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The Human Rights Council (HRC) is the key intergovernmental body within the United Nations system responsible for the promotion and protection of all human rights around the globe. It holds three regular sessions a year: in March, June and September. The Office of the UN High Commissioner for Human Rights (OHCHR) is the secretariat for the HRC.
Debating and passing resolutions on global human rights issues and human rights situations in particular countries
Examining complaints from victims of human rights violations or activist organizations on behalf of victims of human rights violations
Appointing independent experts (known as “Special Procedures”) to review human rights violations in specific countries and examine and further global human rights issues
Engaging in discussions with experts and governments on human rights issues
Assessing the human rights records of all UN Member States every four and a half years through the Universal Periodic Review
AWID works with feminist, progressive and human rights partners to share key knowledge, convene civil society dialogues and events, and influence negotiations and outcomes of the session.
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The 14th Forum theme is “Feminist Realities: our power in action”.
We understand Feminist Realities as the different ways of existing and being that show us what is possible, despite dominant power systems, and in defiance and resistance to them. We understand these feminist realities as reclamations and embodiments of hope and power, and as multi-dimentional, dynamic and rooted in specific contexts and historical moments.
Read more about Feminist Realities
For the first time, the AWID Forum offers three modes of participation
Les groupes, organisations et mouvements qui travaillent spécifiquement, ou principalement, à la défense des droits des femmes et des filles, pour la justice de genre, pour la défense des droits des personnes LBTQI+ et des allié·es dans toutes les régions et à tous les niveaux, que ces structures soient récentes ou non.
We have always worked towards ensuring that our Forums are co-developed with partners, movements and our priority constituencies.
For our upcoming Forum, we aim to deepen and strengthen that spirit and practice of co-creation and collaboration. We also recognize the need to improve the balance between the inclusion of many voices and experiences with room for participants and staff to breathe, take pause and enjoy some downtime.
This Forum will be different in the following ways:
إن موضوع المنتدى – “النهوض معًا” – هو دعوة للتفاعل مع أنفسنا بالكامل، والتواصل مع بعضنا البعض بتركيز واهتمام وبشجاعة، حتى نتمكن من الشعور بنبض الحركات العالمية والنهوض معًا لمواجهة تحديات هذه الأوقات.
تمر الحركات النسوية وحقوق المرأة والعدالة الجندرية ومجتمع الميم عين والحركات الحليفة في جميع أنحاء العالم بمرحلة حرجة، وتواجه ردة فعل قوية على الحقوق والحريات المكتسبة سابقًا. لقد جلبت السنوات الأخيرة صعوداً سريعاً للأنظمة الاستبدادية، والقمع العنيف للمجتمع المدني، وتجريم النساء والمدافعين عن حقوق الإنسان من مختلف الأنواع الاجتماعية، وتصاعد الحروب والصراعات في أجزاء كثيرة من عالمنا، واستمرار الظلم الاقتصادي، والمشاكل الصحية والأزمات البيئية والمناخية المتقاطعة.
إن حركاتنا تترنح، وفي الوقت نفسه، تسعى إلى بناء والحفاظ على القوة والثبات اللازمين للعمل الذي ينتظرنا. لا يمكننا القيام بهذا العمل بمفردنا، في صوامعنا. يعد الاتصال والشفاء ضروريين لتحويل اختلالات القوة المستمرة والتصدعات داخل حركاتنا. ويجب علينا أن نعمل ونضع الاستراتيجيات بطرق مترابطة، حتى نتمكن من تحقيق النجاح معًا. يعزز منتدى جمعية حقوق المرأة في التنمية هذا العنصر الحيوي المتمثل في الترابط في البقاء أقوياء/ قويات وتأثير النمو والتحول للتنظيم النسوي على مستوى العالم.
External funding includes grants and other forms of funding from philanthropic foundations, governments, bilateral, multilateral or corporate funders and individual donors – from both within your country or abroad. It excludes resources that groups, organizations and/or movements generate autonomously such as, for example, membership fees, the voluntary contributions of staff, members and/or supporters, community fundraisers, venue hires or sale of services. For ease and clarity, definitions of the different types of funding as well as short descriptions of different donors are included in the survey.
Please visit the "Funding ideas" page to get some ideas and inspiration for how you can fund your participation at the next Forum, including the limited support AWID will be able to provide.
AWID tiene un compromiso con la justicia lingüística y, en este punto, lamentamos no poder contar con más idiomas para la encuesta ¿Dónde está el dinero? Sin embargo, en caso de que necesites asistencia con la traducción o desees responder la encuesta en otro idioma, te pedimos que nos contactes al email witm@awid.org.
We tend to think about communicating desire as something that is limited to the private intimacy of the bedroom and our personal relationships. But can we also think of this kind of communication as a structure, a praxis that informs our work, and how we are, how we do in the world?
We all can dance
by Mechthild Möhring (aka serialmel)
How I punt myself at the narrow hard knitting I once retrieved. I'm dancing in the kitchen when I'm alone. Gracile and powerful. When I'm in company I'm clumsy. My body scandalizes, scandalizes the laws of look I feel, scandalizes the words which banished me. "Of course she can dance, it's in her blood as a Black person." "If she is able to dance nicely she is good in bed" they whisper, they murmur, no - they say it openly into my face. They smirk and rub themselves against me and let me move back. I stumble and fall. My feet reject their duty. Bearish I get out of breath. Smiling I place myself out of events and notice how my face freezes into a mask.
Translated into English by Tsepo Bollwinkel
Original in German
Tanzen können wir alle
Von Mechthild Möhring (aka serialmel)
Wie ich mich stosse an den engen, harten Maschen, in die ich mich einst zurückgezogen habe. Ich tanze in der Küche, wenn ich allein bin. Grazil und kraftvoll. Wenn ich in Gesellschaft bin, bin ich unbeholfen. Mein Körper eckt an, an die Gesetze des Blicks, den ich spüre, an die Worte, die mich bannten. „Natürlich kann sie tanzen, als Schwarze hat sie das im Blut.“ „Wenn sie gut tanzen kann, dann ist sie auch gut im Bett“ flüstern sie, raunen sie, nein, sie sagen es mir laut ins Gesicht. Sie grinsen und reiben sich an mir und lassen mich zurückweichen. Ich stolpere und falle. Meine Füsse verweigern ihren Dienst. Tollpatschig gerate ich ausser Atem. Lächelnd setze ich mich an den Rand des Geschehens und bemerke, wie mein Gesicht zur Maske erstarrt.