Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Confronting Extractivism & Corporate Power

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Women human rights defenders (WHRDs) worldwide defend their lands, livelihoods and communities from extractive industries and corporate power. They stand against powerful economic and political interests driving land theft, displacement of communities, loss of livelihoods, and environmental degradation.

Why resist extractive industries?

Extractivism is an economic and political model of development that commodifies nature and prioritizes profit over human rights and the environment. Rooted in colonial history, it reinforces social and economic inequalities locally and globally. Often, Black, rural and Indigenous women are the most affected by extractivism, and are largely excluded from decision-making. Defying these patriarchal and neo-colonial forces, women rise in defense of rights, lands, people and nature.

Critical risks and gender-specific violence

WHRDs confronting extractive industries experience a range of risks, threats and violations, including criminalization, stigmatization, violence and intimidation.  Their stories reveal a strong aspect of gendered and sexualized violence. Perpetrators include state and local authorities, corporations, police, military, paramilitary and private security forces, and at times their own communities.

Acting together

AWID and the Women Human Rights Defenders International Coalition (WHRD-IC) are pleased to announce “Women Human Rights Defenders Confronting Extractivism and Corporate Power”; a cross-regional research project documenting the lived experiences of WHRDs from Asia, Africa and Latin America.

We encourage activists, members of social movements, organized civil society, donors and policy makers to read and use these products for advocacy, education and inspiration.

Share your experience and questions!

Tell us how you are using the resources on WHRDs Confronting extractivism and corporate power.

◾️ How can these resources support your activism and advocacy?

◾️ What additional information or knowledge do you need to make the best use of these resources?

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Thank you!

AWID acknowledges with gratitude the invaluable input of every Woman Human Rights Defender who participated in this project. This project was made possible thanks to your willingness to generously and openly share your experiences and learnings. Your courage, creativity and resilience is an inspiration for us all. Thank you!

Related Content

Type

Mariam Uy Acob

Read in: English French Spanish
Category
Derechos civiles y políticos
Region
El Pacifico
Cause of death / disappearance

Asesinada

Mariam era asistente jurídica en la Alianza Kawagib Moro por los Derechos Humanos.

Fue una acérrima crítica de la militarización de las comunidades moro, y denunció sistemáticamente los bombardeos aéreos y la concentración de campamentos militares. Tuvo que buscar refugio luego de exponer y denunciar las injusticias cometidas contra las comunidades musulmanas en Filipinas.

Se cree que fue asesinada por agentes militares sospechosos debido a su trabajo como defensora de derechos humanos. Los atacantes que mataron a Mariam la esperaron, se pusieron a la par del vehículo en el que se desplazaba y le dispararon siete veces.

 

Mariam Uy Acob, Philippines

How to get involved?

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لماذا عليّ أن أفكر بتعبئة الاستطلاع؟

هنالك العديد من الأسباب لتعبئة الاستطلاع منها أنه لديك الفرصة لمشاركة تجربتك المعاشة المتعلقة بحشد الموارد لدعم تنظيمك، أن تعمل/ين من منطلق قوة كخبير/ة بما يتعلق بالأموال ولأين تتحرك ولأين تصل وبذلك المشاركة بالجهد المشترك والمناصرة لتحريك التمويلات الأكبر والأفضل. لقد أثبت استطلاع "أين المال" في العشرين عام الأخيرة أنه مصدر أساسي للشركاء/ الشريكات وكذلك للممولين/ات. ندعوك من كل قلبنا للمشاركة بالنسخة الثالثة لتسليط الضوء على الوضع الفعلي للموارد، وتحد الحلول الخاطئة، والإشارة إلى كيفية تغيير التمويل حتى تزدهر الحركات وتواجه التحديات المعقدة في عصرنا.

#MeToo in China


The #MeToo movement in China was ignited in January 2018, impelled by the momentum of the #MeToo movement around the globe. The movement was a response to cultural and systemic problems in relation to gender and power within China. The foundation of the movement was laid over decades, with many years of debate and advocacy for gender equality finally erupting into a tremendous force across society. #MeToo has been driven mainly by young people, among whom are countless anonymous women and their allies, and they search for opportunities to realize the ultimate “Chinese Dream”: to transform China into a country with gender equality.
 
The environment for #MeToo movement is extremely adverse in China: the rule of law, the fairness and transparency of government action, and freedom of speech cannot be taken for granted by the movement in China but are the very goals it fights for. From the beginning, it has been an intense struggle, with every victim or activist who comes forward running tremendous risks. From being silenced, humiliated, or retaliated against, to having their safety jeopardized, every success of the #MeToo movement has been won by those who are courageous enough to bear the costs of speaking out and defying censorship.
 
#MeToo in China Exhibition was first held in 2019 and toured in 5 cities. The aim of the exhibition is to bring the personal experiences of the victims and activists to greater prominence and, through engagement with these stories, to inspire our audience to join in the fight. The exhibition has itself become a part of the #MeToo struggle—the exhibition has been beset by challenges on its tour throughout China, on more than one occasion even facing closure.

#MeToo China Image
#MeToo China Image
#MeToo China Image

Snippet FEA Wage Parity (ES)

Ilustración de dos un par de personas de piel blanca con anteojos, a la izquierda en el fondo hay un mando y a la derecha al frente hay una mujer. El fondo es turquesa.

PARIDAD SALARIAL

Florence Adong-Ewoo

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Category
Droits économiques, sociaux et culturels
Region
Afrique
Afrique subsaharienne
Cause of death / disappearance

Accident

Florence était une militante des droits des personnes handicapées qui travaillait avec plusieurs organisations de femmes handicapées en Ouganda.

Elle a également occupé le poste de présidente de l’Association des femmes handicapées du district de Lira, ainsi que du caucus des conseillères du district de Lira. Formée en tant que conseillère pour personnes handicapées et parents d'enfants handicapés, elle a soutenu de nombreux projets appelant à une plus grande représentation des personnes handicapées.

Elle est morte dans un accident de moto.

 

Florence Adong-Ewoo, Uganda

Reason to join 2

Encuentra y crea conexiones. AWID cuenta con más de 9000 afiliadxs, todxs dedicadxs a abordar cuestiones complementarias e interconectadas. En esta diversidad se apoya la sostenibilidad de los movimientos y actorxs feministas.

J’essaie de soumettre une proposition mais le formulaire en ligne ne fonctionne pas

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Pour toutes questions liées à l’Appel aux propositions d'activités, merci de nous contacter via notre formulaire de contact en choisissant « Proposition d'activité » comme sujet de votre message.

Contactez-nous

Наша группа, организация и/или движение не получали и не мобилизовывали финансирование от внешних спонсоров – можем ли мы принять участие в опросе?

Да! Мы признаем и ценим различные причины, по которым феминистки(-ты), работающие в различных контекстах, не имеют внешнего финансирования. Эти причины могут разниться: от невозможности подавать заявки на гранты из-за несоответствия требованиями и/или невозможности получения денег из-за рубежа, до использования генерируемых автономно ресурсов, в качестве самостоятельной политической стратегии. Мы хотим услышать ваше мнение, независимо от наличия или отсутствия у вас опыта работы с внешним финансированием.

Nicole Barakat

nicole barakat -verge exhibition april 2018
“We transcend time and place” [«Trascendemos el tiempo y el lugar»], papel recuperado cortado a mano (2017)
nicole barakat -verge exhibition april 2018
“We will remember who we are and we will persist” [«Recordaremos quiénes somos y persistiremos»], lamé cortado a mano bordado en algodón sobre seda de lana (2018)
nicole barakat -verge exhibition april 2018
“We will return home” [«Regresaremos a casa»], lamé cortado a mano bordado en seda sobre terciopelo de algodón (2018)
verge march 18 - document photography
“We will heal in the now” [«Sanaremos en el ahora»], seda cortada a mano, lana, lamé, algodón, impresión digital directa de satén sobre tela de lino (2018)

somos infinitxs 

Una exposición de Nicole Barakat que encarna su reconexión con los objetos de la diáspora de sus tierras ancestrales en la región del Sudoeste Asiático y África del Norte (SWANA, por sus siglas en inglés).
 
Barakat presenta una colección de obras textiles como manifestaciones de su práctica de conectarse con los objetos desplazados, y a menudo robados, que son exhibidos en colecciones de museos occidentales que incluyen  el Museo del Louvre de París, el Museo Británico de Londres y el Nicholson Museum de Sydney.
 
Para burlar a los guardianes y fisurar las vitrinas que retienen estos objetos ancestrales, Barakat recupera formas de conocimiento precoloniales, no lineales y receptivas que son, a menudo, devaluadas y desestimadas por las instituciones coloniales y patriarcales, utilizando la adivinación con la borra del  café, el trabajo con los  sueños, la escucha intuitiva y las conversaciones con los objetos mismos (fuente).

Sobre Nicole Barakat

Nicole Barakat portrait
Nicole Barakat es una artista femme queer de SWANA, que nació y vive en las tierras de Gadigal (llamadas Sydney) en Australia. Trabaja con procesos intuitivos y de escucha profunda, con la intención de transformar las condiciones de la vida cotidiana. Su obra se desarrolla a través de métodos artísticos no convencionales, creando objetos intrincados que plasman el amor y la paciencia característicos de las prácticas textiles tradicionales.
 
Sus trabajos incluyen dibujos en papel y en tela cortados y cosidos a mano, esculturas realizadas con su propio cabello, tela y materiales vegetales, así como obras en vivo en las que utiliza su voz como material.
 
La práctica creativa de Nicole está arraigada en el re-cuerdo y la re-colección de sus conocimientos ancestrales, incluyendo la adivinación con la borra del café y, más recientemente, el trabajo con esencias de plantas y flores para el cuidado y la sanación comunitaria.

Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing. 

Snippet FEA Map of Spain Union Otras (FR)

Fond moutarde avec une carte rose de l'Espagne et une épingle jaune de l'emplacement de Sindicato Otras ;

Marceline Loridan-Ivens

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Category
Economic, Social and Cultural Rights
Region
Europe

Born in 1928, Marceline worked as an actress, a screenwriter, and a director.

She directed The Birch-Tree Meadow in 2003, starring Anouk Aimee, as well as several other documentaries. She was also a holocaust survivor. She was just fifteen when she and her father were both arrested and sent to Nazi concentration camps. The three kilometres between her father in Auschwitz and herself in Birkenau were an insurmountable distance, which she writes about in one of her seminal novels “But You Did Not Come Back.”

In talking about her work, she once said: "All I can say is that everything I can write, everything I can unveil — it's my task to do it.”

 

Marceline Loridan-Ivens, France

Solidarity: membership why page

Solidarité

nous prenons position en solidarité les un·e·s avec les autres ainsi qu’avec différentes luttes en défense de la justice et des libertés. Nous nous efforçons de mobiliser et renforcer l’action collective et de pratiquer des méthodes significatives de collaboration.

Combien coûte l’inscription au Forum ?

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Cette information ne sera disponible qu’à l’ouverture de l’inscription. 

 

Tactiques, stratégies et impacts des antidroits

Chapitre 5

Les antidroits ont adopté une double stratégie : outre leurs attaques ouvertes sur le système multilatéral, ils et elles sapent les droits humains depuis l’intérieur. Leur implication vise à prendre le contrôle des processus, instaurer des normes régressives et fragiliser la redevabilité.

Photo-OP // the first anniversary of the EU signature to the Council of Europe Convention to prevent and combat gender-based violence and domestic violence, the so-called Istanbul Convention
© ALDE Group/Flickr
Photo-OP // Le premier anniversaire de la signature par l'UE de la Convention du Conseil de l'Europe pour prévenir et combattre la violence basée sur le genre et la violence domestique, dite Convention d'Istanbul

Leur implication dans les sphères des droits humains a un but essentiel : saper le système et sa capacité à respecter, protéger et assurer les droits humains de tout un chacun, et à tenir les États membres pour responsables de leurs enfreintes. Certaines tactiques antidroits en dehors de l’ONU visent à la délégitimer, exercer des pressions politiques pour limiter son financement ou se retirer d’accords internationaux sur les droits humains. Les acteur·rice·s antidroits gagnent cependant en influence au sein même de l’ONU. Leurs tactiques de l’intérieur incluent la formation de délégué·e·s, la dénaturation de cadres relatifs aux droits humains, la dilution de la substance d’accords sur les droits humains, l’infiltration de comités d’ONG, la demande du statut ECOSOC sous un nom neutre, l’infiltration des espaces des jeunes et la pression pour que des acteur·rice·s antidroits occupent des postes clés.

Sommaire

  • L’institutionnalisation des antidroits dans les mécanismes de l’ONU
  • Le retrait et la délégitimation
  • L’appauvrissement des standards relatifs aux droits humains
  • La prise de contrôle : création d’un cadre des droits humains parallèle
  • Exercice : Oui, ils et elles sont fort·e·s, mais nous aussi!
  • Exercice : Tenir les gouvernements pour responsables

Lire le chapitre complet

Snippet FEA Union Otras Photo 1 (EN)

Photo shows shows four people with posters at a protest and in the middle a woman with a megaphone speaking.

Sainimili Naivalu

Read in: English French Spanish
Category
Civil & Political Rights
Region
Pacific
Date of death / disappearance
Cause of death / disappearance

Natural

“I’ve witnessed discrimination on the streets, being teased on the streets and verbally abused on the streets. I have also made numerous friends and have met a lot of people. There may be dangers out there but I am a survivor and this is where I will be for now.”
- Sainimili Naivalu

Sainimili Naivalu was a feminist and disability rights activist from the village of Dakuibeqa on Beqa Island, Fiji.

She demanded policy makers and stakeholders provide disability friendly policies and services such as the construction of ramps in towns and cities to increase accessibility. Physical barriers were not the only ones she strived to change. From her own experience, she knew that more difficult changes need to take place in social and economic spheres. Many of the challenges disabled people face are rooted in attitudes that carry discrimination and stigma. 

A survivor and a fighter, Sainimili contributed to co-creating feminist realities that foster inclusion and shift attitudes towards disabled people. As a member of the Spinal Injury Association of Fiji (SIA) and through Pacific Disability Forum’s Pacific Enable project she attended the International Labour Organisation “Start Your Business” training in Suva, enabling her to transform her ideas into her own business. She was an entrepreneur at the Suva Market Stall 7, offering manicure services, as well as running SIA’s women’s market stall selling handicrafts, sulus and artifacts. Sainimili’s plan was to expand her business and become a major employer of disabled people.

In addition to her activism, she was also a table tennis medalist and youth champion. 

A vivacious personality, Sainimili was one of a kind. You would always know that Sainimili is in a room because her laughter and her stories would be the first thing that you would notice.
- Michelle Reddy

Sainmili passed away in 2019.