Cristina Morales Jose
Protection of the Family
The Issue
Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.
The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.
“Protection of the Family” efforts stem from:
- rising traditionalism,
- rising cultural, social and religious conservatism and
- sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.
Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.
This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.
Our Approach
AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.
In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs). OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like “Protection of the Family”.
Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.
The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN. It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”
Related Content
Snippet FEA Union Otras Photo 5 (FR)
Su’ad Al-Ali
Ardente défenseure des droits des femmes et des enfants, Su’ad dirigeait Al-Weed Al-Alaiami, une organisation irakienne de défense des droits humains.
Elle a participé aux manifestations de juillet 2018 qui ont eu lieu à Bassorah et dans plusieurs autres villes irakiennes pour protester contre le chômage, réclamer des emplois et des services publics appropriés pour les citoyen-ne-s, ainsi que pour exiger l'élimination de la corruption endémique. Le 25 septembre 2018, Su’ad a été assassinée dans le quartier d’Al-Abbasiyah, dans le centre-ville de Bassorah.
Une vidéo de l’incident a montré une personne qui s'est approchée d'elle alors qu'elle montait dans sa voiture, et lui a tiré une balle dans la tête avant de pointer son arme sur son chauffeur, Hussain Hassan, qui a été blessé à l'épaule. Su’ad Al-Ali avait 46 ans et était mère de quatre enfants.
Demo WYSIWYG page for testing
In a context like Colombia’s, the work of imagining, dreaming and even creating processes of transformation so we can live in worlds that are decent, just, careful, and affectionate is worthy of admiration. It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
- It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
Privacy is a fundamental right not just for the most powerful and privileged
In a context like Colombia’s, the work of imagining, dreaming and even creating processes of transformation so we can live in worlds that are decent, just, careful, and affectionate is worthy of admiration. This is an emboldened paragraph.
We are thinking of them and of all the women leaders who are continuing the fight, having gained consciousness, from their respective ethnic, political, cultural, and identity locations and from their work, of their selves and the social problems facing their communities.
This link goes somewhere, but this sentence doesn't, it only exists to show how a link works. Lorem Ipsum is simply dummy text of the printing and typesetting industry.
£2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Find out how links are made into buttons
Header Level 2
In a context like Colombia’s, the work of imagining, dreaming and even creating processes of transformation so we can live in worlds that are decent, just, careful, and affectionate is worthy of admiration.
We are thinking of them and of all the women leaders who are continuing the fight, having gained consciousness, from their respective ethnic, political, cultural, and identity locations and from their work, of their selves and the social problems facing their communities.
Header Level 3
Women leaders and human rights defenders in Colombia: A legacy of dreams, struggles and affection that we will not silence
It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
These are hyperlinks in paragraphs where they're needed the most, right in a demo page.
£2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Header Level 4
It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated. These are hyperlinks in paragraphs where they're needed the most, right in a demo page.
£2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Header Level 5
It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated. These are hyperlinks in paragraphs where they're needed the most, right in a demo page.
£2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Header Level 6
It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
These are hyperlinks in paragraphs where they're needed the most, right in a demo page. £2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
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It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
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It is an attack on life itself.
Long (Small)
It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated. It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated. It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
Bordered
It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
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It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
Boxed (primary theme)
It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
Boxed (secondary theme)
It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.
14th AWID international Forum is cancelled (forum page)
Le Forum international de l’AWID est annulé
Étant donnée la situation mondiale, notre Conseil d’administration a pris la décision difficile d’annuler le Forum, qui devait avoir lieu en 2021 à Taipei.
Como é que os dados recolhidos através do questionário serão divulgados e processados?
Os dados serão processados para fins estatísticos para esclarecer o estado de financiamento dos movimentos feministas globalmente e serão divulgados apenas em forma agregada. A AWID não divulgará informações sobre uma organização específica ou informações que permitam identificar uma organização através da respetiva localização ou características sem o respetivo consentimento comprovado.
Snippet FEA Principles of work Transparency (EN)
TRANSPARENCY
Islam Bibi
Fahmida Riaz
« Après
Après l’amour la première fois,
Nos corps et nos esprits nus
Une galerie des glaces,
Complètement désarmés, absolument fragiles,
Nous nous couchons dans les bras de l’autre
Respirant attentivement,
Avec la crainte de briser
Ces figurines en cristal. » - Fahmida Riaz
Fahmida Riaz a brisé les tabous sociaux en écrivant sur le désir des femmes dans ses poèmes, créant des récits alternatifs à propos du corps des femmes et de leur sexualité, et établissant de nouveaux standards dans la littérature urdu.
Son travail s’est confronté à de sévères critiques de la part des conservateurs, qui l’ont accusée d’utiliser des expressions érotiques et « pornographiques » dans son langage poétique.
Fahmida a finalement été mise sur liste noire et accusée de sédition en vertu de l’article 124A du Code pénal pakistanais sous la dictature de Zia-ul-Haq. Forcée à l’exil en 1981, elle a passé presque sept ans en Inde avant de retourner au Pakistan.
Dans la préface de « Badan Dareeda » (Un corps ravagé), un recueil de poèmes publié en 1974, elle écrit :
Si, en effet, je suis forcée à me tenir aujourd’hui devant ce maqtal et me confronte à la potence, je dois y faire face, la tête haute. Mes poèmes sont la trace d’une tête mutilée : des sons émanant même lorsque suspendue par des cordes… Un corps ravagé a pris la forme de razmia, ou d’un son de rupture. Et si cette rupture est effectivement choquante pour les gens, c’est que la poète a atteint son intention : elle a réussi à la perturber. (traduction de l’urdu vers l’anglais par Asad Alvi)
La splendeur de Fahmida résidait dans sa défiance de toute logique ou toute catégorie particulière de genre, nation, religion ou culture. Elle refusait d’être mise dans le rôle d’une « femme poète », brisant les définitions traditionnelles de la poésie féminine, des concepts et des thématiques (variant entre conscience politique, corps, culture, désir, religion, foyer), et renversant les inhibitions assignées à son genre.
« Il faut que vous compreniez que la culture ne peut avoir d’essence. Les cultures changent, circulent entre elles, formant de nouvelles cultures. La culture est née de cette façon. Il n’y a pas de conflits de cultures. »
Fahmida a écrit plus de 15 livres de poésie et de fiction, dont son poème ‘Taaziyati Qaraardaaden’ («Résolutions de condoléances» en anglais) qui pourrait servir d'hommage approprié à sa vie et à son héritage et de collection de poèmes (Apna Jurm To Saabit He «Mon crime est prouvé») publié en 1988 durant son exil.
Fahmida Riaz est née à Meerut, en Inde, le 28 juillet 1946 et est décédée le 21 novembre 2018 à Lahore, au Pakistan.
#MeToo in China
The #MeToo movement in China was ignited in January 2018, impelled by the momentum of the #MeToo movement around the globe. The movement was a response to cultural and systemic problems in relation to gender and power within China. The foundation of the movement was laid over decades, with many years of debate and advocacy for gender equality finally erupting into a tremendous force across society. #MeToo has been driven mainly by young people, among whom are countless anonymous women and their allies, and they search for opportunities to realize the ultimate “Chinese Dream”: to transform China into a country with gender equality.
The environment for #MeToo movement is extremely adverse in China: the rule of law, the fairness and transparency of government action, and freedom of speech cannot be taken for granted by the movement in China but are the very goals it fights for. From the beginning, it has been an intense struggle, with every victim or activist who comes forward running tremendous risks. From being silenced, humiliated, or retaliated against, to having their safety jeopardized, every success of the #MeToo movement has been won by those who are courageous enough to bear the costs of speaking out and defying censorship.
#MeToo in China Exhibition was first held in 2019 and toured in 5 cities. The aim of the exhibition is to bring the personal experiences of the victims and activists to greater prominence and, through engagement with these stories, to inspire our audience to join in the fight. The exhibition has itself become a part of the #MeToo struggle—the exhibition has been beset by challenges on its tour throughout China, on more than one occasion even facing closure.
Contributors of toolkit (WITM landing page)
We would like to thank the contributors and advisors of this toolkit:
- Angelika Arutyunova
- Cindy Clark
- Kamardip Singh
- Martin Redfern
- Pei Yao Chen
- Srilatha Batliwala
- Veronica Vidal
حالة التمويل للحركات النسوية ووقائعها تتغير بسرعة. هل هذا الاستطلاع لمرة واحدة؟
كلا. يبني هذا الاستطلاع على المعلومات التي حشدتها جمعية حقوق المرأة في التنمية حول كيفية الحصول على تمويل أكبر وأفضل للحركات النسوية وحركات التغيير الاجتماعي وهذه الدورة الثالثة لاستطلاع "أين التمويل للتنظيمات النسوية". نهدف للقيام بالاستطلاع مرة كل ثلاثة أعوام.
Palwasha Tokhi
Sylvia Rivera
Sylvia Rivera was a civil rights activist, a transvestite and sex worker.
Known as the New York Drag queen of color, Silvia was fierce and tireless in her advocacy, in defense of those who were marginalized and excluded as the “gay rights” movement mainstreamed in the United States in the early 1970’s.
In a well-known speech on Christopher Street Day in 1973, Sylvia, shouted through a crowd of LGBT community members:
“You all tell me, go and hide my tail between my legs.
I will no longer put up with this shit.
I have been beaten.
I have had my nose broken.
I have been thrown in jail.
I have lost my job.
I have lost my apartment.
For gay liberation, and you all treat me this way?
What the fuck’s wrong with you all?
Think about that!”
In 1969, at age 17, Silvia took part in the iconic Stonewall Riots by allegedly throwing the second Molotov cocktail to protest the police raid of the gay bar in Manhattan. She continued to be a central figure in the uprisings that followed, organizing rallies and fighting back police brutality.
In 1970, Sylvia worked together with Marsha P. Johnson to establish Street Transvestite Action Revolutionaries (S.T.A.R.), a political collective and organisation that would set up projects of mutual support for trans people living on the streets, those struggling with drug addiction and in prisons and in particular for trans people of color and those living in poverty.
Defiant of labels, Silvia lived life in a way that challenged people in the gay liberation movement to think differently. She said:
“I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn't really come out as a drag queen until the late 60s. when drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn't even in full drag. I was walking down the street and the cops just snatched me. People now want to call me a lesbian because I'm with Julia, and I say, "No. I'm just me. I'm not a lesbian." I'm tired of being labeled. I don't even like the label transgender. I'm tired of living with labels. I just want to be who I am. I am Sylvia Rivera.
Through her activism and courage, Sylvia offered a mirror that reflected all that was wrong within society, but also the possibility of transformation. Sylvia was born in 1951 and passed away in 2002.
Nicole Barakat
somos infinitxs
Una exposición de Nicole Barakat que encarna su reconexión con los objetos de la diáspora de sus tierras ancestrales en la región del Sudoeste Asiático y África del Norte (SWANA, por sus siglas en inglés).
Barakat presenta una colección de obras textiles como manifestaciones de su práctica de conectarse con los objetos desplazados, y a menudo robados, que son exhibidos en colecciones de museos occidentales que incluyen el Museo del Louvre de París, el Museo Británico de Londres y el Nicholson Museum de Sydney.
Para burlar a los guardianes y fisurar las vitrinas que retienen estos objetos ancestrales, Barakat recupera formas de conocimiento precoloniales, no lineales y receptivas que son, a menudo, devaluadas y desestimadas por las instituciones coloniales y patriarcales, utilizando la adivinación con la borra del café, el trabajo con los sueños, la escucha intuitiva y las conversaciones con los objetos mismos (fuente).
Sobre Nicole Barakat
Nicole Barakat es una artista femme queer de SWANA, que nació y vive en las tierras de Gadigal (llamadas Sydney) en Australia. Trabaja con procesos intuitivos y de escucha profunda, con la intención de transformar las condiciones de la vida cotidiana. Su obra se desarrolla a través de métodos artísticos no convencionales, creando objetos intrincados que plasman el amor y la paciencia característicos de las prácticas textiles tradicionales.
Sus trabajos incluyen dibujos en papel y en tela cortados y cosidos a mano, esculturas realizadas con su propio cabello, tela y materiales vegetales, así como obras en vivo en las que utiliza su voz como material.
La práctica creativa de Nicole está arraigada en el re-cuerdo y la re-colección de sus conocimientos ancestrales, incluyendo la adivinación con la borra del café y, más recientemente, el trabajo con esencias de plantas y flores para el cuidado y la sanación comunitaria.
Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.
Sus trabajos incluyen dibujos en papel y en tela cortados y cosidos a mano, esculturas realizadas con su propio cabello, tela y materiales vegetales, así como obras en vivo en las que utiliza su voz como material.
La práctica creativa de Nicole está arraigada en el re-cuerdo y la re-colección de sus conocimientos ancestrales, incluyendo la adivinación con la borra del café y, más recientemente, el trabajo con esencias de plantas y flores para el cuidado y la sanación comunitaria.
Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.
FRMag - United against violence (ES)
Juntas contra la violencia
por Karina Ocampo
A un rincón escondido de Chiapas, México, llegamos mujeres y disidencias sexuales para organizar nuestras acciones. (...)
< arte: «Proyecto fotográfico: La muerte sale por el Oriente», de Sonia MadrigalSnippet - WITM Who should - PT
Quem deve realizar este inquérito?
O inquérito destina-se a grupos, organizações e movimentos que trabalham especificamente ou principalmente pelos direitos das mulheres, pessoas LBTQI+ e pela justiça de género, em todos os contextos, em todos os níveis e em todas as regiões. Se este for um dos pilares principais do seu grupo, da sua comunidade, da sua rede ou de qualquer outro tipo de organização, quer esteja registada ou não, seja nova ou já estabelecida, convidamo-lo a participar neste inquérito.
* De momento, não solicitamos respostas de indivídues ou de fundos feministas e de mulheres.
Informe Anual 2012
Nuestro informe anual 2012 destaca los momentos clave de nuestro trabajo durante el año para contribuir al avance de los derechos de las mujeres y la igualdad de género de manera audaz, creativa y efectiva en todo el mundo.
¡Disfruta mirando videos, fotografías y relatos sobre nuestras contribuciones!
Snippet FEA We are living in a world right (FR)
Nous vivons dans un monde où la destruction de la Nature alimente notre économie mondiale actuelle. Même en période de crise climatique, les gouvernements continuent d'encourager les industries agricoles à grande échelle à se développer. Ces activités empoisonnent la terre, menacent la biodiversité et détruisent la production alimentaire et les moyens de subsistance locaux. Pendant ce temps, alors que les femmes produisent la majorité de la nourriture dans le monde, elles ne possèdent presque aucune terre.
Et si nous percevions la terre et la Nature non pas comme une propriété privée à exploiter, mais comme une totalité avec laquelle vivre, apprendre et coexister harmonieusement ? Et si nous réparions nos relations avec la terre et adoptions des alternatives plus durables qui nourrissent à la fois la planète et ses communautés?
Nous Sommes la Solution (NSS) est l'un des nombreux mouvements dirigés par des femmes qui s'efforcent d'atteindre cet objectif.
Voici leur histoire.