Anit-Racism Movement (ARM) / Flickr (CC BY-NC-ND 2.0)

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Resourcing Feminist Movements

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The “Where is the Money?” #WITM survey is now live! Dive in and share your experience with funding your organizing with feminists around the world.

Learn more and take the survey


Around the world, feminist, women’s rights, and allied movements are confronting power and reimagining a politics of liberation. The contributions that fuel this work come in many forms, from financial and political resources to daily acts of resistance and survival.


AWID’s Resourcing Feminist Movements (RFM) Initiative shines a light on the current funding ecosystem, which range from self-generated models of resourcing to more formal funding streams.

Through our research and analysis, we examine how funding practices can better serve our movements. We critically explore the contradictions in “funding” social transformation, especially in the face of increasing political repression, anti-rights agendas, and rising corporate power. Above all, we build collective strategies that support thriving, robust, and resilient movements.


Our Actions

Recognizing the richness of our movements and responding to the current moment, we:

  • Create and amplify alternatives: We amplify funding practices that center activists’ own priorities and engage a diverse range of funders and activists in crafting new, dynamic models  for resourcing feminist movements, particularly in the context of closing civil society space.

  • Build knowledge: We explore, exchange, and strengthen knowledge about how movements are attracting, organizing, and using the resources they need to accomplish meaningful change.

  • Advocate: We work in partnerships, such as the Count Me In! Consortium, to influence funding agendas and open space for feminist movements to be in direct dialogue to shift power and money.

Related Content

What Our Members Say - En

What Our Members Say

Sexting Like a Feminist: Humor in the Digital Feminist Revolution Snippet Small

Sexting Like a Feminist: Humor in the Digital Feminist Revolution

by Chinelo Onwualu

On September 2nd, 2021, the amazing feminist and social justice activists of AWID’s Crear | Résister | Transform festival came together not only to share resistance strategies, co-create, and transform the world, but also to talk dirty on Twitter.

 

Read more

 

Snippet - CSW69 On autonomous resourcing - EN

On autonomous resourcing alternatives

Communicating Desire | Content Snippet

Communicating Desire

and Other Embodied Political Praxes


Communicating Desire

Host: We tend to think about communicating desire as something that is limited to the private intimacy of the bedroom and our personal relationships. But can we also think of this kind of communication as a structure, a praxis that informs our work, and how we are, how we do in the world?

Lindiwe
I believe that unfortunately in the past, expressing your sexuality has been limited. You were allowed to express it within the confines of your marriage, which was permitted, there have always been taboo and stigmas attached to expressing it any other way. When it comes to communicating, obviously the fact that certain stigmas are attached to expressing your sexuality or expressing your desire makes it a lot harder to communicate that in the bedroom or intimately with your partner. From my personal experience, I do believe that obviously if I feel more comfortable expressing myself outside of the bedroom on other matters or other topics, it’s easier for me to build that trust, because you understand conflict resolution with that particular person, you understand exactly how to make your communication special towards that particular person. It’s not easy. It’s something that is consistently done throughout whatever your engagement is, whether it’s your relationship or whether it’s casual and just in the moment. But I believe that confidence outside can definitely translate to how you communicate your desire.

Manal
Since childhood, a woman is raised with that, “you’re not allowed to talk about your body, you’re not allowed to talk about your desire,” which puts a heavy responsibility on women, especially girls in their teens when they need to express themselves and talk about these issues. So for me I think this is a big problem. You know, I have been married for more than 25 years, but still, until now, I cannot talk about my desires. I cannot say what I want or what I prefer, because it’s like I’m not allowed to go beyond this line. It’s like haram, despite it being my right. This is the case for all my friends, they just can’t express themselves in the right way.

Louise
Personally, I find that expressing our desires, my desires, however that expression comes in hand, has to do with the other, and the gaze that the other would have on me. So this is also something that we can link to cinema. And the gaze I would have on myself as well: what I think I am as an individual, but also what society expects of me and my sexuality. In the past, I somehow did the analogy between what happens in the bedroom and what happens in the workplace, because there is sometimes this dynamic of power, whether I want it or not. And oftentimes, verbal communication is harder than we think. But when it comes to representation in film, that’s a totally different game. We are very far away from what I guess all of us here would like to see on screen when it comes to just communicating sexual desires inside or outside the bedroom. 


Online and Embodied

Host: We can think about the digital world as embodied: while it might be virtual, it is not less real. And this was made clear in the context of AWID’s feminist realities festival, which took place entirely online. What does it mean then to talk about sexuality, collectively, politically, in online spaces? Do we navigate virtual spaces with our bodies and affects, and in this case, what are the different considerations? What does it do to communication and representation?


Lindiwe
Social media makes you feel community-based. When you express what it is that you want or like, there is someone who’s either going to agree or disagree, but those who do agree make you feel that you belong to a community. So it’s easier to throw it out into the universe, or for others to see, and potentially not get as much judgment. And I say this very loosely because sometimes, depending on what it is that you’re expressing, it either will get you vilified or celebrated. But when it comes to the bedroom, there is an intimacy and almost a vulnerability that is exposing you and different parts of you that is not as easy to give your opinion on. When it comes to expressing your desire, speaking it and saying it and maybe putting a Tweet or a social media post, or even liking and reading other communities that are same-minded is a lot easier than telling your partner, “this is how I want to be pleasured” or “this is how what I want you to do next,” because of the fear of rejection. But not only that, just the vulnerability aspect – allowing yourself to be bare enough to let the other person see into what you are thinking, feeling, and wanting – I think this is where the difference would come in for me personally. I feel it is a lot more community-based on social media, and it’s easier to engage in discourse. Whereas in the bedroom, you don’t want to necessarily kill the moment. But I think that also kind of helps you understand going forward, depending on the relationship with the person, how you would engage thereafter. So I always know that if I try to communicate something and I fail to do so in the moment, I can always try to bring it up outside of that moment and see what the reaction would be so I know how to approach it going forward.

Louise
You know the question in films is, I don’t know if the male gaze is done intentionally or not. Like we don’t really know that. What we know is that the reason why sexuality in general has been so heternormative and focused on penetration and not giving any space for women to actually ask for anything in films, is because most of the people who have been working in this industry and making decisions in terms of, you know, storytelling and editing have been white men. So rape revenge is this very weird film genre that was birthed in the 70s, and half of the story would be that a woman is being raped by one or multiple people, and in the other half, she would get her revenge. So usually she would murder and kill the people who have raped her, and sometimes other people next to them. At the beginning of the birth of this genre and for 30 years at least, those films were written, produced, and directed by men. This is why we also want so much representation. A lot of feminists and pioneers in queer filmmaking also used the act of filming in order to do that and to reclaim their own sexuality. I’m thinking about Barbara Hammer, who’s a feminist and queer pioneer in experimental cinema in the U.S. where she decided to shoot women having sex on 16mm, and by doing so reclaimed a space within the narrative that was exposed in film at that time. And there is also then the question of invisibilization: we know now, because of the internet and sharing knowledge, that women and queer filmmakers have been trying and making films since the beginning of cinema. We only realize it now that we have access to databases and the work of activists and curators and filmmakers.


Resisting Colonization

Host: And this opens up the conversation on the importance of keeping our feminist histories alive. The online worlds have also played a crucial role in documenting protests and resistance. From Sudan to Palestine to Colombia, feminists have taken our screens by storm, challenging the realities of occupation, capitalism, and oppression. So could we speak of communicating desire – the desire for something else – as decolonization?


Manal
Maybe because my village is just 600 residents and the whole village is one family – Tamimi – there are no barriers between men and women. We do everything together. So when we began our non-violent resistance or when we joined the non-violent resistance in Palestine, there was no discussion whether women should participate or not. We took a very important role within the movement here in the village. But when other villages and other places began to join our weekly protests, some men thought that if these women participate or join the protests, they will fight with soldiers so it will be like they’re easy women. There were some men who were not from the village who tried to sexually harass the women. But a strong woman who is able to stand in front of a soldier can also stand against sexual harassment. Sometimes, when other women from other places join our protest, they are shy at first; they don’t want to come closer because there are many men. If you want to join the protest, if you want to be part of the non-violent movement, you have to remove all these restrictions and all these thoughts from your mind. You have to focus on just fighting for your rights. Unfortunately, the Israeli occupation realizes this issue. For example, the first time I was arrested, I wear the hijab so they tried to take it off; they tried to take off my clothes, in front of everybody. There were like 300-400 people and they tried to do it. When they took me to the interrogation, the interrogator said: “we did this because we want to punish other women through you. We know your culture.” So I told him: “I don’t care, I did something that I believe in. Even if you take all my clothes off, everybody knows that Manal is resisting.”

Lindiwe
I think even from a cultural perspective, which is very ironic, if you look at culture in Africa, prior to getting colonized, showing skin wasn’t a problem. Wearing animal skin and/or hides to protect you, that wasn’t an issue and people weren’t as sexualized unless it was within context. But we conditioned ourselves to say, “you should be covered up” and the moment you are not covered up you are exposed, and therefore it will be sexualized. Nudity gets sexualized as opposed to you just being naked; they don’t want a little girl to be seen naked. What kind of society have we conditioned ourselves to be if you’re going to be sexualizing someone who is naked outside of the context of a sexual engagement? But environment definitely plays a big role because your parents and your grannies and your aunts say “no, don’t dress inappropriately,” or “no, that’s too short.” So you hear that at home first, and then the moment you get exposed outside, depending on the environment, whether it’s a Eurocentric or more westernized environment to what you are used to, then you are kind of free to do so. And even then, as much as you are free, there’s still a lot that comes with it in terms of catcalling and people still sexualizing your body. You could be wearing a short skirt, and someone feels they have the right to touch you without your permission. There is so much that is associated with regulating and controlling women’s bodies, and that narrative starts at home. And then you go out into your community and society and the narrative gets perpetuated, and you realize that you get sexualized by society at large too, especially as a person of color.

Decorative Element

Resistance as Pleasure

Host: And finally, in what ways can our resistance be more than what we are allowed? Is there a place for pleasure and joy, for us and our communities?


Louise
Finding pleasure as resistance and resistance in pleasure, first for me there is this idea of the guerrilla filmmaking or the action of filming when you’re not supposed to or when someone told you not to, which is the case for a lot of women and queer filmmakers in the world right now. For example, in Lebanon, which is a cinema scene that I know very well, most of the lesbian stories that I’ve seen were shot by students in very short formats with “no production value” as the west would say – meaning with no money, because of the censorship that happens on an institutional level, but also within the family and within the private sphere. I would think that filming whatever, but also filming pleasure and pleasure within lesbian storytelling is an act of resistance in itself. A lot of times, just taking a camera and getting someone to edit and someone to act is extremely hard and requires a lot of political stance.

Lindiwe
I have a rape support group. I’m trying to assist women to reintegrate themselves from a sexual perspective: wanting to be intimate again, wanting to not let their past traumas influence so much how they move forward. It’s not an easy thing, but it’s individual. So I always start with understanding your body. I feel the more you understand and love and are proud of it, the more you are able to allow someone else into that space. I call it sensuality training, where I get them to start seeing themselves as not sexual objects, but as objects of pleasure and desire that can be interchangeable. So you’re worthy of receiving as well as giving. But that’s not only from a psychological point of view; it is physical. When you get out of the shower, you get out of the bath, and you’re putting lotion on your body, look at every part of your body, feel every part of your body, know when there are changes, know your body so well that should you get a new pimple on your knee, you are so aware of it because just a few hours ago it wasn’t there. So things like that where I kind of get people to love themselves from within, so they feel they are worthy of being loved in a safe space, is how I gear them towards claiming their sexuality and their desire.

Manal
You know we began to see women coming from Nablus, from Jerusalem, from Ramallah, even from occupied 48, who have to drive for 3-4 hours just to come to join the protests. After that we tried to go to other places, talk with women, tell them that they don’t have to be shy, that they should just believe in themselves and that there is nothing wrong in what we are doing. You can protect yourself, so where is the wrong in participating or in joining? Once I asked some women, “why are you joining?” And they said, “if the Tamimi women can do it, we can do it also.” To be honest I was very happy to hear this because we were like a model for other women. If I have to stand for my rights, it should be all my rights, not just one or two. We can’t divide rights.

Snippet - Section Two Funding Resources in One Place - EN

A Universe of Funders & Funding Commitments

Clone of Mariam Mekiwi | Snippet AR

Mariam Mekiwi Portrait

مريم مكيوي مخرجة أفلام ومصورة من الإسكندرية تعيش وتعمل في برلين.

Snippet2 - WCFM Regional focus: - EN

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Regional focus:

Filter for funders that support initiatives in your geographical area.

Hospital | Content Snippet AR

مستشفى

ترجمة مارينا سمير

«الآن قد يكون وقتًا مناسبًا لإعادة التفكير في الشكل الذي يمكن للثورة أن تتّخذه. ربما لن تبدو كمسيرةٍ من الأجساد الغاضبة والقادرة في الشوارع. ربما ستبدو وكأنّ العالم واقفٌ في ثباتٍ لأن جميع الأجساد الموجودة فيه منهَكة – حيثُ أنّه يجب إعطاء الأولوية للرعاية قبل فوات الأوان». 
- جوانا هيدفا  

المستشفيات مؤسسات، ومواقع حيّة للرأسمالية، وما يحدث عندما يكون من المفترض أن يستريح شخصٌ ما ليس إلّا نموذجاً مصغّراً من النظام الأكبر. تَعمَد المؤسسات إلى فصلنا عن أنظمة رعايتنا – نَجِد أنفسنا معزولين في بُنى تراتبية راسخة، وغالبًا ما نشعر وكأنّ الرعاية هي شيء يُفعَل بنا بدلاً من أن تكون شيئًا يُعطى ويؤخَذ كجزء من محادثة. الرعاية المؤسسية معزولة بسبب اندماجها في الطلب الرأسمالي: شخص واحد يعالج رِجلك ورِجلك فقط، شخص آخر يعالج ضغط الدم وهكذا.

المستشفيات مؤسسات، ومواقع حيّة للرأسمالية، وما يحدث عندما يكون من المفترض أن يستريح شخصٌ ما ليس إلّا نموذجاً مصغّراً من النظام الأكبر. تَعمَد المؤسسات إلى فصلنا عن أنظمة رعايتنا – نَجِد أنفسنا معزولين في بُنى تراتبية راسخة، وغالبًا ما نشعر وكأنّ الرعاية هي شيء يُفعَل بنا بدلاً من أن تكون شيئًا يُعطى ويؤخَذ كجزء من محادثة. الرعاية المؤسسية معزولة بسبب اندماجها في الطلب الرأسمالي: شخص واحد يعالج رِجلك ورِجلك فقط، شخص آخر يعالج ضغط الدم وهكذا. 

اضطرّت المصوّرة مريم مكيوي لإجراء عملية جراحية الشهر الماضي، ووثّقت هذا المسار. صورها للبيئات المعقّمة بألوانها الباهتة – أضواء نيون بيضاء وصفوف تلو صفوف من التكوينات المتكرّرة – تعكس مكانًا استُنزفت منه الحياة والحركة. كانت هذه إحدى الطرق التي حافظت بها مريم على بقاء روحها. لقد كان أحد أشكال الاحتجاج من داخل حدود مؤسسةٍ كان عليها التعامل معها.

تُشكّل الصور وصفًا لشيءٍ واهنٍ بشدّة، فمشاهدة شخصٍ ما وهو يعايش انهيار جسده هو دائمًا تذكير جليل بهشاشتنا. إنه أيضًا تذكير بهشاشة أنظمة الرعاية هذه، والتي قد تُمنَع عنّا لأسباب متعدّدة – بدايةً من عدم امتلاك الأموال وصولًا إلى عدم التواجد في جسدٍ يُعتبَر ذا قيمة كافية، فربما يكون أنثويًا أكثر مما ينبغي أو كويريًا أكثر مما ينبغي أو ملوَّنًا أكثر مما ينبغي.

الرعاية الانفرادية والمجرّدة من جوهرها والتي قد تُسلَب منّا في أي لحظة لا تساعدنا على الازدهار. وهي مختلفة تمامًا عن الطريقة التي يسلكها البشر عند رعاية بعضهم البعض. كم سيبدو عالمنا مختلفًا إذا التزمنا بتفكيك الهياكل الرأسمالية الحالية حول صحّتنا؟ كيف سيبدو إذا أعَدنا تخيُّلَه بشكل جذريّ؟

WITM - Refreshed INFOGRAPHIC 3 EN

How feminists resource themselves

Feminist and women’s rights organizations don’t just rely on institutional funding, we resource ourselves. Our organizing is powered by passion, political commitment, solidarity and collective care.
These resources are self- generated and autonomous, and often invisible in our budgets, but they are the backbone of our organizing.

 Explore the data on autonomous resourcing

Snippet Kohl - Panel “un”Inclusive Feminism | AR

Balloon Panel “un”Inclusive Feminism

حلقة نقاش | النسوية “غير” الشاملة: فتيات بلا صوت في الحركة النسوية الهايتية
مع نايكي ليدان وفيدورا بيير-لوي

YOUTUBE

Snippet - COP30 - Feminist Demands for COP30 Col 1

What We Reject:

  • Market-based false solutions
  • Ecosystem service trading
  • Green neoliberal economies mining
  • Geo-engineering
  • Fossil fuels
  • Military spending over climate funds
  • Climate finance as loans

#4 - Sexting like a feminist Tweets Snippet AR

ان كنت نسوية عن حق، فإنك سترفضين التحقير الموجّه ضد الممارسات الجنسية الغرائبيّة

Image of a tweet. Text says: The revolution in your pants will not be televised... unless you're into that kind of thing. Which we can discuss... viva.

تَلفَزَتُنا للثورة تحت حزامك مشروطة بطبيعة رغباتك

Protection of the Family

The Issue

Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.

The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.

“Protection of the Family” efforts stem from:

  • rising traditionalism,
  • rising cultural, social and religious conservatism and
  • sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.

Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.

This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.


Our Approach

AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.

In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs).  OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like  “Protection of the Family”.

Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.   

The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN.  It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”

 

Related Content

« Surmonter l'adversité et guérir de la douleur » - Iniobong Usanga

« Surmonter l'adversité et guérir de la douleur » - Iniobong Usanga

Iniobong, membre de l’AWID depuis janvier 2015, est citoyenne irlandaise et d’origine nigérienne. En 2001, elle est arrivée en Irlande après avoir été forcée de quitter le Nigéria suite à des violences domestiques, sexuelles et reproductives.


« Je pense que personne ne mérite d’être l’esclave de quelqu’un. Cela ne devrait arriver à personne. » dit-elle.

Au début, son arrivée en Irlande, comme demandeuse d’asile et fille mère, a été très difficile : « les gens vous jugent sans vraiment connaître votre situation », commente-t-elle. A force de détermination, Iniobong a achevé ses études secondaires et a occupé de nombreux postes rémunérés et bénévoles.

Pendant des années, Iniobong a gardé toute cette histoire d’abus et de départ forcé pour elle. Par crainte des réactions de sa famille et aussi parce qu’elle ne voulait pas qu’on la juge, qu’on la plaigne ou lui mette une étiquette. En 2014, Iniobong a choisi de rompre la loi du silence, pour elle, et aussi « pour toutes celles et ceux qui endurent ce qu’elle a vécu, pour les survivant-e-s, pour les personnes qui n’ont plus d’espoir et celles qui veulent prendre un nouveau départ.»

« Je suis reconnaissante d’avoir une voix et de pouvoir m’exprimer librement. »

Iniobong fait aussi entendre sa voix pour militer pour les droits des femmes et des enfants qui subissent eux-mêmes différentes formes de violence. Avec l’aide de quelques ami-e-s, elle a fondé “Amour et attention aux gens du monde entier” (Love and Care for People Worldwide), une organisation non-gouvernementale qui aide les femmes, les enfants et les jeunes ayant subi des abus, et souffrant de pauvreté et d’autres formes d’exclusion sociale. “Je voulais apporter de l’espoir aux gens et leur faire savoir que nous soutiendrons leur détermination.” L’organisation propose différentes activités qui permettent de renforcer la confiance en soi des enfants et des femmes, de les éduquer et de développer leurs compétences professionnelles.

« Je ne pourrais jamais brader mon bonheur. C’est mon bonheur. Je continuerai de vivre pour moi-même et non pour satisfaire les autres. »


Ecoutez Iniobong raconter son histoire avec ses propres mots (en anglais)

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Europe
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"Overcoming adversity and healing the pain" - Iniobong Usanga

"Overcoming adversity and healing the pain" - Iniobong Usanga

Iniobong, an AWID member since January 2015, is an Irish citizen with Nigerian roots. In 2001, she migrated to Ireland because she was forced to leave Nigeria after experiencing domestic, sexual and reproductive abuse.


“I don’t think anyone should be put in that situation where they are a slave to someone…. It shouldn’t happen to anyone”, she says.

Her arrival to Ireland as an asylum seeker and a single mother was extremely difficult at the beginning.

“People judge you even without knowing your situation”, she says. But due to her determination, Iniobong completed post-secondary education and has since worked in different paid and voluntary positions.

For years Iniobong kept her experience of abuse and forced migration to herself. She feared her family’s reactions and did not want to be judged, pitied or labelled.

In 2014, Iniobong chose to break her silence.

She spoke out for herself but also “for people who are currently experiencing what I had gone through, for survivors, for those who have given up hope and those who want to make a fresh start.”

“I am grateful because I have a voice and I can use it freely.”

Iniobong also uses her voice to advocate for the rights of women and children who are facing different kinds of violence.

With the help of some friends, she founded Love and Care for People Worldwide, a non-governmental organisation that supports women, children and youth affected by abuse, poverty and other forms of social exclusion. “I wanted to offer people hope and make them know their determination combined with some support.” The organisation offers diverse activities to help strengthen children’s and women’s self-confidence, learning and vocational skills.

“I would not sell my happiness for anyone. I have to be happy for me. And not continue living my life to please every other person but me.”


Listen Iniobong's story in her own words

Region
Europe
Africa

"Superando la adversidad y sanando el dolor" - Iniobong Usanga

"Superando la adversidad y sanando el dolor" - Iniobong Usanga

Iniobong es una ciudadana irlandesa con raíces nigerianas, que forma parte de AWID desde enero de 2015. Llegó a Irlanda en 2001 tras ser obligada a abandonar Nigeria por sufrir violencia doméstica, sexual y reproductiva.


“Nada justifica que una persona sea puesta en la situación de ser esclava de otra. Es algo que no debería sucederle a nadie, declara.

Su llegada a Irlanda como solicitante de asilo y madre soltera fue muy difícil al principio. “Las personas te juzgan incluso sin conocer tu situación”, afirma. Con determinación, Iniobong completó sus estudios superiores y ha realizado numerosos trabajos, tanto remunerados como voluntarios.

Durante varios años, guardó silencio sobre sus experiencias de abuso y migración forzada. Sentía temor de la reacción de su familia y no quería ser juzgada, etiquetada o que sintieran lástima por ella. En 2014, Iniobong decidió romper el silencio, lo hizo por ella misma, pero también “por aquellas personas que ahora están sufriendo lo que yo sufrí, por las supervivientes, por quienes han perdido la esperanza y por quienes desean comenzar de nuevo”.

“Agradezco tener voz y poder usarla con libertad."

Iniobong también usa su voz para defender los derechos de aquellas mujeres, niñas y niños que están viviendo algún tipo de violencia. Con la ayuda de algunas amistades, fundó “Love and Care for People Worldwide” (Amor y protección para las personas de todo el mundo), una organización no gubernamental que apoya a las mujeres, niñas y niños afectados por el abuso, la pobreza y otras formas de exclusión social. “Quería dar esperanzas a la gente, que conocieran su valor y que tuvieran cierto apoyo”. La organización ofrece distintas actividades para ayudar a fortalecer la confianza de las mujeres, las niñas y niños, sus habilidades para aprender y sus destrezas vocacionales.

“No vendería mi felicidad por nadie. Es por mí que debo ser feliz y no dejar de vivir mi vida por complacer a nadie que no sea yo.”


Escuche la historia de Iniobong con sus propias palabras. (en inglés)

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África

The Abortion Rights Campaign "Breaking the Silence" in Ireland

The Abortion Rights Campaign "Breaking the Silence" in Ireland

The Abortion Rights Campaign (ARC) - advocating for free, safe, and legal abortion in Ireland - has been an AWID member since May 2015. It is a grassroots, non-hierarchical, all-volunteer organization and is autonomous in its pro-choice activism.


ARC partners with numerous social justice, human rights and gender equality groups working on issues that intersect with and are impacted by Ireland’s failure to support full sexual and reproductive health and rights (SRHRs) for women since the 1983 8th Amendment of the Irish Constitution.

Although ARC only formed in January 2013, it currently actively partners with over 15 organizations throughout Ireland and internationally including the women’s councils, transgender, immigrant, traveler and regional/rural groups.

Marching for Choice

As part of this year's Global Day of Action for Access to Safe and Legal Abortion, ARC held its 4th Annual March for Choice on 26 September 2015

The march is part of ARC’s wider mission to secure access to free, safe, and legal abortion, while challenging the restrictive, stigmatized, and patriarchal environment surrounding SRHRs in Ireland.

Cathie Doherty, one of the co-conveners of ARC tells us, “There is an appetite in Ireland for real change, contrary to the statement from the Minister for Health and the Taoiseach. We need to end the hypocrisy of travel and the hypocrisy which forces women who cannot travel to carry pregnancies or to break the law by importing the abortion pill. We can change Ireland. We can have a society which treats us as the valuable human beings that we are.”

In just one year (2013 – 2014), the march grew from 1,000 to 5,000 participants, and there were a reported 10,000 participants at this year's march. Marchers have brought wheelie suitcases to symbolize the thousands of women who have been forced to seek abortion elsewhere. Between January 1980 and December 2014, at least 163,514 women and girls travelled from the Republic of Ireland to access safe abortion services in another country.

Speaking out – Breaking Silence and Stigma

ARC works closely with women who have had abortions to tell their stories. They create a safe space where women can speak and be listened to. Ireland’s ‘Speak-Out’ organized in 2013 and again in 2014 gave a platform to women to talk about their abortions and reproductive health experiences abroad or illegally in Ireland. Some women have shared their stories with the press.

The Comedian and writer Tara Flynn recently spoke publicly about her experience in the Irish Times and said about the March for Choice that she will also MC for, “It’s time to acknowledge real women’s stories – women we all know – and actual facts: hundreds of thousands of women have had to travel and will continue to travel for healthcare they need, or put themselves at risk. Silence has got us nowhere. It’s time to talk.”

Dismantling Myths Through Social Media

For ARC, social media is an effective platform to campaign for and highlight bodily autonomy issues which often more traditional media fail to engage with.

“We strive to incorporate the use of new media and technologies into all of our advocacy work, with the aim of engaging as wide an audience as possible,” ARC said.

Ahead of International Women's Day in 2014, ARC ran the '8 days, 8 myths' campaign, dismantling the stigma and falsehoods surrounding abortion.

 


4th Annual March for Choice Campaign

 

La Campaña por el Derecho al Aborto «Rompiendo el Silencio» en Irlanda

La Campaña por el Derecho al Aborto «Rompiendo el Silencio» en Irlanda

Abortion Rights Campaign [Campaña por el Derecho al Aborto, ARC] — que aboga por el aborto libre, seguro y legal en Irlanda — se afilió a AWID en mayo de 2015. Se trata de una organización de base, no jerárquica y formada por personal voluntario, que actúa de forma autónoma en su activismo por el derecho a decidir.


ARC trabaja en conjunto con numerosos grupos de justicia social, derechos humanos e igualdad de género en temáticas relacionadas entre sí y que se ven afectadas por el hecho de que desde 1983, cuando se aprobó la octava enmienda a la Constitución irlandesa, el país no ha brindado un apoyo pleno a la salud y los derechos sexuales y reproductivos de las mujeres.

Aunque la ARC se creó recién en enero de 2013, ya trabaja activamente con más de 15 organizaciones de toda Irlanda y también a nivel internacional, entre las que se cuentan Consejos de Mujeres y grupos trans*, de inmigrantes, de simpatizantes, regionales y rurales.

Marcha por el Derecho a Decidir 

En el marco del Día de Acción Global por un Aborto Legal, Seguro y Gratuito, la ARC organizó su Cuarta Marcha Mundial por el Derecho a Decidir, el 26 de septiembre de 2015. La marcha es parte de la misión de ARC que incluye tanto garantizar el acceso al aborto libre, seguro y legal, como cuestionar el ambiente restrictivo, estigmatizado y patriarcal que rodea a la salud y los derechos sexuales y reproductivos en Irlanda.

Cathie Doherty, una de los co-convocantes de ARC afirma: «En Irlanda hay ganas de que se produzca un cambio real, en contra de lo que sostienen el Ministro de Sanidad y del Primer Ministro. Tenemos que acabar con la hipocresía de los viajes al exterior, que obliga a las mujeres que no pueden viajar a continuar con sus embarazos o a incumplir la ley importando píldoras para abortar. Podemos cambiar Irlanda. Podemos tener una sociedad que nos trate como seres humanos valiosos, que lo somos».

En sólo un año (2013 - 2014), la marcha ha crecido de 1.000 a 5.000 participantes, y se informó que 10,000 personas participaron de la marcha de este año.. Las manifestantes llevan maletas con ruedas, como símbolo de los miles de mujeres que se han visto obligadas a viajar para poder abortar. Entre enero de 1980 y diciembre de 2014, al menos 163 514 mujeres y niñas viajaron desde la República de Irlanda para acceder a servicios de aborto seguro en otro país(en inglés)

«Alza la voz» – Romper el silencio y acabar con el estigma

La ARC trabaja en estrecha colaboración con las mujeres que han abortado para que cuenten sus historias, creando un espacio seguro donde las mujeres pueden hablar y ser escuchadas. La acción «Speak Out» [Alza la voz] organizada en 2013 y nuevamente en 2014 facilitó una plataforma a las mujeres para que pudieran hablar sobre sus experiencias de abortos y atención a la salud reproductiva en el extranjero o ilegalmente en Irlanda.

Algunas mujeres compartieron sus historias con la prensa. La actriz y escritora Tara Flynn habló recientemente en público sobre su experiencia a través del periódico The Irish Times, en declaraciones sobre la Marcha por el Derecho a Decidir en la que se dispone a participar: «Es hora de admitir las historias de las mujeres reales — las mujeres que todo el mundo conoce — y los hechos concretos: cientos de miles de mujeres han tenido que viajar y continuarán viajando para obtener la atención médica que necesitan, o han puesto en riesgo su vida. El silencio no nos ha llevado a ninguna parte. Es hora de alzar la voz".

Desmontando mitos a través de las redes sociales

Para la campaña ARC, las redes sociales son una plataforma eficaz para hacer campaña y poner de relieve cuestiones que tienen que ver con la autonomía corporal, de las que no se ocupan los medios de comunicación más tradicionales.

«Nos esforzamos por incorporar el uso de los nuevos medios y las tecnologías en todo nuestro trabajo de incidencia, con el objetivo de involucrar a un público lo más amplio posible», afirmó una portavoz de la ARC.

En 2014, en la semana previa al Día Internacional de las Mujeres, ARC organizó la campaña «8 días, 8 mitos», para acabar con el estigma y las mentiras que rodean al aborto.

 


Cuarta Marcha Anual por el Derecho a Decidir (en inglés)

 

Source
ARC

En Irlande, le « silence est rompu » : La Campagne pour le droit à l’avortement

En Irlande, le « silence est rompu » : La Campagne pour le droit à l’avortement

Abortion Rights Campaign (ARC – Campagne pour le droit à l’avortement) – qui milite pour que l’avortement devienne gratuit, sûr et légal en Irlande – est membre de l’AWID depuis le mois de mai 2015. Cette organisation de base, non hiérarchique et entièrement composée de bénévoles mène son action en faveur de l’avortement en toute indépendance.


Elle collabore avec de nombreux groupes de défense de la justice sociale, des droits humains et de l’égalité de genre qui, tous, travaillent sur des thèmes liés à l’incapacité de l’Irlande à garantir pleinement la santé et les droits sexuels et reproductifs (SDSR) des femmes, notamment depuis l’adoption en 1983 du 8e amendement de la Constitution irlandaise. L’ARC n’existe que depuis janvier 2013, mais elle collabore déjà activement avec plus de 15 organisations basées dans toute l’Irlande ou d’envergure internationale, parmi lesquelles des conseils de femmes, des groupes de défense des droits des personnes transgenres, des migrant-e-s, des gens du voyage mais aussi des organisations régionales / rurales.

Marcher pour le droit de choisir

Dans le cadre de la Journée mondiale d’action pour l’accès à l’avortement sûr et légal, l’ARC a organisé sa 4e Marche annuelle pour l’avortement (site en anglais) le 26 septembre. Cette marche est une partie intégrante de la mission de l’ARC, une mission qui consiste d’une part à lutter pour que les femmes puissent avorter légalement, gratuitement et en toute sécurité et, d’autre part, à remettre en cause le contexte restrictif, stigmatisant et patriarcal dans lequel la SDSR est mise en œuvre en Irlande.

Selon Cathie Doherty, l’une des co-organisatrices de l’ARC, « l’Irlande aspire actuellement à un vrai changement, contrairement à ce que prétendent le ministre de la Santé et le Premier ministre. Nous devons cesser de prétendre que les femmes irlandaises ne vont pas à l’étranger pour avorter. Cette hypocrisie contraint les femmes qui ne peuvent pas adopter cette solution à mener à leur terme des grossesses non désirées ou à importer illégalement des pilules abortives. Nous pouvons faire évoluer l’Irlande. Nous pouvons également vivre dans une société qui nous traite comme les êtres humains estimables que nous sommes.»

En un an tout juste (entre 2013 et 2014), le nombre de participant-e-s à la marche est passé de 1 000 à 5 000. Ce sont 10 000 participant-e-s qui ont été comptabilisés à la marche de cette année. Les manifestant-e-s sont venu-e-s avec des valises à roulettes pour symboliser l’obligation faite aux femmes d’aller avorter hors du pays. Entre janvier 1980 et décembre 2014, au moins 163 514 femmes et jeunes filles ont dû quitter le territoire irlandais pour bénéficier de services médicalisés d’interruption de grossesse à l’étranger (site en anglais). 

Prendre la parole pour rompre le silence et mettre fin à la stigmatisation

L’ARC collabore étroitement avec de nombreuses femmes qui ont avorté, et ce dans le but de faire connaître leur histoire. Elle met à leur disposition un espace sûr au sein duquel elles peuvent parler et être écoutées. Des séances de prise de parole (« Speak-out ») ont été organisées en 2013 puis en 2014, dans le but d’offrir à ces femmes la possibilité de parler de l’avortement ou des soins de médecine procréative dont elles ont pu bénéficier à l’étranger ou, illégalement, en Irlande.

Certaines des participantes ont confié leur témoignage à des journalistes. L’écrivaine et comédienne Tara Flynn a récemment évoqué sa propre expérience dans un article de l’Irish Times (site en anglais). Elle a notamment affirmé qu’elle participerait à la Marche pour le droit de choisir, poursuivant en ces termes : « il est temps de reconnaître le vécu réel de toutes ces femmes – que nous connaissons – et d’admettre les faits tels qu’ils sont : des centaines de milliers de femmes ont été contraintes de prendre des risques ou d’aller à l’étranger pour recevoir les soins de santé dont elles avaient besoin. Le silence ne nous a mené à rien. Il est temps de parler. »

Mettre à bas les mythes grâce aux médias sociaux

L’ARC considère les médias sociaux comme une plateforme efficace pour mener son action et mettre en lumière les questions relatives à l’autonomie corporelle, un sujet que les médias traditionnels n’abordent généralement pas.

« Pour atteindre le public le plus large possible, nous [l’ARC] nous efforçons d’intégrer l’utilisation des nouveaux médias et des nouvelles technologies à tous les niveaux de notre travail de plaidoyer. »

En préparation de la Journée internationale des femmes 2014, l’ARC a mené la campagne « 8 days, 8 myths » (« 8 jours, 8 mythes »), dans le but de saper les fondements de la stigmatisation et des préjugés dont sont victimes les femmes qui avortent.


Présentation de la 4e Marche annuelle pour le droit de choisir (en anglais)

 

Source
ARC

Add your own propositions

Please take a look at the existing propositions for inspiration before submitting your own idea. Someone might already be thinking along the same lines! Send your proposition to contribute@awid.org.

We will review and include new propositions on this webpage as they come.

Snippet Festival Artwork_fest (EN)

Festival Art!

Featuring artwork by Upasana Agarwal, Ika Vantiani, & Naadira Patel.

Click on the images to enlarge

By artist Upasana Agarwal

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Illustrated portrait of Anima Adjepong saying I learn queer as practice, as in the service of freedom… Queer disrupts the normative order we live in, in order to create something else, it is about leadership beyond the individual
Illustrated portrait of Anwulika Okonjo that says: Feminists are World Builders
Portrait of Dilar Dirik saying: “We need to make sure that feminism is a threat to the system”  "We no longer need to just be in solidarity with each other, we need new platforms of common struggles"
Illustrated portrait of Makgosi Letimile saying: Sex toys should not be a luxury. They should be accessible and affordable
Illustrated portrait of Manal Tamimi that says: “You are the fire that keeps everyone warm"
Illustrated portrait of Nana Akosua Hanson that says: "Art allows us to create an alternate reality"
Illustrated portrait of Nomsa Sizani, over a white and turquise background, that says: “When we occupy this land, it is another way of condemning this capitalist system”  “If we don’t so, nobody will liberate ourselves”
Illustrated portrait of Sandie Hanna that says: “Solidarity is a mechanism of survival”  “We need to keep going because continuity is vital in our causes for liberation”
Illustrated portrait of Doctor Vandana Shiva that says: “The panel today is a beautiful awakening of the world that is possible”
Illustrated portrait of Yannia S. Garzón that says: “Recovering the dignity of being a black woman is what keeps me alive”
Illustrated portrait of Dr. Angelique V. Nixon that says: “Listen to your body. It’s smarter than you are.”
 Patricia Wattimena : I want a future where economies work for the women and not women working the economy

By artist Ika Vantiani

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Collage of Mariama Sonko
Collage of Nomsa Sizani
Artistic collage featuring Yania Sofia

By artist Naadira Patel 

Website | Facebook | Instagram

Illustration of several women of color with text that says: Moving from Transactional to Transformative
Illustration of three hand outstretched. Two are spilling seeds into the other. In the center there is planet Earth and a woman walking over plants. The text reads "To defy capitalism we occupy land acting as custodians of diversity"