Adolfo Lujan | Flickr (CC BY-NC-ND 2.0)
Mass demonstration in Madrid on International Women's Day
Multitudinaria manifestación en Madrid en el día internacional de la mujer

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Advancing Universal Rights and Justice

Uprooting Fascisms and Fundamentalisms

Across the globe, feminist, women’s rights and gender justice defenders are challenging the agendas of fascist and fundamentalist actors. These oppressive forces target women, persons who are non-conforming in their gender identity, expression and/or sexual orientation, and other oppressed communities.


Discriminatory ideologies are undermining and co-opting our human rights systems and standards,  with the aim of making rights the preserve of only certain groups. In the face of this, the Advancing Universal Rights and Justice (AURJ) initiative promotes the universality of rights - the foundational principle that human rights belong to everyone, no matter who they are, without exception.

We create space for feminist, women’s rights and gender justice movements and allies to recognize, strategize and take collective action to counter the influence and impact of anti-rights actors. We also seek to advance women’s rights and feminist frameworks, norms and proposals, and to protect and promote the universality of rights.


Our actions

Through this initiative, we:

  • Build knowledge: We support feminist, women’s rights and gender justice movements by disseminating and popularizing knowledge and key messages about anti-rights actors, their strategies, and impact in the international human rights systems through AWID’s leadership role in the collaborative platform, the Observatory on the Universality of Rights (OURs)*.
  • Advance feminist agendas: We ally ourselves with partners in international human rights spaces including, the Human Rights Council, the Commission on Population and Development, the Commission on the Status of Women and the UN General Assembly.
  • Create and amplify alternatives: We engage with our members to ensure that international commitments, resolutions and norms reflect and are fed back into organizing in other spaces locally, nationally and regionally.
  • Mobilize solidarity action: We take action alongside women human rights defenders (WHRDs) including trans and intersex defenders and young feminists, working to challenge fundamentalisms and fascisms and call attention to situations of risk.  

 

Related Content

Primer: Spot key groups and debunk their narratives

Primer:

Spot key groups and debunk their narratives

Are you a UN policy maker and want to know the main anti-rights groups and discourses to look out for? Or a feminist looking for quick counter-arguments? This 8-page primer provides key information at a glance.

Get the primer

Dorothy Masuka

“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)

Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.

One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa. 

Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.

Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”. 

On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health. 


Watch Dorothy Masuka in an interview with Mail & Guardian

Listen to some of her music:

Hamba Nontsokolo
El Yow Phata Phata
 

لقد تقدمت بطلب للمشاركة في المنتدى السابق، هل أحتاج إلى إعادة التقديم؟

نعم من فضلك. لقد تغير العالم منذ عام 2021 ونحن ندعوك لتقديم مقترح يعكس واقعك وأولوياتك الحالية.

Snippet Kohl - Panel “un”Inclusive Feminism: The voiceless girls in the Haitian feminist movement

Globe “un”Inclusive Feminism

with Naike Ledan and Fédorah Pierre-Louis.

YOUTUBE

มีมาตราการอย่างไรในการปกป้องด้านสาธารณสุขและควบคุมการระบาดของโรคโควิด19

เราจับตาดูเรื่องนี้และความเสี่ยงอื่นๆอย่างระมัดระวัง และจะนำเสนอข้อมูลด้านสุขภาพและความปลอดภัยที่คลอบคลุมเมื่อมีการเปิดให้ลงทะเบียน เพื่อให้คุณสามารถตัดสินใจได้อย่างมีข้อมูล มากกว่านั้นการจัดประชุมแบบสองรูปแบบ(ออนไลน์และกายภาพ)ถูกออกแบบให้ให้เกิดการมีส่วนร่วมอย่างมีความหมายสำหรับผู้เข้าร่วมที่เลือกจะไม่เดินทาง หรือผู้เข้าร่วมที่ไม่สามารถเดินทางได้

#4 - Sexting like a feminist Tweets Snippet EN

Real feminists don’t kink-shame.

Image of a tweet. Text says: The revolution in your pants will not be televised... unless you're into that kind of thing. Which we can discuss... viva.

Snippet CSW68 - AWID at CSW Logo

AWID at CSW68

Transnational Embodiments | Small Snippet

Continue exploring Transnational Embodiments

This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.

Explore the journal

Snippet - Centers activists - EN

Centers activists’ voices and experiences to analyze how money moves and who it is reaching

Disintegration | Title Snippet AR

تَفَسُ

مُقتَبَس من قصّة لإيستر لوبيز

تصوير: مريم مكيوي 
تصميم وعرض الملابس: النمرة

Snippet - WITM Provide members - EN

Provide AWID members, movement partners and funders with an updated, powerful, evidence-based, and action-oriented analysis of the resourcing realities of feminist movements and current state of the feminist funding ecosystem.

Identify and demonstrate opportunities to shift more and better funding for feminist organizing, expose false solutions and disrupt trends that make funding miss and/or move against gender justice and intersectional feminist agendas.

Articulate feminist visions, proposals and agendas for resourcing justice.

START THE SURVEY

CREDITS | Content Snippet AR

شكر وتقدير

ترجمة عربية
لينا يحيى
مارينا سمير
مايا زبداوي
نضال مجيد
رانيا الغزال
رولا علاء الدين
فيفيان عقيقي

النسخة الإسبانية
ترجمة
ڤيرونيكا تورّيسيّس
غابرييلا أدلستين
ماريا لويزا بيرالتا
أليخاندرا سردا
غابي دي سيكو

تدقيق لغوي
أليخاندرا سردا
غابي دي سيكو
ماريا يوجينيا مارتي

النسخة الفرنسية
ترجمة
كميّ دوفور
مورغان بوديك

تدقيق لغوي
ناتالي تيريو

من البرتغالية إلى الإنجليزية
ترجمة
لويز مارتيلو

تدقيق لغوي
شاينا غريف

فريق التحرير
المحررات
تشينيلو أونوالو
غوى صايغ (كحل)

 

تصميم ورسم
صوفيا أندرياتزا

 

مسؤولة استراتيجيات التواصل
زهور محمود (كحل)

 

محرّرة النسخة العربية
صباح أيوب (كحل)

 

مديرة الترجمة
مايا زبداوي (كحل)


 

فريق AWID
نانا داركوا سيكياما
لولا سيلڤا
كامي أبرهميان
تانيا لالمون
ماريا أوليڤو
مريان أسفاو
آنا أبليندا

 

Can I fill the survey outside KOBO and share my responses with you via email?

Unless there are accessibility issues and/or you are filling the survey in other languages, we strongly encourage you to use KOBO for WITM standardized data collection and analysis.

Intro to tweets snippet | AR

يتبيّن من هذه التويتات الفكاهة المقرونة بالإثارة والاهتياج الجنسيّ، التي تتّسم بها المقاربة النسوية لكتابة الرسائل ذات المضامين الجنسية، دون أن تُسقط عن نفسها الالتزام بالمساواة والعدالة.

The resourcing realities and state of funding for feminist movements change quickly, is this survey a one-off?

No, it's not. This survey builds on AWID’s 20-year history of mobilizing more and better funding for feminist-led social change and is the third iteration of our Where is the money for feminist organizing? research. Our aim is to repeat the WITM survey every 3 years.

Upasana Agarwal Snippet EN

Upasana Agarwal

Upasana is a non binary illustrator and artist based out of Kolkata, India. Their work explores identity and personal narratives by using a visual remnant or evidence of the contexts they work with. They are especially drawn to patterns which to them communicate complex truths about the past, present and future. When Upasana is not illustrating they organise and run a queer and trans community art centre in the city. 

Upasana’s Exhibition

Snippet - WITM To share - AR

لمشاركة تجاربكم/ن المعاشة بما يتعلق بتمويل منظمتكم/ن

Snippet Caribbean Feminist Spaces_Fest (EN)

Caribbean Feminist Spaces, Creative Expressions & Spiritual Practices for Community Transformation

Tonya Haynes, CAISO
Angelique V. Nixon, CAISO

divider

Snippet - WITM Start the survey 1 - AR

 

Globe

الاستطلاع متاح باللغات العربية، الإنجليزية، الفرنسية، البرتغالية، الروسية والاسبانية!

Snippet - WITM about research - PT

Sobre o inquérito WITM

O inquérito global do WITM é um pilar fundamental da terceira edição da nossa investigação orientada para a ação: "Onde está o dinheiro para a organização feminista" (abreviado, "Onde está o dinheiro" ou WITM). Os resultados do inquérito serão aprofundados e explorados através de conversas profundas com ativistas e financiadores, e comparados com outras análises e investigações existentes sobre o estado do financiamento para feministas e para a igualdade de género globalmente

O relatório completo "Onde está o dinheiro para a organização feminista" será publicado em 2026.

Para mais informações sobre como a AWID tem chamado a atenção para o dinheiro a favor de e contra os movimentos feministas, consulte a nossa história do WITM e os nossos relatórios anteriores aqui.