Advancing Universal Rights and Justice
Uprooting Fascisms and Fundamentalisms
Across the globe, feminist, women’s rights and gender justice defenders are challenging the agendas of fascist and fundamentalist actors. These oppressive forces target women, persons who are non-conforming in their gender identity, expression and/or sexual orientation, and other oppressed communities.
Discriminatory ideologies are undermining and co-opting our human rights systems and standards, with the aim of making rights the preserve of only certain groups. In the face of this, the Advancing Universal Rights and Justice (AURJ) initiative promotes the universality of rights - the foundational principle that human rights belong to everyone, no matter who they are, without exception.
We create space for feminist, women’s rights and gender justice movements and allies to recognize, strategize and take collective action to counter the influence and impact of anti-rights actors. We also seek to advance women’s rights and feminist frameworks, norms and proposals, and to protect and promote the universality of rights.
Our actions
Through this initiative, we:
- Build knowledge: We support feminist, women’s rights and gender justice movements by disseminating and popularizing knowledge and key messages about anti-rights actors, their strategies, and impact in the international human rights systems through AWID’s leadership role in the collaborative platform, the Observatory on the Universality of Rights (OURs)*.
- Advance feminist agendas: We ally ourselves with partners in international human rights spaces including, the Human Rights Council, the Commission on Population and Development, the Commission on the Status of Women and the UN General Assembly.
- Create and amplify alternatives: We engage with our members to ensure that international commitments, resolutions and norms reflect and are fed back into organizing in other spaces locally, nationally and regionally.
- Mobilize solidarity action: We take action alongside women human rights defenders (WHRDs) including trans and intersex defenders and young feminists, working to challenge fundamentalisms and fascisms and call attention to situations of risk.
Related Content
هل يمكن أن تعبئ مجموعة واحدة الاستطلاع أكثر من مرة واحدة؟
كلا. نطلب فقط تعبئة استطلاع واحد لكل مجموعة.
My Queer Ramadan
by Amal Amer, California, US
I pray with my family for the first time in six years while wrapped in a keffiyah I scavenged from a dumpster.
Since coming into myself, I have refused to pray in jamaat with my family. Joining in the ranks of hierarchy, “women” behind “men” irks me. It grates my skin and teeth to the degree where I can’t focus, and the standing, bowing, and kneeling feels like a battle against my true being. Each second listening, a betrayal of my nature. Instead, I pray by myself in my own way.
Yet this Ramadan, I feel different. Back in my childhood home after many years, I am choosing to fast. I choose suhoor with my family, and praying together feels like a natural extension of eating together. After eating, my mother, father, brother and I line up for fajr.
I pray behind Baba, but my prayer is my own. I close my eyes, staying with my breath and my body.
My eyes closed, I open my inner sight to a wide open window on a vista of mountains, bright sun spreading over a light mist of clouds. This was the view I had while praying in jamaat at a queer Muslim wedding I attended in the mountains of the South of France last September.
I lined up with the wedding guests, queer and trans folks of North and West African, Arab, and European descent. Folks of all faiths joined while some chose to stand in respect at the sides or behind. The groups did not fall along fault lines of “Muslim” or “non-Muslim,” “religious” or “non religious.” The two lovers marrying each led us in prayer, and so did the Muslim woman officiating the nikkah. Each of the three led us in two rounds of prayers, two raqat.
I showed up as I was, my body uncovered. I had not washed. I only passed my camera to a friend who chose to stand at the side.
In the first sujood, I broke down crying. I wore a jean dress that loves my body, one found at a thrift store my ex-girlfriend pointed me to.
The sobs come through my whole body during the prayer, and I put my head to the earth with my community like a homecoming. A return to the embrace of love both intensely personal and communal, and I am held.
It feels like swimming in the sea with multiple people: joyful togetherness. But when you go beneath the water, it’s just you and the current.
Like a dozen people buried in the same graveyard. Separate, but sharing the same soil. Becoming one with the growing earth.
That was how it felt to pray in communion at a queer Muslim wedding.
I welcomed the light of acceptance while showing up as myself that day, with a group of people who had also chosen to claim all the parts of themselves in love. That light made a home in me, and it illuminates my heart in the dark living room at fajr this Ramadan morning. Though I pray with my birth family who do not accept all of me, I see myself praying in jamaat at that glorious wedding with all of my queer Muslim ancestors, my queer angels, my lineage, my soul family, my queer Muslim family, all standing in prayer. Bowing as one.
My family’s home does not always feel like my own, though I am here now. I take the bukhoor from room to room, barefoot. Smolder from the censer, an incense that says, “Here I am.” Baraka, blessings from the source of all, Allah and the Goddess to each room in the house, bidding good and dispersing the unbidden.
As I write this the sky turns the same royal blue I am familiar with from exiting the club and pulling all-nighters. It is the gradient of morning I step into as I go to sleep.
Word meanings:
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Ramadan: the Muslim holy month, traditionally observed with 29 days of fasting without food or water during daylight hours
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Keffiyah: a patterned scarf common in the SWANA region. The black and white version referred to here is associated with the Palestinian liberation movement
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Pray in jamaat: Islamic ritual prayer in a group. Participants follow one person, traditionally male, who calls the prayer aloud.
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Suhoor: the meal before the fast starts at dawn
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Fajr: the dawn prayer
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Baba: father
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Raqat: one round of prayer consisting of standing, bowing, kneeling, and pressing the head to the ground
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Sujood:the prayer position when one presses one’s head to the earth
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Nikkah: the religious marriage ceremony
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Bukhoor: an Arabic incense, woodchips soaked in resin
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Baraka: blessing
“Angels go out at night too”
by Chloé Luu (@Electrichildren), France
Pictures of angels in my life, just some women and non-binary people of color hanging out, taking care of themselves and expressing love to each other. It's these simplest moments that are the most empowering.





< Freeing the Church, Decolonizing the Bible for West Papuan Women
Могу ли я пройти опрос со своего телефона?
Да, доступ к опросу можно получить с помощью смартфона.
Nicole Barakat




we are infinite
An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum.
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).
About Nicole Barakat

Her works include hand-stitched and hand-cut cloth and paper drawings, sculptural forms made with her own hair, cloth and plant materials as well as live work where she uses her voice as a material.
Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.
Terei a oportunidade de partilhar os meus pensamentos sobre questões que não são abordadas pelas perguntas do inquérito?
Sim, encorajamo-lo a partilhar mais sobre questões importantes para si ao responder à(s) pergunta(s) aberta(s) no final do inquérito.
MANGO
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Jurema Araújo is a teacher-poet from Rio de Janeiro. She contributed to the magazine Urbana, edited by the poets Brasil Barreto and Samaral (RIP) and to the book Amor e outras revoluções (Love and Other Revolutions) with several other writers. In collaboration with Angélica Ferrarez and Fabiana Pereira, she co-edited O livro negro dos sentidos (The Black Book of Senses), a creative anthology on black women’s sexuality in Brazil. Jurema is 54-years-old; she has a daughter, three dogs, a cat, and many friends. |

Suck it with me?Mango is my favorite fruit. |
Chupa Comigo?A fruta que eu mais gosto é manga! |
Introducing The Black Book of Senses
I’ll admit it: when Angélica and Fabi invited me to curate a collection of erotic texts by black women, I didn’t know what curatorship was. I understood the erotic well, but curatorship... I smiled, feeling shy and flattered. I think I thanked them – at least I hope I did – and thought to myself: what the fuck is it?! This fancy word I’ll have to learn the meaning of while doing it, what is it?
Now at this point, I know what it is to be a curator: it is making love with someone else’s texts, with someone else’s art, with the intention of putting a book together. And that is exactly what I did. I undressed each text of every author of this book with a literary lasciviousness. And I got involved in the words and senses of others. I was penetrated by poems I didn’t write; tales I didn’t even dare to imagine turned me upside down, messing with my feelings, with my libido. And it was a wonderful and unusual orgasm: ethereal, corporeal, sublime, at once intellectual and sensitive.
These texts pulsated like a clit hardened by desire, drenched, dripping joy in every reading. Words that swallowed me with their naughty significance, making me dive deeper into this wet universe.
These black women went to the bottom of their arousals and turned their deepest erotic fantasies into art. These works are impregnated with each writer’s own way of experiencing sexuality: freely, blackly, for ourselves, in our own way, empowered.
I chose to spread the texts throughout different parts of the book, each one organized according to the most delicate, explosive, evident, or implicit content they presented.

To open the door to this “invulved blackessence,” we have our Preliminaries section, with texts that introduce readers to this world of delights. It is a more general, delicate caress to acknowledge the subjects addressed by the texts in the rest of the book.
Then comes the heat of Touch, addressing what the skin can feel. That energy which burns or freezes our bodies, makes our hormones explode and starts to awaken the other senses. And although there are many of us who are voyeurs, the contact of skin with a wet and warm mouth is exciting, like wandering through the softness of whomever is with you. We are seduced by the firm or gentle touch that gives us goosebumps and that lovely discomfort that runs from the neck down to the back and only stops the next day. And the warmth of the lips, the mouth, the wet tongue on the skin – oh, the tongue in the ear, hmmm – or skin on skin, clothes moving over the body, almost like an extension of the other’s hand. If there is no urgency, that wildest arousal of the pressure of a tight grab, a bit of pain – or a lot, who knows?
The Sound – or melody? – section shows us that attraction also happens through hearing: the voice, the whispers, the music that enables the connection between the bodies and can become the theme of desire. For some of us, someone with a beautiful voice would only need their vocal cords, because that harsh or heavy or melodious sound would be auditory sex. Their loud swearing or sweet words whispered in the ear would be enough to give us hair-raising shivers from neck to coccyx.

In Flavor, we know the tongue does a good job tasting the most hidden places and wandering through the body to delight itself. Sometimes this organ is used, boldly, to taste the other’s nectar. The idea of someone sharing their strawberry or a delicious, juicy mango through bites and licks – or licks and bites – melts us. But nothing is more delicious than tasting the caves and hills of the person you are with. Stick your tongue deep inside to taste a piece of fruit... or spend hours tasting the head of a cock in your mouth, or suck on a delicious breast to taste the nipples. This is all about memorizing someone by their Flavor.
There are texts in which the nose is what triggers desire. The Smell, my dear readers, can awaken us to the delights of desire. Sometimes we meet a person who smells so good, we want to swallow them right through our nose. When you run through the other person’s body with your nose, starting with the neck – wow, that delightfully uncomfortable shiver that runs down the spine and undresses the soul! The shameless nose then moves to the back of the neck and captures the scent of the other in such a way that in the absence of that person, smelling their same scent evokes, or conversely, invades in us olfactory memories that bring the arousing smell of that person back.
We then get to Look – for me, the betrayer of senses – in which we perceive desire from a point of “view.” It is through sight that the texts present desire and arousal, through which the other senses are brought about. Sometimes a smile is all it takes to drive us crazy. The exchange of glances? That look that says “I want you now.” That look of possession that comes to an end when you stop fucking, or not. That one is very particular; it draws the other who won’t be able to look away for long. Or the sidelong glance – when one looks away when the other turns their head, like a cat-and-mouse game? Once we are caught red-handed, there’s nothing else to do besides breaking into a wide smile.
Finally, the explosion. Wandering through All senses, the texts mix feelings that seem like an alert, so there is the greatest pleasure, that orgasm.
Of course, there is nothing explicitly separating these poems and tales. Some are subtle. Arousal engages all our senses and, most importantly, our heads. That’s where it happens, and it connects our whole body. I organized the poems according to how they came to me in each reading. Feel free to disagree! But to me, there is a sense through which desire goes and then explodes. Realizing which one it is, is delightful.
Being able to turn arousal into art means freeing ourselves from all the prejudice, prisons, and stigma this white-centric society has trapped us in.

Every time a black writer transforms the erotic into art, she breaks these harmful racist chains that cripple her body, repress her sexuality, and turn us into the object of another’s greed. Writing erotic poetry is taking back the power over her own body and roaming fearlessly through the delights of desire for herself, for others, for life.
The literary erotic is who we are when turned into art. Here we show the best of us, our views of love drenched by pleasure, seasoned by the erogenous, spread through our bodies, and translated by our artistic consciousness. We are multiple and we share this multiplicity of sensations in words dripping with arousal. Yes, even our words drip with our sexual desire, drenching our verses, turning our sexual urges into paragraphs. To come, for us, is a breakthrough.
It is necessary to make our minds, bodies, and sexuality black, to reestablish our pleasure, and take back our orgasms. Only then will we be free. This whole process is a breakthrough, and it happens painfully. But there is happiness in finding ourselves to be very different from where we had been placed.
I feel like I am yours, I am ours. Taste, delight yourselves, feast on these beautiful words with us.
This text is adapted from the introductions to “O Livro Negro Dos Sentidos” [The Black Book of Senses], an erotic collection of poems by 23 black female writers.

Explore Transnational Embodiments
This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.

التجسيدات العابرة للحدود
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
كيف ستعرضون وتعالجون المعطيات التي ستجمعونها في الاستطلاع؟
سيتم جمع المعطيات لأهداف إحصائية لتسليط الضوء على وضع التمويل للحركات النسوية العالمية وسيتم عرضها فقط بشكل إجمالي. لن تنشر AWID المعلومات عن اي منظمة محددة ولن تعرض أي من المعلومات التي ستمكّن من التعرّف على منظمة عن طريق موقعها أو صفاتها دون موافقة المنظمة.
An alternative future is possible, we just have to keep believing
By Michel’le Donnelly
The Crear | Resister | Transform Feminist Festival in September was such a breath of fresh air in these uncertain, turbulent and painful times.
The space created by this festival has been so necessary. Necessary for the souls of those who are seeking comfort during these bleakest of times. Necessary for those craving community in what feels like an increasingly isolating world and above all, necessary for those fighting against the very systems that have brought many of us to our knees, especially over the past two years.
“Crisis is not new to feminist and social movements, we have a long history of surviving in the face of oppression and building our communities and our own realities.”
Advocating for alternative visions and alternative realities to the one we are currently living in is a fundamental building block of the feminist agenda. So many amazing people are doing the work of exploring different ways for us to exist in this world. These alternatives are people-centred. They are equitable and just. These worlds are filled with love, tenderness and care. The visions outlined are almost too beautiful to imagine, yet we must force ourselves to imagine because this is the only way we can continue.
Over the past 10 months, I have been incredibly fortunate to be working with a feminist collective that is not just imagining an alternative reality but actively living it. We are inspired by the work of so many other feminist movements across the globe who have not let the white supremacist, capitalist patriarchy deter their visions. This collective has held me together when all I wanted to do was fall apart. Much like the story shared by Maria Bonita on Day 4 of the festival, the liberation I have found in feminist movements is far too great to only be experienced by me. This is something we need to share, that we need to shout from the rooftops as we invite others to join.
Day 4 of the festival brought with it a captivating conversation between Felogene Anumo, Dr Dilar Dirik, Nana Akosua Hanson and Vandana Shiva who encouraged festival attendees to believe that not only is an alternative future possible - but that it is indeed urgent. Feminists have been talking about alternative worlds for so many years and hearing about these from the panellists was not just eye-opening but also comforting. Comforting in the sense that it made me feel safe to know that there are indeed strong, global feminist networks working across international and national borders, seeking to decolonise the established frameworks of our current realities.
What does an alternative reality look like?
During the session, Dr Dirik highlighted the fact that belief, sacrifice and patience are most needed to abolish the oppressive systems we currently live in. Collaboration, partnership, creativity, solidarity and autonomy. These are key pillars to building a global feminist society and they should be embraced by all feminist movements around the world.
Practical examples of these realities can be found across the globe, including the Soulaliyate Women's Land-Use Rights Movement. Referring to the tribal women in Morocco who live on collective land, the Soulalyate Women’s Movement is the first grassroots nationwide mobilisation for land rights in Morocco. Whilst initially the movement was quite small, it grew into a nationwide agenda that challenged the gendered nature of laws regulating land in the country. In 2019, the group contributed to overhauling the national framework legislation on the management of community property through the adoption of three sets of laws guaranteeing the equality of women and men.
Another practical example is Zuleymi Trans House in Peru. Operating since 2016, the house is a refuge for migrant trans women, girls and teens who the state has left behind. It has provided safe shelter for 76 migrant trans women from Venezuela, along with 232 from jungle areas, Indigenous communities and the north coast of Peru.
Knowing about these feminist movements who are doing the work to make alternative futures a reality is incredibly inspiring and just what is needed, especially as I struggle to grapple with the neverending stream of bad news that seems to flow uninterrupted.
“Capitalist patriarchy is like a cancer. It doesn’t know when to stop growing” - Dr Vandana Shiva
AWID has always been a movement inspired by the feminist realities that we can live in. Through their festivals, as well as feminist realities magazine and toolkit, we have been shown a different way of doing things. We can imagine a world where care is prioritised, where feminist economies and gender justice are the norm. Creating alternative futures is how we fight back, it’s how we resist the violence that is perpetrated against our bodies every day.
The Crear | Resister | Transform Festival has allowed me to feel so connected to a global community, many of whom I will never meet. Knowing that we are all working towards and claiming another world has lit a fire in my soul and I cannot wait to see what the next festival will have in store.
If you missed it, make sure to watch the: "She is on her way: Alternatives, feminisms and another world" session from Day 4 of the festival below. And remember, as Dr Shiva said so eloquently: “Women’s energies will continue life on earth. We will not be defeated.”
Сколько ответов на опрос вы хотели бы получить?
Мы стремимся в общей сложности получить 2000 ответов, что почти вдвое больше, чем в последнем опросе, проведенном в 2011 году.
2024 Forum Announcement

It’s time for the next AWID Forum in 2024!
When thousands of feminists come together, we create a sweeping force of solidarity that has the power to change the world. The AWID Forum will be a moment for us to rest and heal together, connect across borders, and discover brave new strategic directions.
The date and location will be announced next year, as soon as we can. We’re excited and we know you’re excited too. Stay tuned!
Make sure to follow us on social media and subscribe to our mailing list to stay informed!
Snippet - WITM Our objectives - PT
Os nossos objetivos da pesquisa WITM:
1 |
Fornecer a membres da AWID, parceires do movimento e financiadores uma análise atualizada, robusta, baseada em fatos e orientada para a ação das realidades do financiamento de movimentos feministas e do estado atual do ecossistema do financiamento feminista. |
2 |
Identificar e demonstrar oportunidades para transferir mais recursos de maior qualidade para a organização feminista, expor soluções falsas e interromper tendências que fazem com que o financiamento não seja bem-sucedido e/ou se mova contra a justiça de género e objetivos feministas interseccionais. |
3 |
Articular visões, propostas e objetivos feministas para a justiça no financiamento. |
Clone of Privacy Policy
Effective as of 25 Apr 2023.
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In this section, we describe the rights and choices available to all users. Users who are located in the United Kingdom, Switzerland, and the European Economic Area can find additional information about their rights below.
Opt-out of marketing communications. You may opt-out of marketing-related emails by following the opt-out or unsubscribe instructions at the bottom of the email, or by contacting us. Please note that if you choose to opt-out of marketing-related emails, you may continue to receive service-related and other non-marketing emails.
Declining to provide information. We need to collect personal information to provide certain services. If you do not provide the information we identify as required or mandatory, we may not be able to provide those services.
Delete your content or end your membership. You can choose to delete certain content you have provided to us. If you wish to request to end your membership, please contact us.
Other sites and services
The Service may contain links to websites, mobile applications, and other online services operated by third parties. In addition, our content may be integrated into web pages or other online services that are not associated with us. These links and integrations are not an endorsement of, or representation that we are affiliated with, any third party. We do not control websites, mobile applications or online services operated by third parties, and we are not responsible for their actions. We encourage you to read the privacy policies of the other websites, mobile applications and online services you use.
Security
We employ a number of technical, organizational and physical safeguards designed to protect the personal information we collect. However, security risk is inherent in all internet and information technologies and we cannot guarantee the security of your personal information.
International data transfer
We are headquartered in the United States and may use service providers that operate in other countries. Your personal information may be transferred to the United States or other locations where privacy laws may not be as protective as those in your state, province, or country.
Users in the United Kingdom, Switzerland, and the European Economic Area should read the important information provided below about transfer of personal information outside of the European Union.
Children
The Service is not intended for use by anyone under 18 years of age. If you are a parent or guardian of a child from whom you believe we have collected personal information in a manner prohibited by law, please contact us. If we learn that we have collected personal information through the Service from a child without the consent of the child’s parent or guardian as required by law, we will comply with applicable legal requirements to delete the information.
Changes to this Privacy Policy
We reserve the right to modify this Privacy Policy at any time. If we make material changes to this Privacy Policy, we will notify you by updating the date of this Privacy Policy and posting it on the Service or other appropriate means. Any modifications to this Privacy Policy will be effective upon our posting the modified version (or as otherwise indicated at the time of posting). In all cases, your use of the Service after the effective date of any modified Privacy Policy indicates your acknowledgment that the modified Privacy Policy applies to your interactions with the Service and our business.
How to contact us
- Email: Contact Us
- Mail: 192 Spadina Ave, Suite 300, Toronto, ON L1T 0G7
- Phone: 416 594 3773
Notice to European Users
Where this Notice to European users applies. The information provided in this “Notice to European users” section applies only to individuals located in the EEA or the UK (EEA and UK jurisdictions are together referred to as “Europe”).
Personal information. References to “personal information” in this Privacy Policy should be understood to include a reference to “personal data” (as defined in the GDPR) – i.e., information about individuals from which they are either directly identified or can be identified. It does not include “anonymous data” (i.e., information where the identity of individual has been permanently removed). The personal information that we collect from you is identified and described in greater detail in the section “Personal information we collect”.
Controller. AWID is the controller in respect of the processing of your personal information covered by this Privacy Policy for purposes of European data protection legislation (i.e., the EU GDPR and the so-called ‘UK GDPR’ (as and where applicable, the “GDPR”)). See the How to contact us section above for our contact details.
Our legal bases for processing. In respect of each of the purposes for which we use your personal information, the GDPR requires us to ensure that we have a “legal basis” for that use.
Our legal bases for processing your personal information described in this Privacy Policy are listed below.
- Where we need to process your personal information to deliver our Services to you (including our Site) (“Contractual Necessity”).
- Where it is necessary for our legitimate interests and your interests and fundamental rights do not override those interests (“Legitimate Interests”). More detail about the specific legitimate interests pursued in respect of each Purpose we use your personal information for is set out in the table below.
- Where we need to comply with a legal or regulatory obligation (“Compliance with Law”).
- Where we have your specific consent to carry out the processing for the Purpose in question (“Consent”).
We have set out below, in a table format, the legal bases we rely on in respect of the relevant Purposes for which we use your personal information – for more information on these Purposes and the data types involved, see How we use your personal information above.
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Retention. We retain personal information for as long as necessary to fulfill the purposes for which we collected it, including for the purposes of satisfying any legal, accounting, or reporting requirements, to establish or defend legal claims, or for compliance and protection purposes, unless specifically authorized to be retained longer.
To determine the appropriate retention period for personal information, we consider the amount, nature, and sensitivity of the personal information, the potential risk of harm from unauthorized use or disclosure of your personal information, the purposes for which we process your personal information and whether we can achieve those purposes through other means, and the applicable legal requirements.
When we no longer require the personal information, we have collected about you, we will either delete or anonymize it or, if this is not possible (for example, because your personal information has been stored in backup archives), then we will securely store your personal information and isolate it from any further processing until deletion is possible. If we anonymize your personal information (so that it can no longer be associated with you), we may use this information indefinitely without further notice to you.
Other information
No obligation to provide personal information. You do not have to provide personal information to us. However, where we need to process your personal information either to comply with applicable law or to deliver our Services to you, and you fail to provide that personal information when requested, we may not be able to provide some or all of our Services to you. We will notify you if this is the case at the time.
No Automated Decision-Making and Profiling. As part of the Services, we do not engage in automated decision-making and/or profiling, which produces legal or similarly significant effects. We will let you know if that changes by updating this Privacy Policy.
Security. We have put in place procedures designed to deal with breaches of personal information. In the event of such breaches, we have procedures in place to work with applicable regulators. In addition, in certain circumstances (including where we are legally required to do so), we may notify you of breaches affecting your personal information.
Your rights
General. European data protection laws give you certain rights regarding your personal information. If you are located in Europe, you may ask us to take any of the following actions in relation to your personal information that we hold:
- Access. Provide you with information about our processing of your personal information and give you access to your personal information.
- Correct. Update or correct inaccuracies in your personal information.
- Delete. Delete your personal information where there is no lawful reason for us continuing to store or process it, where you have successfully exercised your right to object to processing (see below), where we may have processed your information unlawfully or where we are required to erase your personal information to comply with local law. Note, however, that we may not always be able to comply with your request of erasure for specific legal reasons that will be notified to you, if applicable, at the time of your request.
- Portability. Port a machine-readable copy of your personal information to you or a third party of your choice, in certain circumstances. Note that this right only applies to automated information for which you initially provided consent for us to use or where we used the information to perform a contract with you.
- Restrict. Restrict the processing of your personal information, if, (i) you want us to establish the personal information's accuracy; (ii) where our use of the personal information is unlawful but you do not want us to erase it; (iii) where you need us to hold the personal information even if we no longer require it as you need it to establish, exercise or defend legal claims; or (iv) you have objected to our use of your personal information but we need to verify whether we have overriding legitimate grounds to use.
- Object. Object to our processing of your personal information where we are relying on legitimate interests (or those of a third party) and there is something about your particular situation that makes you want to object to processing on this ground as you feel it impacts on your fundamental rights and freedom – you also have the right to object where we are processing your personal information for direct marketing purposes.
- Withdraw Consent. When we use your personal information based on your consent, you have the right to withdraw that consent at any time. This will not affect the lawfulness of any processing carried out before you withdraw your consent.
Exercising These Rights. You may submit these requests by email. See the How to contact us section above for our contact details. We may request specific information from you to help us confirm your identity and process your request. Whether or not we are required to fulfill any request you make will depend on a number of factors (e.g., why and how we are processing your personal information), if we reject any request you may make (whether in whole or in part) we will let you know our grounds for doing so at the time, subject to any legal restrictions. Typically, you will not have to pay a fee to exercise your rights; however, we may charge a reasonable fee if your request is clearly unfounded, repetitive or excessive. We try to respond to all legitimate requests within a month. It may take us longer than a month if your request is particularly complex or if you have made a number of requests; in this case, we will notify you and keep you updated.
Your Right to Lodge a Complaint with your Supervisory Authority. In addition to your rights outlined above, if you are not satisfied with our response to a request you make, or how we process your personal information, you can make a complaint to the data protection regulator in your habitual place of residence.
- For users in the European Economic Area – the contact information for the data protection regulator in your place of residence can be found here: https://edpb.europa.eu/about-edpb/board/members_en.
- For users in the UK – the contact information for the UK data protection regulator is below:
The Information Commissioner’s Office
Water Lane, Wycliffe House
Wilmslow - Cheshire SK9 5AF
Tel. +44 303 123 1113
Website: https://ico.org.uk/make-a-complaint/
Data Processing outside Europe; we are a US-based company and many of our service providers, advisers, partners or other recipients of data are also based in the US. This means that, if you use the Services, your personal information will necessarily be accessed and processed in the US. It may also be provided to recipients in other countries outside Europe.
It is important to note that that the US is not the subject of an ‘adequacy decision’ under the GDPR – basically, this means that the US legal regime is not considered by relevant European bodies to provide an adequate level of protection for personal information, which is equivalent to that provided by relevant European laws.
Where we share your personal information with third parties who are based outside Europe, we try to ensure a similar degree of protection is afforded to it in accordance with applicable privacy laws by making sure one of the following mechanisms is implemented:
- Transfers to territories with an adequacy decision. We may transfer your personal information to countries or territories whose laws have been deemed to provide an adequate level of protection for personal information by the European Commission or UK Government (as and where applicable) (from time to time).
- Transfers to territories without an adequacy decision.
- We may transfer your personal information to countries or territories whose laws have not been deemed to provide such an adequate level of protection (e.g., the US, see above).
- However, in these cases:
- we may use specific appropriate safeguards, which are designed to give personal information effectively the same protection it has in Europe – for example, standard-form contracts approved by relevant authorities for this purpose; or
- in limited circumstances, we may rely on an exception, or ‘derogation’, which permits us to transfer your personal information to such country despite the absence of an ‘adequacy decision’ or ‘appropriate safeguards’ – for example, reliance on your explicit consent to that transfer.
You may contact us if you want further information on the specific mechanism used by us when transferring your personal information out of Europe.
Snippet - CSW69 - Full Calendar - EN

Snippet - CSW69 - What Can Feminist Movements Learn - EN
What Can Feminist Movements Today Learn from Beijing 1995?
✉️ By registration only. Register here
📅 Wednesday, March 12, 2025
🕒 6.30–8:00pm EST
🏢 Church Center of the United Nations, 777 United Nations Plaza, New York, NY 10017
🎙️Co-facilitated by: Inna Michaeli, Co-Executive Director
Organizer: Jass, Gender at Work, and Count Me In! Consortium
Snippet - WCFM Movement and Struggle - EN

Movement in focus:
Filter your search by funders’ priority support areas that speak to your organizing efforts
Snippet2 - WCFM Explore and share - EN
Explore and share the databases with your network now!
Snippet - COP30 - Resisting Ecofascisms - EN
Resisting Ecofascisms: A cross-movement dialogue at COP30
How movements are resisting fascist agendas in relation to climate change.
📅 Tuesday, November 11, 2025
📍 Beira Rio Hotel, Belém, Pará
Snippet - COP30 - Feminist Economic Alternatives Brief - EN
📖 Feminist Economic Alternatives Brief
A tool for feminist activists at COP30 fighting for transformative, equitable and community-centred solutions to address the climate crisis.
Women Human Rights Defenders
WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
- Physical assault and death
- Intimidation and harassment, including in online spaces
- Judicial harassment and criminalization
- Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
- to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
- to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
- emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
- documenting the violations targeting WHRDs using a feminist intersectional perspective;
- promoting the social recognition and celebration of the work and resilience of WHRDs ; and
- building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
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Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
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Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
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Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
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Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Related Content
Tácticas, estrategias e impactos anti-derechos
Capítulo 5
Los actores anti-derechos adoptan una estrategia doble. Además de atacar abiertamente al sistema multilateral, los actores anti-derechos también socavan los derechos humanos desde adentro. Se involucran con el fin de cooptar procesos, consolidar normativas regresivas, y erosionar responsabilidades.

Photo-OP // El primer aniversario de la firma de la UE del Convenio del Consejo de Europa para prevenir y combatir la violencia de género y la violencia doméstica, el llamado Convenio de Estambul
El involucramiento de los actores anti-derechos en espacios internacionales de derechos humanos tiene un objetivo principal: socavar el sistema y su capacidad de respetar, proteger y satisfacer los derechos humanos para todas las personas, y de exigir rendición de cuentas a los Estados miembro por su violación. Algunas tácticas anti-derechos operan por fuera de la ONU, e incluyen la deslegitimación y la presión política para desfinanciar a la ONU, o para que ciertos Estados miembro se retiren de acuerdos internacionales sobre derechos humanos. En los últimos años, algunos actores antiderechos han logrado una creciente influencia dentro de la ONU. Sus tácticas internas incluyen la capacitación de representantes, la distorsión de los marcos de derechos humanos, el debilitamiento de acuerdos sobre derechos humanos, la infiltración en comités de organizaciones no gubernamentales, las solicitudes de ingreso al Consejo Económico y Social bajo nombres neutrales, la infiltración en los espacios de la juventud, y las presiones para ubicar a actores antiderechos en posiciones clave.
Índice de contenidos
- Institucionalización de actores anti-derechos en los mecanismos de la ONU
- Exclusión y deslegitimación
- Disminución de los estándares de derechos humanos
- Cooptación - Construcción de un marco paralelo de derechos humanos
- Ejercicio: Sí, ellos son fuertes, ¡pero también nosotrxs somos fuertes!
- Ejercicio: Responsabilizar a los gobiernos
Respondi ao inquérito, mas mudei de ideias e quero que a nossa resposta seja eliminada. Como devo proceder?
Tem o direito de eliminar a sua resposta, por qualquer motivo e se assim o desejar. Queira entrar em contacto connosco através deste formulário, ao indicar "WITM Survey" ("Inquérito WITM") no título da sua mensagem, e iremos proceder à eliminação da sua resposta.
Elisa Badayos
Elle organisait également les communautés urbaines pauvres dans la province de Cebu et travaillait avec Desaparecidos, une organisation de familles de disparu-e-s.
Le 28 novembre 2017, lors d'une mission d'enquête sur des violations des droits fonciers dans la région, Elisa et deux de ses collègues ont été abattu-e-s par deux hommes non identifiés à Barangay San Ramon, ville de Bayawan, dans la province de Negros Oriental.
Elle laisse quatre enfants derrière elle.
Snippet FEA No feminist economies without feminist unions (EN)
No feminist economies without feminist unions!
Through labor and union organizing, Sopo, Sabrina and Linda are not only fighting for the rights of essential workers, women workers, migrant workers and sex workers, but the rights of all workers.
The fight to end workers’ exploitation is a feminist struggle, and shows us that there are no feminist economies without feminist unions.
FRMag - The Triple
The Triple Cripples: Let’s talk about sex, baby!
by Nandini Tanya LallmonOlajumoke ‘Jay’ Abdullahi and Kym Oliver are revolutionary feminists in more ways than one. (...)
artwork: “Bloomed” by Titash Sen >
L’histoire derrière Crear, Résister, Transform par Coumba Toure
Une expérience magique de narration féministe animée par la féministe panafricaine Coumba Touré, dans la tradition séculaire des griots d’Afrique de l’Ouest
Et nous nous réunissons à nouveau
Nous avons rassemblé nos histoires, notre force
nos chansons
nos larmes
notre rage
nos rêves
nos succès
nos échecs
nous les avons rassemblés dans un grand bol pour le partage
pendant une lune de pensées
Aussi, nous restons en contact
Nous nous secouons l'esprit
nous nous caressons l'âme
Alors que nos mains sont toujours liées
Et que nos baisers et nos câlins sont interdits
Pourtant, nous nous renforcons d’heure en heure
Tissant ensemble nos voix
Franchissant les barrières sonores
comme nous parlons en langues
Nous sommes de plus en plus fortes
Nous connaissons ce qui nous différencie des autres
et les différences entre nous,
alors nous cousons nos beautés en patchwork de pensées
De nos apprentissages les plus profonds
de nos pouvoirs
Parfois, nous sommes entourées de terreur,
Par la confusion, la malhonnêteté
Mais nous nous purifions dans l'océan de l'amour
Nous sommes des tisserands de rêves
Pour vêtir un nouveau monde
Fil après fil
Aussi petites que nous soyons,
comme de petites fourmis construisant nos mouvements
comme de petites gouttes construisant nos rivières
Nous faisons des pas en avant et des pas en arrière
dansons notre chemin de retour à un mental sain
Nous soutenons le rythme de nos coeurs
Continuez à battre,
s'il vous plaît, ne vous arrêtez pas
ainsi nous sommes les transmetteurs d'une générosité oubliée
Goutte après gouttes, grandissant comme l'océan
grandissant comme la rivière qui coule de nos âmes
montrant notre force pour être l'eau qui lavera ce monde
et nous nous rassemblons à nouveau,
peux-tu nous sentir ?
Je mentirais si je disais que ça va
Que cela ne me dérange pas de ne pas vous voir.
Vos voix non filtrées et non enregistrées me manquent
Nos murmures et nos cris me manquent.
Nos cris de la révolution avortée
Nous voulonsêseulement donner naissance à de nouveaux mondes
Alors luttons pour effacer les frontières entre nous
Sil vous plait n’arrêtez pas
Angiza Shinwari
هل يمكنني مشاركة الاستطلاع مع الآخرين/ الأخريات؟
نعم! الرجاء القيام بذلك! نشجعكم/ن على مشاركة رابط الاستطلاع في شبكاتكم/ن. سيسمح لنا جمع وجهات النظر أكثر تنوعاً، فهم البيئة التمويلية للحركات النسوية بشكل أكبر.
Mona Chemali Khalaf
Mona was an economist and an independent consultant on gender and development issues.
She was a former Professor of Economics and Director of the Institute for Women's Studies in the Arab World at the Lebanese American University.
She passed away suddenly on January 6, 2018.
Friends and former colleagues say of Mona: “When we celebrate her life, the best thing we can do is commit to continuing what she started: gender equality no matter what.”
Snippet FEA We are living in a world left (ES)
Vivimos en un mundo donde la destrucción de la naturaleza alimenta nuestra economía global actual.
FRMag - Roots of Love and Resilience
Kunyit asam: Las raíces del amor y la resiliencia
por Prinka Saraswati
El ciclo menstrual habitualmente abarca entre 27 y 30 días. En ese lapso, el período en sí dura de 5 a 7 días. La fatiga, los cambios de humor y los espasmos son el resultado de la inflamación durante la menstruación.
< arte: «Movimiento feminista», Karina Tungari
MANGO
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Jurema Araújo es una profesora y poeta de Río de Janeiro. Colaboró con la revista Urbana, editada por los poetas Brasil Barreto y Samaral (que en paz descanse) y con el libro Amor e outras revoluções con una variedad de escritorxs. En colaboración con Angélica Ferrarez y Fabiana Pereira, coeditó O livro negro dos sentidos, una antología creativa sobre la sexualidad de las mujeres negras de Brasil. Jurema tiene 54 años, tiene una hija, tres perras, una gata y un montón de amistades. |

¿Lo chupas conmigo?El mango es mi fruta favorita. |
Chupa Comigo?A fruta que eu mais gosto é manga! |
Presentando El libro negro de los sentidos
Lo voy a admitir: cuando Angélica y Fabi me invitaron a ser curadora de una colección de textos eróticos de mujeres negras, no sabía qué era la curaduría. Entendía bien lo erótico, pero la curaduría… Sonreí, sintiéndome cohibida y halagada. Creo que les agradecí –al menos espero haberlo hecho– y pensé: ¡¿qué mierda es eso?! Esta palabra elegante de la que tendría que aprender el significado mientras lo hacía, ¿qué es?
A estas alturas, ya sé qué significa ser curadora: es hacer el amor con los textos de otra persona, con el arte de otra persona, con la intención de armar un libro. Y eso es exactamente lo que hice. Desnudé cada texto de cada autora de este libro con lascivia literaria. Y me involucré en las palabras y los sentidos de otras. Fui penetrada por poemas que no escribí; historias que ni siquiera me atrevía a imaginar me dieron vuelta, metiéndose con mis sentimientos, con mi libido. Y fue un maravilloso y extraordinario orgasmo: etéreo, corporal, sublime, al mismo tiempo intelectual y sensible.
Estos textos palpitaban como un clítoris endurecido por el deseo, empapados, chorreando placer en cada lectura. Palabras que me tragaron con su significado pícaro, haciéndome sumergirme más profundamente en este universo húmedo.
Estas mujeres negras fueron hasta el fondo de su excitación y convirtieron en arte sus fantasías eróticas más profundas. Estos trabajos están impregnados con la forma propia de cada escritora de vivir la sexualidad: libremente, negra, para nosotras, a nuestra manera, empoderadas.
Elegí desplegar los textos a lo largo de diferentes partes del libro, cada una organizada de acuerdo al contenido más delicado, explosivo, evidente o implícito que presentaban.

Para abrir la puerta a esta «esencia negra invulvolucrada» tenemos nuestra sección Preliminares, con textos que introducen a lxs lectorxs a este mundo de deleites. Es una caricia delicada general para presentar los temas abordados por los textos en el resto del libro.
Luego viene el calor de Tacto, abordando lo que puede sentir la piel. Esa energía que quema o congela nuestros cuerpos, hace que nuestras hormonas exploten y comienza a despertar a los otros sentidos. Y aunque muchxs somos voyeurs, el contacto de la piel con una boca húmeda y cálida es excitante, como recorrer la suavidad de quien sea que esté contigo. Nos seduce un contacto firme o suave que nos produce piel de gallina y esa hermosa incomodidad que corre desde el cuello bajando por la espalda y sólo se detiene al día siguiente. Y el calor de los labios, la boca, la lengua húmeda en la piel –oh, la lengua en la oreja, hmmm– o piel sobre piel, las ropas moviéndose sobre el cuerpo, casi como una extensión de la mano de lx otrx. Si no hay urgencia, esa excitación más salvaje de la presión de un agarre fuerte, un poco de dolor, o mucho, quién sabe.
La sección Sonido –¿o melodía?– nos muestra que la atracción también sucede a través de oir: la voz, los susurros, la música que permite la conexión entre los cuerpos y puede convertirse en tema de deseo. Para algunxs, alguien con una voz hermosa sólo necesitaría sus cuerdas vocales, porque ese sonido áspero, o pesado o melodioso sería sexo auditivo. Sus insultos en voz alta o sus palabras dulces susurradas al oído serían suficiente para darnos escalofríos desde el cuello al coxis.

En Sabor, sabemos que la lengua hace un buen trabajo saboreando los lugares más escondidos y recorriendo el cuerpo para deleitarse. A veces este órgano es utilizado, descaradamente, para saborear el néctar de lx otrx. La idea de alguien compartiendo su frutilla o un delicioso mango jugoso a mordiscos y lamidas –o lamidas y mordiscos– nos derrite. Pero nada es más delicioso que saborear las cuevas y colinas de la persona con la que estás. Hundir la lengua hasta el fondo para saborear un trozo de fruta… o pasar horas saboreando la cabeza de una verga en tu boca, o chupar un pecho delicioso para saborear los pezones. Se trata de memorizar a alguien por su Sabor.
Hay textos en los cuales es la nariz lo que dispara el deseo. El Aroma, mis queridxs lectorxs, puede despertarnos a los deleites del deseo. A veces conocemos a una persona que huele tan bien que queremos tragarla directamente por la nariz. Cuando recorres el cuerpo de la otra persona con tu nariz, comenzando por el cuello, ¡guau, qué escalofrío deliciosamente incómodo que corre por la espalda y desnuda el alma! La desvergonzada nariz entonces va hacia la parte de atrás del cuello y captura la esencia de lx otrx de tal manera que en ausencia de esa persona, oler su misma esencia evoca, o al contrario, nos invade con memorias olfativas que traen de nuevo el excitante aroma de esa persona.
Después llegamos a Mirada –para mí, el traidor de los sentidos–, en el cual percibimos el deseo desde un punto de «vista». Es a través de la vista que los textos presentan el deseo y la excitación, a través de los cuales se provocan los otros sentidos. A veces una sonrisa es todo lo que hace falta para enloquecernos. ¿El intercambio de miradas? Esa mirada que dice «Te quiero». Esa mirada de posesión que llega a su fin cuando dejas de coger, o no. Esa es muy especial; atrae a lx otrx que no será capaz de apartar la mirada por mucho tiempo. ¿O la mirada de reojo, cuando unx mira para otro lado cuando lx otrx gira su cabeza, como un juego del gato y el ratón? Una vez que nos atrapan con las manos en la masa, no hay nada más que hacer salvo desplegar una amplia sonrisa.
Finalmente, la explosión. Recorriendo Todos los sentidos, los textos mezclan sentimientos que parecen como una alerta, así que ahí está el mayor placer, ese orgasmo.
Por supuesto, no hay nada que separe explícitamente estos poemas y relatos. Algunos son sutiles. La excitación involucra a todos nuestros sentidos y, lo más importante, a nuestras cabezas. Ahí es donde sucede, y conecta todo nuestro cuerpo. Organicé los poemas según cómo me llegaron en cada lectura. Sientan la libertad de no estar de acuerdo. Pero para mí, hay un sentido a través del cual va el deseo y luego explota. Es exquisito darse cuenta de cuál es.
Ser capaz de convertir la excitación en arte significa liberarnos de todo el prejuicio, prisiones, y estigma en los que nos ha atrapado esta sociedad centrada en la blanquitud.

Cada vez que una escritora negra transforma lo erótico en arte, rompe estas dañinas cadenas racistas que paralizan su cuerpo, reprimen su sexualidad y nos convierten en el objeto de la codicia de otrxs. Escribir poesía erótica es recuperar el poder sobre su propio cuerpo y pasear sin miedo por los placeres del deseo por sí misma, por otrxs, por la vida.
Lo erótico literario es quiénes somos convertido en arte. Aquí mostramos lo mejor de nosotrxs, nuestras visiones del amor empapado por el placer, sazonado por lo erógeno, extendido por nuestros cuerpos y traducido por nuestra conciencia artística. Somos múltiples y compartimos esta multiplicidad de sensaciones en palabras que chorrean excitación. Sí, incluso nuestras palabras chorrean nuestro deseo sexual, empapando nuestros versos, convirtiendo nuestras urgencias sexuales en párrafos. Acabar/correrse, para nosotras, es un descubrimiento.
Es necesario hacer que nuestras mentes, nuestros cuerpos y nuestra sexualidad sean negras, restaurar nuestro placer, y recuperar nuestros orgasmos. Solo entonces seremos libres. Todo este proceso es un descubrimiento y tiene lugar dolorosamente. Pero hay felicidad en descubrir que somos muy diferentes del lugar donde nos habían puesto.
Siento que soy de ustedes, que soy nuestra. Saboreen, deleitense, tengan un festín con estas hermosas palabras junto a nosotras.
Este texto es una adaptación de la introducción a “O Livro Negro Dos Sentidos” [El libro negro de los sentidos], una colección de poemas eróticos de 23 escritoras negras.

Explorar Corporalidades Transnacionales
Esta edición en alianza con Kohl: una publicación para Body and Gender Research analizará soluciones, propuestas y realidades feministas para transformar nuestro mundo actual, nuestros cuerpos y nuestras sexualidades.

التجسيدات العابرة للحدود
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
Naseeb Miloud Karfana
Membership why page - Loyiso Lindani
J’ai l’intime conviction que des femmes puissantes peuvent donner à d’autres femmes la possibilité d’être puissantes, c’est pourquoi je suis ravie d’être membre de l’AWID. La visibilité que j’ai reçue en faisant partie de la Street Team de la communauté AWID a élargi mes connaissances et ma façon d’envisager le Féminisme et l’intersectionnalité. J’espère que davantage de femmes se joindront à nous et porteront des thématiques et des idées qui aideront d’autres femmes..- Loyiso Lindani, Afrique du Sud.
Ursula K Le Guin
Ursula fue una novelista estadounidense que trabajó principalmente con los géneros de fantasía y ciencia ficción.
Encontró la fama con La mano izquierda de la oscuridad, novela en la cual imagina una sociedad futura donde la gente es ambisexual: no tienen un sexo fijo. Indaga en los efectos del género y el sexo en la sociedad, y fue uno de los primeros grandes libros feministas de ciencia ficción. Ursula fue una inspiración por su escritura subversiva y original y también por los temas sobre feminismo y libertad a los que les daba tanta importancia.
En un discurso que pronunció en 1983 en el Mills College, en California, les dijo a las graduadas: «¿Por qué una mujer libre con formación universitaria debería o luchar contra el macho o servirlo? ¿Por qué ella debería vivir su vida en los términos de él? Espero que ustedes vivan sin la necesidad de dominar y sin la necesidad de ser dominadas».
Snippet - Podcast Playlist Season 1 (FR)
FRMag - Mainstreaming The Invisible
Intégrer les réalités féministes invisibles
par Dr. Pragati Singh
En 2019, j’étais invitée par le réseau BBC pour intervenir lors de la conférence intitulée 100 women (100 femmes) à Delhi, en Inde, à propos de « L’avenir de l’amour, des relations et des familles ». (...)
illustration : « Les anges aussi sortent la nuit », par Chloé Luu >
Una huella de amor colectiva
La liga conspirativa de escritorxs | Wazina Zondon
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| Conocida también como la Red Teta Research, la liga conspirativa de escritorxs se fundó en 2021 en el contexto de los círculos de escritura semanales de Kohl. La Red consiste en un grupo transnacional de escritorxs queer y feministas que participan en procesos colectivos de escritura, reflexión y creación de universos. | Wazina Zondon es una afgana criada en Nueva York. Su trabajo de colección de historias y de narración se centra en las memorias y ritos colectivos de iniciación en la diáspora. Actualmente, trabaja en Faith: in Love/faith in love, donde (re)rastrea la historia de amor de su madre y su padre y la huella amorosa heredada de la familia. |
El amor es contrabando en el infierno,
porque el amor es ácido
que devora las rejas.
Pero tú, yo y el mañana
nos tomaremos de las manos y haremos votos
para que la lucha se multiplique
La sierra de arco tiene dos cuchillas.
La escopeta tiene dos cañones.
Estamos preñadxs de libertad.
Somos una conspiración.
Es nuestro deber luchar por la libertad.
Es nuestro deber ganar.
Debemos amarnos y apoyarnos mutuamente.
No tenemos nada que perder, salvo nuestras cadenas.
- «Amor» por Assata Shakur

«Si podemos heredar un trauma, ¿podemos heredar una huella relacionada con el amor?»
Esta es la pregunta que se hace Wazina Zondon en sus memorias colectivas Loveprint (Improntas de amor). Loveprint es un deambular, una superposición, una desviación que (re)crea, en la intersección entre entrevistas y ensayos personales, las historias y reflexiones de nuestra familia sobre el amor, la pareja y el romance. Guiadxs por Wazina, la liga conspirativa de escritorxs se reunió e intentó reproducir literalmente este proyecto en forma de escritura colectiva, donde nuestras historias, nuestros géneros e identidades sexuales se complementan y contradicen entre sí. Con nuestras voces superponiéndose, fuimos completando las oraciones de lxs otrxs para crear una conversación, un memorial, pedazos de nosotrxs mismxs que hablan de unx «nosotrxs».
¿Cuáles son los orígenes de tu huella de amor?
Soy lo que han llamado un «accidente feliz». Se ha dicho mucho sobre esto: una vida imprevista que al mismo tiempo es totalmente deseada. Siento que esto moldeó mi forma de amar; no solo me enamoro, también me arriesgo a los resbalones que llevan a las caídas. Quizá fue esto lo que me convirtió en un tipo de persona amor fati.
Me dijeron que era una niña no deseada. Así que crecí hasta convertirme en una adulta no deseada. Los orígenes de mi huella de amor se basan en ser no deseada permanentemente. No soy fruto del amor ni de ningún sentimiento feliz; soy, más bien, dolor y carga. No tengo una impronta amorosa, al menos no en este sentido.
Sé con certeza que mis padres estuvieron enamoradxs en algún momento, pero la salud mental es un demonio, y hasta que unx no se enfrenta a sus demonios,
no hay quien gane.
Nunca asociaré el «amor» con mis padres o con la familia normativa. El amor bajo el que crecí fue un amor lleno de violencia y de responsabilidades que no busqué o para las que ni siquiera estaba preparada. Durante mucho tiempo sentí que la vida y el amor consistían en cargar una roca gigante cuesta arriba. Si bien mis padres «se amaban», crecí en un ambiente tóxico de violencia, celos e inseguridad. Crecí anhelando estabilidad; y esto es lo que soy ahora. Soy una persona que se arriesga pero nunca en mi «espacio de amor».
No sé por qué mi madre eligió albergar a una niña (yo) dentro de ella
Ella no ama de esta forma.
Mi madre me dice que si tengo que pensar en «encontrar» el amor, que nunca tome su matrimonio como modelo. Mi huella de amor proviene en cambio de mi crianza de perros durante las últimas dos décadas (18 años para ser precisa). Al revés también es cierto: me criaron. En su compañía entiendo cada vez más sobre el amor y sus múltiples capas.
No he conocido el amor por una «huella». En nuestra casa no hablábamos de amor. Tuve que enseñarme a mí misma a amar. Fue un trabajo arduo. Aún así, fallo y sigo intentándolo, y fallo todos los días. Quizá el fracaso sea mi impronta de amor.
Mi impronta de amor es el cuidado, la calidez y la comprensión que
doy a quienes me rodean, sea unx extrañx, unx amigx,
unx familiar, unx amante.
Mi impronta de amor es política – no es calculada ni pensada.
Nací bajo un fuerte bombardeo.
Mi impronta de amor es
lo opuesto a eso.
Lecciones aprendidas sobre el amor
Sé más de lo que no es el amor que de lo que es.
El amor no es ni ansiedad ni pánico.
El amor no es pedir permiso para vivir o respirar. Siempre se trata del amor, y no hay amor sin libertad.
Todo lo que haces tiene que ver con usar tu corazón, excepto el amor. El amor consiste en utilizar tu cabeza.
A veces temo que mi idioma de amor se pierda con la traducción.
--- Hay muchas maneras
de trazar los orígenes
de cómo
cómo no
amar
no amar
amar lo justo
amar demasiado
algo de amor
alguna pérdida
amar
amar lo perdido ---
No soporto la idea de la pareja. Tampoco soporto la idea de vivir sola mientras envejezco. Estoy cansada de hacer los quehaceres sola, de mudarme de casa sola, de pagar el alquiler y las cuentas sola... Me imagino que me da un ACV sola y me da miedo. No tengo planes de «ponerme en pareja». Quiero un mundo en el que pueda casarme con unx amigx, comprar una casa con unx amigx, no tener sexo.
Amar a muchxs personas no corrompe un amor
compartido entre dos; y que el amor sea romántico
o no, realmente no es tan importante.
Cuando reflexiono sobre el deplorable estado de mis relaciones, me doy cuenta de que estoy en la relación para la que me prepararon. Con toda mi «radicalidad» todavía no he desaprendido las normas de género de mierda.
Mi necesidad de estabilidad se siente «muy poco radical». Quiero salir de este etiquetado. Quiero algo que nunca tuve. Quiero que sea hermoso. Quiero sentirme hermosa y segura, y sólo la estabilidad me hace sentir eso. Segura, sana, sabiendo que el hogar no tiene que ver ni con la violencia ni con la discordia.
--- Impronta amorosa – amo oler los libros ver dónde
se imprimieron
Intento pensar en el origen de mi comprensión
y práctica del amor
¿Necesitamos el origen, no es lo mismo que la pureza?
No hay pureza ni origen del amor.
¿Por qué la comprensión y la práctica vienen
a la mente y no la «emoción»? ---
Cuando llamo a mis padres, no cuelgo el teléfono después de despedirnos,
de esa manera puedo escuchar los sonidos del hogar.
¿Qué necesitamos para ser/sentirnos amadxs al momento de morir?
Durante mi entierro suní, quiero que todas las mujeres y los hombres acudan juntxs a mi entierro. ¿Qué es eso de no poder ir a despedirse de lxs muertxs de otro sexo? Será suní porque mi madre querría que lo fuera. Será ecológico: una lápida no será necesaria. Me encantan todos los rituales de entierro. El Corán está bien, pero además quiero música. Me gustan mucho Asmahan, Um Kulthum y The Stone Roses.
Tengo una lista de reproducción de lunes a viernes, y dos diferentes para los fines de semana: una para los sábados, y otra para los domingos. Me gustaría que aquellxs que me amaron reprodujeran la música que yo solía escuchar, respetando los días – con cierto margen de tolerancia siempre que se ciñan a las listas de reproducción.
Quiero estar rodeada de quien o quienes me han amado, aunque haya sido por un momento. Que la música me envuelva así como flores frescas recién cortadas. No quiero que me descubran muerta; quiero morir en medio de una risa junto a seres queridxs.
Quiero ser recordada como alguien que amó.
No necesito sentirme amada en la muerte. Necesito que las personas que me rodean sientan que las he amado, incluso después de mi partida. Ser amadx en la muerte tiene que ver con quienes están vivxs. Así que pienso más en cómo nos unimos como una comunidad vital y amorosa ante la muerte de aquellxs a quienes amamos y con quienes vivimos. De qué manera mantenemos sus recuerdos en nosotrxs. Cómo nos convertimos en archivos de sus vidas.
--- A veces, sólo se puede amar a las personas en el momento de su muerte ---
Tengo que recordar que el cuerpo está conectado a un espacio. Mi familia es muy pequeña y, aunque venimos de diferentes lugares, es como si cada generación se trasladara a un lugar nuevo. Quizá es por eso que la muerte no está conectada con un lugar en especial, un cementerio. En nuestra familia es habitual enterrar a lxs muertxs sin nombres ni lápidas, o distribuir las cenizas al viento. Me siento en paz con este tipo de conmemoración sin espacio. La idea de que mis cenizas nutran a una nueva vida me hace sentir amada y recordada a través de la recreación. Mi abuela murió a principios de este año debido a complicaciones después de vacunarse. Dos horas después de su muerte, mi familia se sentó a reírse hasta las lágrimas de sus bromas, de su manera divertidísima de contar historias. Nos reímos y amamos, y fue como si ella estuviera sentada de nuevo con nosotrxs. Esto es lo que me haría sentir en paz: fertilizar la tierra, abonar las conversaciones y el recuerdo colectivo.
---Había
dos calles que utilizaba
para caminar
para correr
para jugar
para quedarme
Había
cinco horas en las que el sol
estaba caliente
el cielo era azul
y la tierra era verde
Había
una flor que podía
oler
tocar
apretar
aplastar
Estaban
lxs amigxs que podía
acariciar
La comida
que podía
tragar
El lenguaje
que saldría de mis
labios
Es probable que aún existan
esos muchos lugares
y cosas
y personas
después de mí ---
Quizá sea suficiente con la promesa de que seré «conmemorada espacialmente» como una planta y cuidada, por turnos, hasta que me convierta en un árbol. Sin nombre, sin lápida – solo una planta o un árbol, y saber que me cuidarán. En cuanto a mi cuerpo, quiero ser cremada sin ningún tipo de ritual, y que las cenizas de mis huesos sean liberadas en el mar Arábigo.
Necesito que mi cuerpo sea tratado de forma tan subversiva como vivió.
No quiero que me entierren junto a mi familia, en ese pequeño nicho junto a todas esas personas que nunca me conocieron. Atrapada en la muerte como lo estuve en vida. Quiero ser cremada, y que mis cenizas sean finalmente liberadas.
Quiero que me permitan pasar para no quedar suspendida en un estado intermedio y poder ser una presencia, un proceso activo, una invasión.
Esto es lo que te pido:
- Que me sueltes y dejes pasar
- Que no dejes que la nostalgia enturbie este momento porque solo te pediré que tus gestos sean normales
- Para sustentarme ya he robado los suaves destellos y atesorado las pequeñas y grandes formas en que me amabas. Me mantuve viva gracias a ellas
- Que fijes un tiempo limitado para tu duelo
- Que recuerdes que no hay distinción en la belleza del amar; es infinita y se regenera sin el cuerpo
Quiero ser recordada por el amor que le doy al mundo.
Quiero que mi cuerpo sea donado, y que mis órganos sirvan para alimentar el amor en otra(s) vida(s).
--- El aroma del jazmín ---

Explorar Corporalidades Transnacionales
Esta edición en alianza con Kohl: una publicación para Body and Gender Research analizará soluciones, propuestas y realidades feministas para transformar nuestro mundo actual, nuestros cuerpos y nuestras sexualidades.

التجسيدات العابرة للحدود
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.



