Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.
While we dream of a feminist world, there are those who are already building and living it. These are our Feminist Realities!
What are Feminist Realities?
Feminist Realities are the living, breathing examples of the just world we are co-creating. They exist now, in the many ways we live, struggle and build our lives.
Feminist Realities go beyond resisting oppressive systems to show us what a world without domination, exploitation and supremacy look like.
These are the narratives we want to unearth, share and amplify throughout this Feminist Realities journey.
Transforming Visions into Lived Experiences
Through this initiative, we:
Create and amplify alternatives: We co-create art and creative expressions that center and celebrate the hope, optimism, healing and radical imagination that feminist realities inspire.
Build knowledge: We document, demonstrate & disseminate methodologies that will help identify the feminist realities in our diverse communities.
Advance feminist agendas: We expand and deepen our collective thinking and organizing to advance just solutions and systems that embody feminist values and visions.
Mobilize solidarity actions: We engage feminist, women’s rights and gender justice movements and allies in sharing, exchanging and jointly creating feminist realities, narratives and proposals at the 14th AWID International Forum.
The AWID International Forum
As much as we emphasize the process leading up to, and beyond, the four-day Forum, the event itself is an important part of where the magic happens, thanks to the unique energy and opportunity that comes with bringing people together.
We expect the next Forum to:
Build the power of Feminist Realities, by naming, celebrating, amplifying and contributing to build momentum around experiences and propositions that shine light on what is possible and feed our collective imaginations
Replenish wells of hope and energy as much needed fuel for rights and justice activism and resilience
Strengthen connectivity, reciprocity and solidarity across the diversity of feminist movements and with other rights and justice-oriented movements
Please calculate your costs of travel to Bangkok, accommodations and per diem, visa, any accessibility needs, and incidentals, on top of a registration fee that will be announced soon. Hotels in the Sukhumvit area in Bangkok range from USD$50 to $200 per night, double occupancy.
AWID members receive a discount at registration, so if you are not a member yet, we invite you to consider becoming a member and joining our global feminist community.
Las Triple Cripples: ¡hablemos de sexo, nena!
por Nandini Tanya Lallmon, República de Mauricio (@nandini_tanya)
Olajumoke «Jay» Abdullahi y Kym Oliver son feministas revolucionarias en más de un sentido.
Las dos amigas se llaman a sí mismas las «Triple Cripples» [«Triples Inválidas»] porque, como mujeres discapacitadas negras, se ven sometidas a tres niveles de discriminación. Jay, actualmente de 31 años, contrajo polio cuando era bebé y utiliza una férula y unas muletas como sostén, mientras que Kym, de 25 años, tiene esclerosis múltiple y se moviliza en silla de ruedas. El nombre del dúo surge de un esfuerzo por redefinir la palabra «inválida» que, según ellas, «ha sido un término habitualmente usado contra las personas discapacitadas como injuria, como una forma infalible de recordarnos que estábamos “falladas” y que siempre íbamos a ser “menos que”.»
Como mujeres negras, Kym y Jay han sido víctimas del estereotipo racial globalizado que hipersexualiza la piel oscura. En su libro Heart of the Race: Black Women’s Lives in Britain [Corazón de la raza: las vidas de las mujeres negras en Gran Bretaña], Beverley Bryan, Stella Dadzie y Suzanne Scafe describen cómo las mujeres negras han sido históricamente definidas como un «riesgo de alta promiscuidad» por los doctores, debido a su libido y su fertilidad. Jay explica que «la gente piensa que estoy siempre dispuesta a hacer de todo y cualquier cosa todo el tiempo porque soy una mujer negra». Aunque ambas mujeres han sido sometidas a una intensa fetichización debido a su color de piel, sus discapacidades han confundido a muchas personas. Kym describe así su experiencia como mujer con curvas: «Tengo el tipo de cuerpo que la gente quiere manosear, y les parece que yo debería poder aceptarlo, pero, al mismo tiempo, existe esta idea de que yo no debería tener pretensiones, por mi discapacidad.»
En las plataformas de citas en línea, a Jay le han preguntado si puede realizar ciertas posiciones sexuales, dado que ciertas potenciales parejas «han decidido que quieren estar contigo de este modo y quieren saber si tu corporalidad puede facilitarlo.» Durante una consulta de control, Kym hizo disculparse a unx profesional médicx que, mientras completaba un formulario de admisión, le preguntó cuántas parejas sexuales ha tenido con un tono que implicaba «yo sé que estas preguntas no son aplicables en tu caso, pero tenemos que seguir el proceso estándar del cuestionario.»
El error de pensar que la falta de autonomía física equivale a una falta de deseo sexual es generalizado.
En la escuela, Jay era excluida de las clases de educación sexual, porque se presuponía que estaba incapacitada para tener sexo. Ella explica que incluso las organizaciones bien intencionadas que promueven el acceso a los servicios de salud sexual y reproductiva a menudo no tienen en cuenta las necesidades específicas de las mujeres discapacitadas. Por ejemplo, las píldoras son consideradas con frecuencia un método anticonceptivo efectivo, sin ninguna mención de que pueden agravar los riesgos de coágulos de las mujeres que usan sillas de ruedas.
Con sede en Londres, las Triple Cripples esperaban ansiosamente participar, junto con el equipo Decolonising Contraception [descolonizar la contracepción], en el SexFest2020, un festival de un día organizado para personas de color y dedicado a la salud y el bienestar sexuales. Desafortunadamente, el evento fue cancelado debido a la pandemia del COVID-19. A pesar de ello, sin desanimarse, Jay y Kim se volcaron a sus plataformas de activismo en línea, para oponerse a la forma en que la sexualidad es vista desde una perspectiva estrictamente heteronormativa y para desafiar la idea de que la femineidad está definida por la capacidad de procrear. El dúo inauguró un canal de YouTube y un podcast (también llamado «The Triple Cripples») para promover la representación de las personas discriminadas de múltiples formas como seres humanos holísticos. Sus planes a futuro incluyen un documental creativo y una muestra fotográfica dedicada a luchar contra la discriminación y a difundir las voces de personas de color discapacitadas.
La experiencia de discriminación basada en la raza, el género y la discapacidad es más que acumulativa.
Si bien las mujeres discapacitadas de color comparten experiencias de discriminación por motivos de discapacidad con otras personas discapacitadas, experiencias de sexismo con otras mujeres, y experiencias de racismo con otras personas de color, estas experiencias interactúan y no pueden ser separadas: las mujeres discapacitadas de color experimentan una discriminación singular como mujeres discapacitadas de color.
Si bien las Triple Cripples reconocen que las ideas anticuadas y superficiales sobre la diversidad no se transformarán, como por arte de magia, en espacios inclusivos de un día para otro, siguen confiando en que sus pequeños hachazos finalmente lograrán derribar los grandes robles que las prácticas discriminatorias representan para ellas.
La alegría de aceptarse y crecer al calor de esa luz.
Titash Sen (@unzeroed)
“Asignado Nderentendei Al Nacer”
de Bastión Moral, Asunción, Paraguay (@basti0nmoral)
La mujeridad obligatoria es un dispositivo colonial heterocispatriarcal de violencia hacia cuerpos asignados femeninos al nacer. Los cuerpos trans seguimos resistiendo a pesar de la invisibilización y apagamiento histórico. No soy mujer, me asignaron un género a partir de mis genitales.
We have partnered with Global Voices for a special series of pieces for Pride Month 2023 (include music, video, and stories!) engaging with the intersectional issues that queer individuals and communities face around the world.
Become an AWID member
By joining AWID, you are becoming part of worldwide feminist organizing, a collective power that is rooted in working across movements and is based on solidarity.
Priority will be given to activities that facilitate and encourage connection and interaction among participants. If your activity can be held online or hybrid (connecting participants on-site and online), please consider how to generate genuine engagement and active participation from online participants.
We encourage cross-movement, cross-regional and inter-generational encounters, dialogues and exchanges.
Please design your activity in a way that allows flexibility in the number of participants. While a few activities may be limited to smaller groups, the majority will need to accommodate larger numbers.
If your activity fits a number of formats or none, you will be able to indicate as such on the application form.
Languages in which you can submit your activity
Languages for Applications: Applications will be accepted in English, French, Spanish, Thai and Arabic.
Languages at the Forum: Simultaneous interpretation will be provided at the Forum Plenary Sessions in English, French, Spanish, Thai, and Arabic as well as ISL (International Sign Language) and possibly more. For all other activities, interpretation will be offered in some––but not all––of these languages, and possibly others, such as Swahili and Portuguese.
The 2026 AWID Feminist Calendar
Consider this calendar a gift, one that goes out to you and 9,500 members of our global feminist community. A gift of hope, renewed connection, action and community in a time of immense injustice and violence.
Let its stories remind you that across borders and struggles, we are many, we are powerful, and together we are building the worlds we deserve.
سيجتمع المشاركات/ون فعليًا في عدد من المواقع خارج مكان انعقاد المنتدى في بانكوك، في أجزاء مختلفة من العالم، في كل يوم من أيام المنتدى. وستكون جميع هذه المواقع ذاتية التنظيم مرتبطة افتراضيًا لموقع انعقاد المنتدى في بانكوك. كما هو الحال مع الأفراد المتواصلون عبر الإنترنت، سيتمكن المشاركون/ات من تسيير النشاطات والمشاركة في المحادثات والاستمتاع ببرنامج غني ومتنوع.
Barin was a member of the all-women fighting unit of the Kurdish People’s Protection Unit (YPG)
She was killed while on active duty.
Lebanese journalist Hifaa Zuaiter wrote: “Barin represents everything we have heard about the courage of the Kurdish female fighters, and her death is far more than the killing of a rival, or the result of a political or ethnic struggle. The horror of displaying her body only because she is a woman stems from the fact that she dared to threaten male hegemony by becoming a female fighter on a battlefield meant for men”.
Riham was a lawyer and activist committed to monitoring rights violations in Yemen.
She worked with other activists to supply civilians trapped by Houthi militias in the outskirts of the city of Taiz with food and water.
Riham was killed in February 2018 and it is unconfirmed whether she was killed by a sniper or hit by an aircraft. Nobody has been held accountable for her murder.
Will there be any support for materials or other preparatory costs for workshops?
You can expect all the standard materials for workshops and presentations: flip charts, markers, sticky notes, in addition to projectors and audio-visual equipment. Any additional materials are the responsibility of the activity organizers. AWID’s logistics team will be available to answer questions and advise.
Florence was a disability rights activist who worked with several disabled women’s organizations in Uganda.
She also held the position of Chairperson of the Lira District Disabled Women Association, as well as the Lira District Women Councilors’ caucus. Trained as a counsellor for persons with disabilities and parents of children with disabilities, she supported many projects that called for greater representation of persons with disabilities.
Sylvia Rivera was a civil rights activist, a transvestite and sex worker.
Known as the New York Drag queen of color, Silvia was fierce and tireless in her advocacy, in defense of those who were marginalized and excluded as the “gay rights” movement mainstreamed in the United States in the early 1970’s.
In a well-known speech on Christopher Street Day in 1973, Sylvia, shouted through a crowd of LGBT community members:
“You all tell me, go and hide my tail between my legs.
I will no longer put up with this shit.
I have been beaten.
I have had my nose broken.
I have been thrown in jail.
I have lost my job.
I have lost my apartment.
For gay liberation, and you all treat me this way?
What the fuck’s wrong with you all?
Think about that!”
In 1969, at age 17, Silvia took part in the iconic Stonewall Riots by allegedly throwing the second Molotov cocktail to protest the police raid of the gay bar in Manhattan. She continued to be a central figure in the uprisings that followed, organizing rallies and fighting back police brutality.
In 1970, Sylvia worked together with Marsha P. Johnson to establish Street Transvestite Action Revolutionaries (S.T.A.R.), a political collective and organisation that would set up projects of mutual support for trans people living on the streets, those struggling with drug addiction and in prisons and in particular for trans people of color and those living in poverty.
Defiant of labels, Silvia lived life in a way that challenged people in the gay liberation movement to think differently. She said:
“I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn't really come out as a drag queen until the late 60s. when drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn't even in full drag. I was walking down the street and the cops just snatched me. People now want to call me a lesbian because I'm with Julia, and I say, "No. I'm just me. I'm not a lesbian." I'm tired of being labeled. I don't even like the label transgender. I'm tired of living with labels. I just want to be who I am. I am Sylvia Rivera.
Through her activism and courage, Sylvia offered a mirror that reflected all that was wrong within society, but also the possibility of transformation. Sylvia was born in 1951 and passed away in 2002.
Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others.
“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth
She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.
In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto.
“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos
Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.
Tributes:
“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre
“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune
![“Asignado Nderentendei Al Nacer” [Assigned Nderentendei at Birth] by Bastión Moral](https://web.archive.org/web/20210928161447/https://www.awid.org/sites/default/files/thumbnails/image/web_bastion-nderentendei.png "“Asignado Nderentendei Al Nacer” [Assigned Nderentendei at Birth] by Bastión Moral")
