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Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Protection of the Family

The Issue

Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.

The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.

“Protection of the Family” efforts stem from:

  • rising traditionalism,
  • rising cultural, social and religious conservatism and
  • sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.

Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.

This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.


Our Approach

AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.

In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs).  OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like  “Protection of the Family”.

Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.   

The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN.  It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”

 

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Rising Together: Connect, Heal, Thrive

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Sexting Like a Feminist: Humor in the Digital Feminist Revolution | Content Snippet

Sexting como feminista: el humor en la revolución digital feminista

El 2 de septiembre de 2021 lxs increíbles activistas feministas y por la justicia social del festival Crear | Résister | Transform de AWID nos juntamos no solo para compartir estrategias, crear juntxs y transformar al mundo sino también para decir cosas sucias en Twitter.

Este ejercicio lo facilitó Nana Darkoa Sekyiamah, una de las fundadoras del blog Adventures From The Bedrooms of African Women [Aventuras desde los dormitorios de mujeres africanas] y autora de​​​​​​​ The Sex Lives of African Women, [Las vidas sexuales de las mujeres africanas] que se asoció con la plataforma digital mujerista y queer panafricana​​​​​​​ AfroFemHub, para preguntar cómo podemos explorar nuestro placer, nuestros deseos y nuestras fantasías en forma segura y consensuada a través de mensajes de texto. 

En resumen: ¿cómo sextea unx feminista?

Creo que esta pregunta es fundamental porque involucra una cuestión más amplia: cómo nos manejamos en el mundo virtual desde una perspectiva feminista. Bajo el capitalismo, los discursos en torno a los cuerpos y al sexo pueden resultar deshumanizadores y distorsionadores; gestionar el placer sexual en espacios virtuales puede sentirse un acto performativo. Por eso, buscar vías para explorar cómo podemos compartir nuestro deseo en formas afirmativas y que nos entusiasmen puede ser una forma de resistir a los modelos dominantes de presentación y consumo así como una reivindicación de estos espacios y sus posibilidades de participación auténtica, demostrando que todo el sexting debería ser exactamente así: feminista.
 
Además, permitir que el discurso feminista asuma su lado más juguetón en el ámbito virtual nos ayuda a reformular esa narrativa tan difundida por la que actuar como feminista implica hacerlo con amargura y sin placer alguno. Pero, como bien sabemos, divertirnos es parte de nuestro trabajo político y un compomente intrínseco de lo que implica ser feminista.
 
Utilizando la etiqueta #SextLikeAFeminist, [SextComoFeminista] académiquxs y activistas de distintas partes del mundo aportaron sus tuits feministas más sedientos de placer y aquí les presento a mis diez favoritos.
 
Como lo demuestran estos tuits, resulta que sextear como feminista es sexy, divertido – y caliente – todo eso sin perder de vista el compromiso con la equidad y la justicia.

CFA 2023 - what you need to know - EN

What you need to know

  • Priority will be given to activities that facilitate and encourage connection and interaction among participants. If your activity can be held online or hybrid (connecting participants on-site and online), please consider how to generate genuine engagement and active participation from online participants.
  • We encourage cross-movement, cross-regional and inter-generational encounters, dialogues and exchanges.
  • Please design your activity in a way that allows flexibility in the number of participants. While a few activities may be limited to smaller groups, the majority will need to accommodate larger numbers.
  • If your activity fits a number of formats or none, you will be able to indicate as such on the application form.

Languages in which you can submit your activity

  • Languages for Applications: Applications will be accepted in English, French, Spanish, Thai and Arabic.
  • Languages at the Forum: Simultaneous interpretation will be provided at the Forum Plenary Sessions in English, French, SpanishThai, and Arabic as well as ISL (International Sign Language) and possibly more. For all other activities, interpretation will be offered in some––but not all––of these languages, and possibly others, such as Swahili and Portuguese.

#8 - Sexting like a feminist Tweets Snippet FR

Quand on vient de se rencontrer et qu’on cherche par où commencer.

Let's take it nice and slow. Orgasms, much like feminists movement building, take time, energy and a little creativity.

Prenons notre temps. Les orgasmes, comme la constitution des mouvements féministes, prennent du temps, de l’énergie et un peu de créativité.

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CFA 2023 - Submit application card - ES

Apreciaremos propuestas de actividades referidas a todo el rango de áreas temáticas e intersecciones que son importantes para los movimientos feministas y por la justicia de género. 

Proponer tu actividad

#4 - Sexting like a feminist Tweets Snippet EN

Real feminists don’t kink-shame.

Image of a tweet. Text says: The revolution in your pants will not be televised... unless you're into that kind of thing. Which we can discuss... viva.
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CFA 2023 - Call for Activities is live- ar

فتح باب الدعوة للأنشطة!

الموعد الأخير لتقديم المقترحات: 1 فبراير/ شباط 2024

 

انطلاقًا من روح موضوع المنتدى، ندعو إلى التقديم على مجموعة متنوعة من الموضوعات وأشكالها التي:

  • تسهل الاتصال والتفاعل الحقيقي بين المشاركين/ات
  • تعزز الشفاء والتجديد بأشكال مختلفة، كأفراد ومجتمعات وحركات
  • تلهمنا وتتحدانا لنزدهر معًا كمجتمعات وحركات

Louise Malherbe | Title Snippet ES

Sobre lxs autorxs

Portrait of Louise Malherbe

Louise Malherbe es una comisaria y programadora cinematográfica y crítica de cine radicada en Berlín. Trabajó como programadora de cine para Metropolis Cinema Association de Beirut, y actualmente coordina el proyecto Reel Streams, el cual se orienta a apoyar la difusión del cine independiente en la región árabe. Es jefa de programación del Festival de Cine de Soura, un festival de cine queer enfocado en la región de Asia sudoccidental y Norte de África, escribe crítica de cine para Manifesto XXI y, recientemente, comenzó a desempeñarse como comisaria de cine y festivales para Cinema Akil.