Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Co-Creating Feminist Realities

While we dream of a feminist world, there are those who are already building and living it. These are our Feminist Realities!

What are Feminist Realities?

Feminist Realities are the living, breathing examples of the just world we are co-creating. They exist now, in the many ways we live, struggle and build our lives.

Feminist Realities go beyond resisting oppressive systems to show us what a world without domination, exploitation and supremacy look like.

These are the narratives we want to unearth, share and amplify throughout this Feminist Realities journey.

Transforming Visions into Lived Experiences

Through this initiative, we:

  • Create and amplify alternatives: We co-create art and creative expressions that center and celebrate the hope, optimism, healing and radical imagination that feminist realities inspire.

  • Build knowledge: We document, demonstrate & disseminate methodologies that will help identify the feminist realities in our diverse communities.

  • Advance feminist agendas: We expand and deepen our collective thinking and organizing to advance just solutions and systems that embody feminist values and visions.

  • Mobilize solidarity actions: We engage feminist, women’s rights and gender justice movements and allies in sharing, exchanging and jointly creating feminist realities, narratives and proposals at the 14th AWID International Forum.


The AWID International Forum

As much as we emphasize the process leading up to, and beyond, the four-day Forum, the event itself is an important part of where the magic happens, thanks to the unique energy and opportunity that comes with bringing people together.

We expect the next Forum to:

  • Build the power of Feminist Realities, by naming, celebrating, amplifying and contributing to build momentum around experiences and propositions that shine light on what is possible and feed our collective imaginations

  • Replenish wells of hope and energy as much needed fuel for rights and justice activism and resilience

  • Strengthen connectivity, reciprocity and solidarity across the diversity of feminist movements and with other rights and justice-oriented movements

Learn more about the Forum process

We are sorry to announce that the 14th AWID International Forum is cancelled

Given the current world situation, our Board of Directors has taken the difficult decision to cancel Forum scheduled in 2021 in Taipei. 

Read the full announcement

Find out more!

Related Content

Moving Conversation

Thank you, Ángela and Pilar.
 

Decorative Element


Yannia Sofía Garzón Valencia Portrait

Yannia Sofía Garzón Valencia I am a Black woman and a community weaver. I live in Santander de Quilichao in Cauca, Colombia. I am interested in the creative processes that organize sustainable collective life. I like exchanging thoughts and cooking, investigating and analyzing, planting seeds and learning from plants, reading and playing. I am currently coordinating the observatory of gender-based violence against afro-descendant communities in Colombia (@VigiaAfro).


Decorative element in yellow
Cover image for Article Moving Conversation

The three of us were “sharing” the afternoon in a neighborhood south of Bogota. 

 There was an unusually large green playing area and we sat on little wooden stools under an elderberry tree. We were finally experiencing that other form of love – that pleasure of being together and listening to each other. For me, these kinds of chats are among the expressions of love that life had only recently allowed me to enjoy. I had not known this other form of love – the kinds found outside workshops, activist spaces, classrooms, or workplaces – to be possible. Yet we three friends spent the afternoon amongst ourselves and we did not pretend to be blind to the color of our respective skins. Rather, it was a lived factor that allowed us to intimately discuss the similarities and differences in our childhood and youthful experiences.
 
Those chats were unrelated to any upcoming activities of the Black movement in Colombia, but they still nourish me and acquire new meanings. Our closeness was woven through coming together, recognizing each other, and identifying the uniqueness of our liberations. And by realizing there is not just one but many paths to liberation – those paths we inhabited every time we said “no” and rebelled. Far from feeling discomfort, we met in an authenticity made of weakness and strength, one which brought us closer instead of separating us.
 
Our purpose on that beautiful afternoon was to just be – to have an awareness of simply being amongst ourselves. We walked through our pasts so that the memories that stayed with us were those we decided to keep as ours, and not those that fear let through and found a place for. We remembered exact fragments of TV shows, and sang songs written by artists who had taught us about loving well, hating well, cursing like the worst villain, and suffering like the best leading lady. 
 
We told each other about our school pranks, and what remained in our subconscious after being exposed to the many ways the media repeats the same thing – after the teachers and nuns at school overexposed us to stories so that we would identify with and appropriate Cinderella’s aspirations for our own lives. This would set the tone for the rest of our story: the drama of the impoverished and diminished girl who is yet to achieve her full value through an act that redeems her condition. And that act can only be brought about by the gaze of a male who, at the very least, is white, hence deserving of what is between our thighs – his “main aspiration” – and the “perfect realization of our dreams,” which we are told should then be our main aspiration.
 
There were three of us there that afternoon. Each had been brought up in a different part of the country, but it was fascinating that we could all still quote fragments and situations from songs and soap operas that often – as we realized by getting to know each other – shared codes or symbols that were replicated, with a few variations, in our homes, in our first relationships, and in our neighborhoods and schools. Brought up by “dramas” (is that what that very successful genre is called?) where the more you suffer, the more you deserve, the issue of “how and in which situations it is acceptable and legitimate to suffer” becomes an important mandate on how the person who suffers should be seen, what they should do, and whom they should be. Some of us managed to liberate ourselves and “learn” a definition of love that could only be learnt in adulthood, shattering illusions, and accepting natural sin. And becoming aware of the industrial production of a virgin, which we may refuse to look like as she has no place in our understanding, and the disappointment this alienation brings.
 

After singing, we reviewed our early sexual explorations. I never thought that most people experienced them before the age of nine and that even in adulthood, those experiences, those memories, remain a heavy burden. Even today, in thousands of places, millions of girls and boys see their innocence curtailed by lack of trust and the ignorance we present them with when they try to explore their bodies. Blaming curiosity is a most efficient control mechanism. We went back to the brief conversations we had when we changed the history of our lives from cursed Black beings to a perspective that rebirthed us. We remembered how many of our aunts and female cousins left their homes, their core, their roots, to seek a future outside, elsewhere.
 

The future comes with a price: it demands that those relationships that marked our childhood are reshaped and confined to oblivion. They are our foundations, but they are not relevant if we want to move ahead. For us, advancing was to learn by heart what we do to ourselves with the opportunities we find elsewhere. That it is elsewhere, and not within us, that opportunities lie, that we are available, that we need to be outside. However, for many of our aunts and female cousins, the few opportunities to enroll and stay in an evening class or take a sabbatical from domestic work were paid for by becoming the first sexual experience of relatives living in the future. A future for which others before them had also paid for, and whose price they had already forgotten. The demand for this payment arrived with the same inevitability as a public utility service bill. We will not take up that legacy.
 
In Colombia and Latin America, there was an etiquette manual called La urbanidad de Carreño (Carreño’s Etiquette Manual). It was mandatory reading until the 90s in both public and private schools. The manual conditioned how bodies were perceived and my mother, taken in and brought up by Carmelite nuns, knew it by heart. The first time I read it I had to stop more than once to rub my stomach, which hurt from laughing so much. It has ridiculous instructions such as: take a shower with your eyes closed and turn off the lights to wear your nightclothes. Different chapters address how one is to behave at home, in the street, and during a dinner or lunch party – in short, the norms of good taste and etiquette. The ethical core of good citizens was the urbanity that allowed one to distance oneself from rural life. The same manual indicated that shouting a greeting to an acquaintance on the other side of the street was indecorous; good manners dictate that you must cross the street. By the same token, men must remove their coats and place them over puddles of water if accompanying a woman whose shoes should not get wet. I thought about greeting someone across a river, and how it is so hot where we live that we don’t require coats. 
 

"She learned that to care for her belly, she needed to keep her tissues warm, to avoid the cold that comes through the soft spot on the top of the head, through the feet, the ears, so it would not hurt particularly at moontime. For that, you need to be careful about what you eat and what you don’t eat, how you dress and how you walk, as all that has to do with girls’ health. The woman elder says that, from her devoted grandfather, she learnt that cramps became more common when houses no longer had floors made of mud and/or wood. When concrete and tiles came, when the material making up the house allowed the cold to come in through the feet, tension also grew in the belly tissue."

The manual’s author, Mr. Carreño is the opposite of the grandfather of a woman elder born in Turbo. She told me once that her grandfather was a wise man, that he told her about birthing and how to take care of her body. She learned that to care for her belly, she needed to keep her tissues warm, to avoid the cold that comes through the soft spot on the top of the head, through the feet, the ears, so it would not hurt, particularly at moontime. For that, you need to be careful about what you eat, how you dress, and how you walk, as all that has to do with a girl’s health. The woman elder said that, from her devoted grandfather, she learnt that cramps became more common when houses no longer had floors made of mud and/or wood. When concrete and tiles came, when the material making up the house allowed the cold to come in through the feet, tensions in the belly tissue also grew.
 
Surprised again. Such a distance between Don Carreño and the wise grandfather in terms of being aware of life – as distant as the mandates of proper behavior that stifle your impulses and senses, even the most common sense that values health. At that moment, I was able to understand one of the many ways that concrete obstructs the earth’s breathing, and our own as part of her. I had not realized there was, and still is, the architecture and materials for taking care of our bodies. In Colombia, as well as in other countries, the materials used to make houses are taken as indicators of multidimensional poverty. A house built with concrete moves the home away from being considered poor. This is just one disappointing example of how progress pushes us to abandon the relationship between our environment and our body. Good taste and urbanity pushes us outside: to move forward, they lie, you have to go out there.
 
It bothered us to realize that neither our mothers nor fathers had spoken to us about menstruation, except when the brown stain had already smeared our knickers. They failed to preserve us from the shame that was supposed to be a natural feeling once menstruation had come. Along with menstruation came the belly cramps often endured in silence, because there was work to be done; some cramps were due to cysts, hematomas, or fibroids that killed the grandmothers who had discovered and forgotten the healing treatments, and then were forgotten themselves. That our mothers and fathers’ breaths turned colder and colder, but the Outside froze familiarity and, instead of warming our bellies, passed judgment with advice similar to warnings of the only thing men care about. This was applied to all men – legitimizing the plundering role of the phallus, as if its only option was to take what we have between our legs. The multiple versions of that truth were replaced by an unmovable and deeply-set naturalization: telling all women that we must preserve ourselves for one of them, for the one that will first introduce his penis inside us, for the one that will give us something in exchange, and that we are women only because we aspire to and let him put it inside us. As a girl I explored little penises and clitorises and, in between games among girls, the question was whispered: whose turn is it to play man and whose turn is it to play woman? And the answer: the beginnings of little orgasms, regardless of with whom. I guess the same must happen among male bodies.
 
The experiences and explorations of our aunts, female cousins, and acquaintances focused on the body and its nudity as taboo. They avoided expressing and naming it, to the point of covering it up, assigning new names to its excreting, expelling, procreating, and, just for us women, its receiving functions. Once I heard a woman elder in a workshop say that when she was living with her grandmother, her memory was of this old woman sleeping with one eye open, the other closed, and a rifle by the mattress. The softest night sound was enough for her to grab the rifle and aim. This is a common situation in the Colombian Pacific, where some harmful behaviors are normalized. Married and single men who like a young woman would enter her room at night – we call it gateada. It was a risk: if those with authority in the home realized what was happening, abuse or not, the man could be hurt or even killed.
 
This practice of taking the law into one’s own hands has failed to put an end to gateadas, even today. In that same workshop – as I kept telling my sisters – other participants said that neither they nor their mothers would leave their daughters alone with their fathers at bath time, unless the girls were wearing underwear. I remembered then my father’s voice saying, when I was seven, your mother never let me bathe you. After sharing this, another woman responded that, in contrast, her father would give her a bath naked in the courtyard of her childhood home until she turned seven, and then her eldest brother did it until she turned nine. She never felt anything strange in the way they looked at her; for them, it was just another task in caring for the most spoiled child in the home. She remembered being seen for what she was: a daughter child, a sister child, who did not like the water.
 
Once again childhoods, yesterday and today. We were surprised by that story, and it comforted us. Even I had seen things being different elsewhere; my daughter’s father bathed her in the tub until she was almost two. Even before turning two, he would give her a few soft slaps upwards on her bum, to make it bigger, as he said. Here, we could also speak of other dimensions of how we construct our bodies, but that is a different story. For me, it was one care task, among many, that we agreed to divide between ourselves before the baby was born. And the decision to not see every man as a lurking rapist does not mean they are not rapists, but instead that they can stop being so. There are also men and male bodies that have been brought up to never be rapists.
 
This is still happening. It happened to a friend of ours and to my own daughter. I thought: how can it be that some women are coupled with men they cannot trust to care for their daughters? I am sure that my mum loved my dad. And even though we seldom speak about the woman she was before becoming my mum, I know her experiences of abuse cannot be compared to the brutality and over-tolerance of those of today. But that is still a decision many women in many places make, and that leads to other questions. How often, how repeated were cases of abuse in our extended families to make women openly, or in indiscernible ways, forbid their partners from bathing their daughters? Is it related to the media overexposure we are subject to almost from birth? What makes family ties blur and turn into just bodily-satisfaction exchanges? Is it the proximity to urban values that cares so much about the right shapes of female bodies as objects of desire, and pushes male bodies to behave like owners and conquerors, fulfilling the mandate to mimic media representations so they feel safe in their identity? Is it concrete and other codes, like the Carreño etiquette, that sustain it? Is it encouraged by the need to forget certain relationships as the price of progress, that insistence on “doing for the outside?” What happens to what we learned in our times, those of us who, in secret or not, undertook sexual explorations as children? Were they erased by guilt? Were they the seeds of mistrust and shame in nudity? Were they the seeds of mistrust and shame of being inside oneself? Indeed, aren’t these learnings possibilities to trust in, understand the nudity of bodies as part of respecting oneself and others? These questions emerge in trusted spaces, where the fear to say what one thinks and feels is driven away by the intention of accompaniment. I imagine how many of us there are in all corners of this planet and I am certain these are not new questions, that messages in them are repeated, and that we find ourselves living the answers.

Decorative Element

Cover image for Communicating Desire
 
Explore Transnational Embodiments

This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.

Explore

Cover image, woman biting a fruit
 

التجسيدات العابرة للحدود

نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.

استكشف المجلة

María Verónica Reina

María was recognized globally for her extraordinary leadership in the disability community.

She represented the International Disability and Development Consortium during the negotiation of the United Nations Convention on the Rights of Persons with Disabilities (2001-2006).

Her work was devoted to the implementation of the goal of the Convention - realization of universal human rights by, for and with persons with disabilities for an inclusive, accessible and sustainable world.

In her words, her leadership was about “...serving the disability community, starting with small tasks that others may not wish to do”.

She passed away on October 27, 2017 in her hometown of Rosario, Argentina.

Read more about María Verónica Reina in her own words 

 


 

María Verónica Reina, Argentina

Love letter to Feminist Movements #1

Dear gorgeous beings,

I know you are so close. You can feel it can't you? How things need to shift and you need to centre yourself. 

Love letter to feminist movements from Your dramatically cloaked jungle nymph.

This is a letter to tell you to do it. Choose your healing. Choose to be OK. Better than OK. Choose to be whole, to be happy. To cry tears for yourself and no one else. Choose to shut out the world and tell them that 'you will be back in 5 mins'. Or five days. Or five years. 

Or never.

Choose to not take it all on. Choose to take none of it on. Because none of it is yours. It was never yours. They told you since you were born that it was yours. Your family's problems. Your lovers' problems. Your neighbours' problems. The globe's problems. The constant whisper that these problems belong to you. They are yours. Yours to hold, yours to shoulder. Yours to fix. 

That was a lie.
A bamboozle 
            A long con.
                          A scam.

The problems of the universe are not yours.

The only problems that are yours are your own. Everyone else can take a hike. 

Allow yourself to drop everything and sprint off into the jungle. Befriend a daisy clad nymph, start a small library in the roots of a tree. Dance naked and howl at the moonlight. Converse with Oshun at the river bed. 

                          Or simply drink a cup of tea when you need to take a moment to breathe.

Give yourself permission to disappear into the mist and reappear three countries over as a mysterious chocolatier with a sketchy past and penchant for dramatic cloaks and cigars. 

                          Or stop answering work calls on weekends.

Let yourself swim to deserted island with a lover and dress only in the coconut shells from coconut rum that you make and sip at sunset. 

Or say no when you don't have the capacity to create space for someone.

The options for holding yourself are endless. 

Whatever you do, know the world will always keep spinning. That's the beauty and the pain of it. No matter who or what you choose over yourself and your soul the world will always keep spinning. 

Therefore, choose you. 

In the morning when that first light hits, choose you. When it’s lunchtime and it’s time to cry on company time, choose you.  In the evening, when you are warming up leftovers because you didn’t have time to cook again, choose you. When anxiety wakes you up and existence is silent at 3:45 am. 

Choose you.

Because the world will always keep twirling on a tilt and you deserve to have someone always trying to make it right side up for you. 

Love,
Your dramatically cloaked jungle nymph.

Carmen Griffiths

Carmen was the Head of the Construction Resource and Development Collective (CRDC) and was instrumental in supporting women’s involvement in the construction industry in Jamaica.

She also worked on issues of disaster preparedness for rural and urban women. She worked closely with women (especially single mothers) teaching them how to use hurricane straps and other technology to secure their homes. She worked in the area of water and sanitation and was a strong advocate for sustainable environmental management and development.

She was a part of the Huairou Commission and advocated for grassroots women on such issues as shelter, energy, and sustainable livelihoods.

 


 

Carmen Griffiths, Jamaica

AWID at CSW67: a Portal to Feminist Power

Imagine opening a door which takes you into a conversation with feminist activists in other continents. This portal will transcend the barriers of UN CSW by pushing beyond language barriers, unaffordable travel, unequal protection from COVID19, and racist visa regimes.

This week, we’re putting a virtual spin on CSW by connecting and amplifying feminist activists' voices, to challenge the discriminatory barriers that limit participation and influence. By setting up connecting “portals” in New York City, Nairobi & Bangalore, we'll host a physical-virtual hybrid space for feminists to connect their struggles and build collective power.


Follow us to join the livestreams:

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And stay updated following us over:
Instagram Twitter


Graphic for the Announcement of AWID's participation in CSW 2023 with Portals

What are we covering? 

Day 1: March 6 - Accessibility

Day 2: March 7- Challenging Anti-Rights Actors And Corporations

Day 3: March 8 - Challenging Anti-Rights Actors And Corporations

Day 4: March 9- Reclaiming Multilateralism


Find the program for this week's activities here: 

Download full program here (PDF)

Bangalore Schedule (PNG)  Nairobi Schedule (PNG) New York City Schedule (PNG)

No care economies without domestic workers!

A Manifesto 

As feminist and labour movements, together in solidarity, we articulate the following points as a collective vision for care economies with domestic workers rights at the centre. We call on feminist and social movements to join the call to rethink the economy with care at its centre recognising the rights, agency and leadership of domestic worker movements.

Our manifesto is a response to a complex context.

Domestic and care work is in the limelight after the COVID-19 global pandemic as it provided the means to carry the world through multiple intersecting crises at the global scale. The World Bank, the International Monetary Fund, and other multilateral institutions also acknowledge the importance of care and domestic work in sustaining the world’s economy. However, it is our analysis that this recognition most often takes an instrumentalist approach (i.e. care work sustains the ‘productive’ economy) focused on profiteering from care work without recognizing care as a human right and public good, or providing recognition and rights to the workers undertaking the bulk of this labour.

Download the full manifesto

Florence Adong-Ewoo

Florence was a disability rights activist who worked with several disabled women’s organizations in Uganda.

She also held the position of Chairperson of the Lira District Disabled Women Association, as well as the Lira District Women Councilors’ caucus. Trained as a counsellor for persons with disabilities and parents of children with disabilities, she supported many projects that called for greater representation of persons with disabilities.

She died of a motorcycle accident. 


 

Florence Adong-Ewoo, Uganda

Sylvia Rivera

Sylvia Rivera was a civil rights activist, a transvestite and sex worker.

Known as the New York Drag queen of color, Silvia was fierce and tireless in her advocacy, in defense of those who  were marginalized and excluded as the “gay rights” movement mainstreamed in the United States in the early 1970’s.

In a well-known speech on Christopher Street Day in 1973, Sylvia, shouted through a crowd of LGBT community members: 

“You all tell me, go and hide my tail between my legs.
I will no longer put up with this shit.
I have been beaten.
I have had my nose broken.
I have been thrown in jail.
I have lost my job.
I have lost my apartment.
For gay liberation, and you all treat me this way?
What the fuck’s wrong with you all?
Think about that!” 

In 1969, at age 17, Silvia took part in the iconic Stonewall Riots by allegedly throwing the second Molotov cocktail to protest the police raid of the gay bar in Manhattan. She continued to be a central figure in the uprisings that followed, organizing rallies and fighting back police brutality.

In 1970, Sylvia worked together with Marsha P. Johnson to establish Street Transvestite Action Revolutionaries (S.T.A.R.), a political collective and organisation that would set up projects of mutual support for trans people living on the streets, those struggling with drug addiction and in prisons and in particular for trans people of color and those living in poverty. 

Defiant of labels, Silvia lived life in a way that challenged people in the gay liberation movement to think differently. She said: 

“I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn't really come out as a drag queen until the late 60s. when drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn't even in full drag. I was walking down the street and the cops just snatched me. People now want to call me a lesbian because I'm with Julia, and I say, "No. I'm just me. I'm not a lesbian." I'm tired of being labeled. I don't even like the label transgender. I'm tired of living with labels. I just want to be who I am. I am Sylvia Rivera. 

Through her activism and courage, Sylvia offered a mirror that reflected all that was wrong within society, but also the possibility of transformation. Sylvia was born in 1951 and passed away in 2002. 

Laurie Carlos

Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others. 

“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth 

She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.

In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto

“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos

Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.



Tributes:  

“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre

“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune 

Read a full Tribute by Sharon Bridgforth

Esther Mwikali

Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.

After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered. 

“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020

“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters

“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders

“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019

Feminist Realities Magazine

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Solidarity 

We take a position in solidarity with each other and diverse struggles for justice and freedoms. We strive to mobilize and strengthen collective action and practice meaningful ways of working with each other.

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Kindle for your feminist fire! Browse AWID’s research on funding, WHRDs, movement building, fundamentalisms, economic justice, feminist monitoring & evaluation and more

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Looking at me Looking at Safe Spaces

by Judyannet Muchiri

October last year I left for Kenya to begin what I have come to think of as my most important work yet. (...)

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When can I register for the Forum? How much does it cost to register? What does Registration Include?

Registration will start early 2024. We will announce the exact registration date and registration fee soon. Registration will include participation in the Forum, plus lunch and snacks (breakfast to be provided at the hotels), and one onsite dinner.