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We all can dance
by Mechthild Möhring (aka serialmel)

How I punt myself at the narrow hard knitting I once retrieved. I'm dancing in the kitchen when I'm alone. Gracile and powerful. When I'm in company I'm clumsy. My body scandalizes, scandalizes the laws of look I feel, scandalizes the words which banished me. "Of course she can dance, it's in her blood as a Black person." "If she is able to dance nicely she is good in bed" they whisper, they murmur, no - they say it openly into my face. They smirk and rub themselves against me and let me move back. I stumble and fall. My feet reject their duty. Bearish I get out of breath. Smiling I place myself out of events and notice how my face freezes into a mask.

Translated into English by Tsepo Bollwinkel
 

Original in German

Tanzen können wir alle
Von Mechthild Möhring (aka serialmel)

Wie ich mich stosse an den engen, harten Maschen, in die ich mich einst zurückgezogen habe. Ich tanze in der Küche, wenn ich allein bin. Grazil und kraftvoll. Wenn ich in Gesellschaft bin, bin ich unbeholfen. Mein Körper eckt an, an die Gesetze des Blicks, den ich spüre, an die Worte, die mich bannten. „Natürlich kann sie tanzen, als Schwarze hat sie das im Blut.“ „Wenn sie gut tanzen kann, dann ist sie auch gut im Bett“ flüstern sie, raunen sie, nein, sie sagen es mir laut ins Gesicht. Sie grinsen und reiben sich an mir und lassen mich zurückweichen. Ich stolpere und falle. Meine Füsse verweigern ihren Dienst. Tollpatschig gerate ich ausser Atem. Lächelnd setze ich mich an den Rand des Geschehens und bemerke, wie mein Gesicht zur Maske erstarrt.

Laura was a leading activist and lawyer who campaigned fearlessly for the decriminalisation of sex work in Ireland.

She is remembered as “a freedom fighter for sex workers, a feminist, a mother to a daughter and a needed friend to many.” 

Laura advocated for individuals in the sex industry to be recognised as workers deserving of rights. She advanced demands for decriminalisation, including initiating a judicial review at Belfast’s high court in respect of the provisions criminalising the purchase of sex.  Laura stated that her intention was to bring the case to the European Court of Human Rights.

Ottilie was a Namibian feminist activist, educator and politician.

Ottilie was one of the founders of the South West African People's Organisation (SWAPO), the Yu Chi Chan Club (an armed revolutionary group); and the South West African National Liberation Front (SWANLIF). She was also a founder of the Namibian Women’s Association and Girl Child Project.

Throughout her life, Ottilie argued for the right to argue, think, contest, and demand. She mobilized women, organized students and teachers and criticized other comrades for their elitism and their corruption.

Ottilie worked ferociously to dismantle patriarchy, and to create a concrete transformative, liberatory, feminist participatory democracy.

Ottilie often said: “I will rest the day I die.”

Shireen was an inspiration to many feminists in Fiji and a powerful ally to the women’s movement. She advocated tirelessly for gender equality locally and regionally.

She began her career as a junior gender specialist at the Asian Development Bank and brought about drastic changes to the institution’s gender policies.

Her research, “Rule by the Danda: Domestic violence amongst Indo Fijians” was one of the earliest pieces of research on domestic violence, marriage and women in Fiji. This seminal work has been a catalyst for feminist work in this area.

Shireen’s legacy lives on as many remember her influence, commitment and support to the women’s movement in Fiji and the Pacific.

Born in 1928, Marceline worked as an actress, a screenwriter, and a director.

She directed The Birch-Tree Meadow in 2003, starring Anouk Aimee, as well as several other documentaries. She was also a holocaust survivor. She was just fifteen when she and her father were both arrested and sent to Nazi concentration camps. The three kilometres between her father in Auschwitz and herself in Birkenau were an insurmountable distance, which she writes about in one of her seminal novels “But You Did Not Come Back.”

In talking about her work, she once said: "All I can say is that everything I can write, everything I can unveil — it's my task to do it.”