alternativa para la práctica artística, destinada a aquellas personas interesadas en sumergirse en la producción de arte comunitario.
Salwa Bugaighis
註冊費用是多少?
開放報名時會公布。
Forum 2024 - FAQ - Will you be opening CFA - EN
Yes! Please read the Call for Activities and apply here. Deadline is 15 January 2024
Zuhour Mahmoud | Snippet AR

زهور محمود، منسّقة التواصل لمجلّة كحل. هي كاتبة ومحرّرة ودي جاي مقيمة في برلين. تركّز في عملها على مقاربات نقدية بين الثقافة والتكنولوجيا والسياسة، ودورة حياتهم في العالم الرقمي.
