Jean-Marc Ferré | Flickr (CC BY-NC-ND 2.0)
A general view of participants at the 16th session of the Human Rights Council in Geneva, Switzerland.

Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Human Rights Council (HRC)

The Human Rights Council (HRC) is the key intergovernmental body within the United Nations system responsible for the promotion and protection of all human rights around the globe. It holds three regular sessions a year: in March, June and September. The Office of the UN High Commissioner for Human Rights (OHCHR) is the secretariat for the HRC.

The HRC works by:

  • Debating and passing resolutions on global human rights issues and human rights situations in particular countries

  • Examining complaints from victims of human rights violations or activist organizations on behalf of victims of human rights violations

  • Appointing independent experts (known as “Special Procedures”) to review human rights violations in specific countries and examine and further global human rights issues

  • Engaging in discussions with experts and governments on human rights issues

  • Assessing the human rights records of all UN Member States every four and a half years through the Universal Periodic Review

Learn more about the HRC


AWID works with feminist, progressive and human rights partners to share key knowledge, convene civil society dialogues and events, and influence negotiations and outcomes of the session.

With our partners, our work will:

◾️ Monitor, track and analyze anti-rights actors, discourses and strategies and their impact on resolutions

◾️ Raise awareness of the findings of the 2017 and 2021 OURs Trends Reports.

◾️Support the work of feminist UN experts in the face of backlash and pressure

◾️Advocate for state accountability
 
◾️ Work with feminist movements and civil society organizations to advance rights related to gender and sexuality.
 

Related Content

What is the AWID International Forum?

The AWID international Forum is a gathering of 2,000 women’s rights leaders and activists from around the world. The AWID Forum is the largest recurring event of its kind, and every Forum takes place in a different country in the global South.


The AWID International Forum is both a global community event and a space of radical personal transformation. A one-of-a-kind convening, the Forum brings together feminist, women’s rights, gender justice, LBTQI+ and allied movements, in all our diversity and humanity, to connect, heal and thrive.

When people come together on a global scale, as individuals and movements, we generate a sweeping force.

Join us in Bangkok, Thailand and online in December 2024.

Register now!

Snippet Festival Days 8-13_Fest (EN)

Day, jour, día 8 festival - Sept. 16, 2021
Panel
Body Pleasure for Fat Girls 

Amy Lin

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Workshop
Broadening Pleasure

Hedone

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Workshop
#EmptyChairs campaign

Caroline Tagny, Coalition of African Lesbians
Carrie Shelver, Sexual Rights Initiative
Emeline Dupuis, Sexual Rights Initiative
Pooja Badarinath, Sexual Rights Initiative
Pooja Patel, International Service for Human Rights
Antje Schupp


Workshop
Feminist Realities:
Breathing & Healing Houses for Defenders

Ana María Hernández Cárdenas, Consorcio Oaxaca
Nallely Tello Méndez, Red Nacional de Defensoras de Derechos Humanos en México
Jelena Dordevic Liana Funes, National Network of Women Human Rights Defenders in Honduras
Rebeca Girón
Tania Lopes Muri, Movimento de Mulheres da Região dos Lagos
Rogéria Peixinho


Fem Movement
Members Dance Party Extravaganza

DJ Cozmic Cat


Day, jour, día 9 festival - Sept. 17, 2021
Storytelling
Unfettered Education:
Fatoumata's Story

Lina Baaziz

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Instagram Live:

Sex Education

Oloricoitus

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Workshop
Voices from the frontlines:
Bolstering collective power to end the incarceration of women worldwide
 

Claudia A. Cardona, Mujeres Libres Colombia
Phyllis Hardy, National Council for Incarcerated and Formerly Incarcerated Women and Girls
Grace Natalia, Womxn’s Voice and Women and Harm Reduction International Network
Mónica Marginet Flinch, Metzineres
Kenya Cuevas, Casa de las Muñecas Tiresias A.C.
Dawn Harrington, Free Hearts

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Workshop
Movement as Healing,
Healing for Movements


Kimalee Phillip
Luz Stella Uspina Murillo, Fondo Acción Urgente para América Latina y el Caribe
Sara Munarriz-Awad, Fondo Acción Urgente para América Latina y el Caribe
Tai Pelli
Everdith (Evie) Landrau


Workshop
Emergent feminist leadership:
Lifting as we climb

Deborah A, Black LGBTQ Migrant Project (BLMP)
Anima Adjepong, Silent Majority
Maame Adwoa Marfo, FRIDA
Debbie Owusu-Akyeeah, Canadian Centre for Gender and Sexual Diversity


Day, jour, día 10 festival
Panel
Pleasure Across Borders

Lindiwe Rasekoala
Lizzie Kiama
Jovana Drodevic
Malaka Grant

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Panel
Abortion realities:
strategies to fight reproductive injustice

Lindiwe Rasekoala
Lizzie Kiama
Jovana Drodevic
Malaka Grant


Day, jour, día 11, festival
Workshop
Networking and Solidarity Building Among Young Feminist Organizers

Nino Ugrekhelidze, AWID
Anwulika Ngozi
Okonjo Pooja Singh


Panel
Surviving the war on drugs

Ganna Dovbakh, Eurasian Harm Reduction Association (EHRA)
Priscila Gadelha, Rede Nacional de Feministas Antiproibicionistas (RENFA)
Veronica Russo, Red Latinoamericana y del Caribe de Personas que Usan Drogas (LANPUD)
Diana Edem, Heartland Alliance International
Judy Chang, International Network of People who Use Drugs (INPUD)
Louise Vincent, NC Urban Survivors Union
Aura Roig, Metzineres
Malicia, Live Artist

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Panel
Young Climate Feminists Building Radical Futures:
Video Launch and Conversation

Sanam Amin, Asia Pacific Forum on Women, Law and Development
Maggie Mapondera, Womin African Alliance
Maria Alejandra Escalente, FRIDA
Patricia Miranda Wattimena, Asia Indigenous Peoples Pact
Mara Dolan, WEDO
Andrea Vega Troncoso, WEDO

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Workshop
Antal: Non-binary Universe

Malicia Sabina, Resistencia No Binarix
Andras Yareth Hernández, Resistencia No Binarix

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Day, jour, día 12, festival
Panel
Thank you, I can make my decision

Grace Chang, Taiwan Association for Disability Rights
Angel Hsu, Taiwan Association for Disability Rights
Joyann Peng, Taiwan Association for Disability Rights
Amy Wu, Taiwan Association for Disability Rights

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Panel
Feminist learnings on digital security in times of socio political and sanitary crisis

Paul Nail Ojeda
Paola Moss


Workshop
The current state of forests:
what’s the issue and why is it so important?

Camila Romero, VientoSur
Kanta Marathe, Navrachna Samaj Sevi Sansthan
Jeanette Sequeira, Global Forest Coalition

Download Resources  Descargar Recursos  Télécharger Les Ressourceses

Visit the AWID Members Lounge

Jessica Whitbread, AWID


Day, jour, día 13 festival
Workshop
Supporting the self-managed:
abortion doulas, acompanantes and radical networks of support

Aditi Pinto, Inroads
Daniela Tellez Del Valle, Di RAMONA
Sandra Cardona, Necesito Abortar México
Mickreen Adhiambo, Aunty Jane Hotline and MAMA Network
Zachi Brewster, Dopo Abortion Support
Ika Ayi, Samsara

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Workshop
Young Feminist Skill-Share:
How to Fund Your Idea

Nino Ugrekhelidze, AWID
Cassie Denbow
Nida Mushtaq


"Yo Imposible"
Watch Party & Discussion with Latin American Filmmakers from AWID's Feminist Film Club

Alejandra Laprea
Patricia Ortega
Alejandra Henriquez
Maria Torrellas
Carolina Reynoso
Camila Rodó
Micol Mtzener
Giovana Garcia

Kunyit Asam: The Roots of Love and Resilience

By Prinka Saraswati, Gianyar, Bali

The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation.

In traditional Javanese culture, this is the moment for women to rest and take care of themselves. During this moment, a woman would take Kunyit Asam, a jamu or herbal drink to soothe the inflammation. This elixir consists of turmeric and tamarind boiled together in a pot.

I still remember my first period - it was one day before graduation day in elementary school. I remember pedaling my bike feeling something warm running between my thighs. When I arrived home I did all I could to clean myself and then put on a menstrual pad. My mother came home from work about four hours later. I told her what had happened. She looked me in the eye and asked how I felt. I told her that it was painful, that my body was swollen in every place. Then she asked me to go with her to the backyard. I followed her to our little jungle, my mother sat down on the soil and smiled.

“See this slender leaf? This is the leaf of Kunyit, *empon-empon that leaves the yellow stain on your fingers. What’s most important is not the leaf, but the roots. You dig the soil and slowly grab the roots.”, my mother showed me how to pick Kunyit or Turmeric roots. Then we went to the kitchen where she boiled water along with some tamarind. While waiting for it to boil, she showed me how to wash and grate the orangey-yellow root. Then, we put the grated turmeric into the boiling tamarind water. “Tomorrow, you can make it for yourself. This will help you to feel better!”.

I remember the first time I tasted it - a slightly bitter taste but also sour. My mother always served it warm. She would also put some in a big bottle which I would place on my stomach or lower back for further relief. For days after, my mother’s hands and mine were yellow. My friends could always tell every time I got period because my hands would be yellow.

A year after my first period, I found out that you could get the bottled version in convenience stores. Still, I made my own Kunyit Asam every time I had my period because the one in the convenience stores was cold. It did not smell of wet soil and warm kitchen.

Fast forward, I am a 26 year old woman who casually makes this drink for friends when they have their periods. I’ve made some for my housemates and I’ve delivered some for friends who live in different towns. I do not grow turmeric roots in my garden, but I have grown and shared the love from my mom. What was once from garden to cup is now from *pasar to cup.

A couple of days ago, I asked my mother who taught her how to make the jamu.

“Who else? Yang Ti*! Your grandmother was not just a teacher”, said my mom. I was never close to my grandmother. She passed away when I was eight. All I knew from my mom was that she was a math teacher who had to teach courses after work. I had this image of my grandmother as a hard worker who was kind of distant with her children. My mom did not disagree with that but explained it came from her survival instinct as a mother. “She tried to make time. She tried. She taught me how to make jamu so I could take care of myself and my sisters”.

My mother is the second child out of seven, six of whom are girls. The reason my grandmother taught her is so that all of her children could take care of each other. While my mother was taught how to make the drink, my mother’s older sister was taught how to plant turmeric. Yang Ti knew which one loved the smell of soil more and which one loved the smell of the kitchen. My mother was the latter. She learned how to plant from my aunt, her older sister.

My grandfather worked in a bank but he got laid off when he was in his 40s. So, my grandmother had to do a side-hustle to support their children. My mother was in high school at that time when Yang Ti woke her and her older sister up at dawn. “Would you help me to pick some roots?”. Of course nobody said no. Especially if it was your mother, especially if you were born in Javanese culture where saying “no” sounded like a bad word. Together, the three of them went to the backyard, and they harvested empon - empon, rhizome, that was buried inside the soil. She grew many kinds of rhizome; temu lawak, temu putih, ginger, galangal, kunci, kencur, and kunyit. That was the day where my mother realized that her mother was never far away from her.

That was the day where she could spend more time with her mother. There, in the garden. There, in the kitchen.

“We’re sending these for Ibu Darti, the lady who lives across the river. Kunyit Asam for her and her daughters.”, said my grandmother to my mother and my aunt that day. They poured the Turmeric-Tamarind warm drink into a tall thermos and later my grandmother would deliver it on the way to school.

Over time, my grandmother got more orders for jamu. Everybody in the family helped her to make and deliver her jamu. The small business lasted only a few years, but that was what paid for my mother and her siblings’ education.

Today, my mother, who got laid off just a few days before I wrote this piece, harvested Turmeric and other roots. She’s making her Turmeric Tamarind drink from her kitchen.

My phone rang in the middle of this afternoon, a couple minutes after I boiled the rest of my grated turmeric. Today is one day after my period.

“Ingka, have you washed your pot after boiling those turmeric? It would forever be yellow if you don’t wash it right away!”


  • *empon-empon = roots like ginger, turmeric, etc. coming from the Javanese word “Empu” which means, something or someone that has deep knowledge.

  • *jamu = Indonesia’s traditional elixir made of roots, barks, flowers, seeds, leaves, and fruits.

  • *Yang Ti = Javanese term for grandmother, taken from the term “Eyang Putri” the female you look up to.

  • *pasar = the word for traditional market in Indonesian.

 


“Feminist Movement”

by Karina Tungari, Hamburg, Germany  (@_katung_)

The more women support other women, the quicker we’ll see progress. Together we are stronger and make even more impact.

Karina Tungari, Hamburg, Germany  (@_katung_)


 

2002: comienzan las conversaciones acerca de una agenda de Financiación para el Desarrollo

La Conferencia de Monterrey sobre la Financiación para el Desarrollo marcó el comienzo de las conversaciones acerca de una agenda de Financiación para el Desarrollo.

  • El Consenso de Monterrey fue adoptado durante la primera Conferencia Internacional sobre la Financiación para el Desarrollo. Fue la primera reunión organizada por la ONU con nivel de cumbre para abordar aspectos esenciales del desarrollo global, entre ellos los temas financieros y otros conexos.
  • Durante la Conferencia y sus procesos preparatorios se dio una cooperación sin precedentes entre las Naciones Unidas y el Banco Mundial (BM), el Fondo Monetario Internacional (FMI) y la Organización Mundial del Comercio (OMC) para promover mayor coherencia y cohesión entre los sistemas e instituciones monetarias, comerciales y financieras internacionales.
  • Monterrey también marcó la primera ocasión en que se debatió la financiación para el desarrollo entre gobiernos, representantes de la sociedad civil y el sector empresarial. Estos actores llevaron la discusión más allá de lo ‘técnico’ para abordar cómo movilizar y canalizar recursos financieros a fin de alcanzar las metas internacionalmente convenidas en conferencias y cumbres de la ONU celebradas en la década de 1990, entre ellas los Objetivos de Desarrollo del Milenio (ODM).
  • El WWG [Grupo de Mujeres] señaló el significado histórico de la conferencia, afirmando que tenía el potencial de abordar desafíos estructurales que continúan obstaculizando el desarrollo. Sin embargo, también planteó sus preocupaciones por los efectos del incremento de la militarización y del fundamentalismo sobre las mujeres, pese a que el Consenso de Monterrey dio por sentado que el sistema económico y financiero mundial funcionaba bien para todas las personas.

Para saber más sobre los seis temas centrales de Monterrey los mecanismos de seguimiento a esta conferencia, consulta Género y financiación para el desarrollo, de Maria Floro, Nilufer Çagatay, John Willoughby y Korkut Ertürk (INSTRAW, 2004).

Club de Cine Feminista: Leitis in Waiting & programa de América Latina y Centroamérica

En esta selección de películas encontrarán las voces de realizadoras que no solo se contentan con plasmar las realidades feministas que palpitan en cada rincón de este vasto y diverso territorio sino también trabajos que desde su gestación misma están cuestionando el para qué, quién y cómo se hace cine o audiovisual. Realizadoras o colectivos que entienden al cine como una herramienta de lucha, como algo más que imágenes que se disfrutan en una pantalla, que ven al cine y al audiovisual como instrumentos para potenciar una discusión o abrir un debate; en fin, como un recurso para la pedagogía popular y feminista.

Pleasure Garden Exhibition

The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.

Mental Health
Mental Health
Sex and Spirtuality
Sex and Spirtuality
Orgasm
Orgasm

About the Artists:

Siphumeze Khundayi portrait
Siphumeze Khundayi is an art-maker, photographer and facilitator interested in creative ways of bringing together dialogue and artistic practice in relation to African Queer identity.

She is creative director of HOLAAfrica! a pan-Africanist womanist online collective.

Her solo and collaborative performance work has been featured in a number of festivals and theatre spaces such as Ricca Ricca Festival in Japan

She directed two Naledi nominated productions in 2017 and 2018. She directed a show that won a Standard Bank Ovation award in 2020.

As a photographer she was part of a group exhibition titled Flowers of my Soul in Italy organised by the Misfit Project. Produced three publications for HOLAAfrica and was published in and provided the cover for volume two: As You Like of the Gerald Kraak Anthologies.
katia portrait
Katia Herrera is a 21-year-old  Digital visual artist from the noisy city of  Santo Domingo in the Dominican Republic. Despite Herrera being a self-proclaimed introvert, her artwork is remarkably loud in a world trying to quiet black voices. With titles like Black Woman, You Own the Moon, Earth Goddess, Forever,  and Universe Protector, Herrera’s legacy will be marked by her passion for highlighting the endurance and perseverance of black folks of old and present to contrast the narrative that black skin should only be associated with slavery.

One of her most lovely and vivaciously titled works, Universe Protector, portrays the black soul as a divine entity full of strength, power, and greatness. In her youth, her love of graphic design was stimulated by her parents’ artistry and the Photoshop they had downloaded on their computer for their professional photography.

2008: la Conférence internationale de Doha se déroule avec des résultats limités

Conférence internationale de suivi sur le financement du développement, Doha, Qatar

Snippet Relive the Festival_Fest (ES)

Revive el Festival

Upasana Agarwal

Forgotten Song
“Forgotten Song” [«Canción Olvidada»]
Ode to the Moon
“Ode to the Moon” [Oda a la Luna»]
Vapour and Fire
“Vapour and Fire” [«Vapor y Fuego»]

Sobre Upasana Agarwal

Upasana Agarwal
Upasana es unx ilustradorx y artista no binarie de Calcuta, India. Su obra explora narrativas identitarias y personales, que empean restos o evidencias visuales de los contextos con los que trabaja. Le atraen especialmente los diseños en patrones que, para ellx, comunican verdades complejas sobre el pasado, el presente y el futuro. Cuando Upasana no está ilustrando, organiza y dirige un centro de arte comunitario queer y trans de la ciudad.

January 2015: 1st drafting session on the outcome document for the 3rd FfD Conference

The 1st drafting session on the outcome document for the 3rd Financing for Development Conference

  • In January 2015 a series of drafting sessions towards the final outcome document started at UN headquarters in New York.
  • Prior to the first drafting session the co-facilitators of the Addis conference preparatory process presented an elements paper for the so-called “zero-draft” outcome document, as the basis for the intergovernmental negotiations of the outcome document.
  • During the sessions, women’s rights organisations emphasised the need to treat the FfD and means of implementations (MOI) under the post 2015 processes separately, because FfD provides a unique opportunity for states to address the structural causes of inequality

Snippet Love Letters from our Co-EDs and the Board (FR)

Lettres d'amour de notre Conseil d'Administration et des nos codirectrices exécutives

Comprendre le contexte des menaces antidroits

Chapitre 2

Bien plus de la moitié de la population mondiale est aujourd’hui dirigée par l’extrême droite. C’est sur cette toile de fond que défenseur·e·s des droits humains et féministes luttent pour « tenir bon », protéger le multilatéralisme et le système international des droits humains, alors que leurs engagements les exposent à de violentes répressions. Ces institutions sont cependant de plus en plus soumises aux intérêts du secteur privé. Les grandes entreprises, surtout les sociétés transnationales, siègent à la table des négociations et occupent des fonctions de leadership dans plusieurs institutions multilatérales, l’ONU notamment. Le lien entre ultranationalisme, restriction de l’espace civique et emprise des entreprises a un impact considérable sur la réalisation ou non des droits humains pour tout le monde.

Protester holding a flyer that reads "Danger - Trump and the Far Right."
© Alisdare Hickson / Flickr
Danger - Trump and the Far Right.

Sommaire

  • Nationalisme et ultranationalisme
  • Emprise des entreprises : le pouvoir débridé des entreprises met nos droits en danger
  • Répression et restriction des espaces civiques pour les activistes féministes et les défenseur·e·s des droits humains des femmes et des personnes LGBTIQ+
  • Histoire du mouvement de la résistance. L’Article 16 de la CEDAW : vers une réforme des codes de la famille discriminatoires dans les contextes musulmans
     

Lire le chapitre complet >