Women Human Rights Defenders
WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
- Physical assault and death
- Intimidation and harassment, including in online spaces
- Judicial harassment and criminalization
- Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
- to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
- to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
- emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
- documenting the violations targeting WHRDs using a feminist intersectional perspective;
- promoting the social recognition and celebration of the work and resilience of WHRDs ; and
- building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
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Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
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Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
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Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
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Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Related Content
論壇將包括哪些語言?
英文、法文、西班牙文和中文
Snippet FEA HEALTH CONDITIONS (EN)

HEALTH CONDITIONS
Fonds d’accès du Forum de l’AWID
Nous aspirons à faire du Forum de l’AWID un réel rassemblement mondial, où participeront une gamme diverse de mouvements, de régions et de générations. Dans ce but, l’AWID mobilise des ressources pour un Fonds d’accès limité, qui soutiendra les coûts liés à la participation de certaines personnes au Forum.
Le 14ème Forum international de l’AWID se tiendra du 11 au 14 janvier 2020 à Taipei, à Taïwan.
Comment seront alloués les fonds ?
Pour ce Forum de l’AWID, il n’y aura pas de processus de candidature.
Les subventions du Fonds d’accès seront allouées par invitation uniquement, à :
- Deux personnes par activité sélectionnée pour le programme du Forum (choisies par les organisations, groupes ou individus en charge de l’activité)
- Des participant·e·s identifié·e·s comme appartenant aux Groupes cibles prioritaires du Forum et recommandé·e·s par les organisations, les réseaux et les groupes qui co-créent le Forum avec l’AWID. Ces groupes cibles sont ceux que nous considérons comme renforçant le pouvoir collectif de nos mouvements, ceux qui ne se concentrent pas sur les mouvements féministes conventionnels, et ceux dont nous aimerions honorer, célébrer et mettre en lumière les Réalités féministes. Ces groupes comprennent les :
- Féministes noires
- Féministes autochtones
- Féministes trans, non conformes de genre et intersexes
- Féministes porteuses de handicap
- Féministes travailleurs·ses du sexe et travailleurs·ses informel·le·s, dont les personnes migrantes
- Féministes touchées par la migration
- Femmes touchées par les politiques antidrogues
- Féministes des régions où aura lieu le Forum (particulièrement du Pacifique et de la Chine continentale)

En supplément, l’AWID financera la participation d’environ 100 personnes de la région d’accueil du Forum. Les membres des comités du Forum (Contenu et méthodologie, Accès et Accueil) ainsi que les membres du Groupe de travail des artistes recevront aussi un soutien du Fonds d'accès.
Que couvre le Fonds d’accès ?
Pour les participant·e·s sélectionné·e·s, le Fonds d’accès couvrira les coûts liés à leur :
- Vol
- Hébergement
- Visa
- Transport local à Taipei
- Assurance médicale pour le voyage
Le Fonds d’accès ne couvrira PAS leur :
- Frais d’inscription au Forum
- Transports depuis et jusqu’à l’aéroport de leur ville de départ
- Autres coûts additionnels
En dehors du Fonds d’accès, comment pourrais-je financer ma participation au Forum ?
Nous avons listé d’autres options pour financer votre participation au Forum de l’AWID sur cette page qui contient des idées de financement.
Reason to join 3
Share your stories and hear from others. By connecting our experiences, narratives and proposals we help co-create and amplify Feminist Realities.
O nosso grupo não recebeu qualquer financiamento nos três anos entre 2021 e 2023. Devemos preencher o questionário mesmo assim?
Sim, ainda queremos a sua resposta, independentemente de terem recebido financiamento em três, dois, um, ou qualquer um dos anos entre 2021 e 2023.
Mereani Naisua Senibici
Mereani Naisua Senibici, también llamada "Sua", fue, durante mucho tiempo, integrante del movimiento de la Asociación Cristiana de Mujeres Jóvenes de Fiji (YWCA, por sus siglas en inglés).
Trabajó con diversos grupos de mujeres en entornos multirraciales, rurales y urbanos y se comprometió a apoyar y promover los derechos de las mujeres y las jóvenes.
En el YWCA de Lautoka, Sua trabajó con mujeres de ascendencia india, y se convirtió en una figura destacada en el desarrollo del deporte y de la participación de atletas mujeres y personas trans en Lautoka.
"Sua es muy querida por lxs integrantes del YWCA de Fiji, a causa de su dedicación y apoyo persistente a todo lo que la organización se ha esforzado por hacer". - Tupou Vere
Mereani formaba parte de House of Sarah [La Casa de Sarah] (HoS, por sus siglas en inglés ), una iniciativa de la Asociación de Mujeres Anglicanas (AAW), lanzada en 2009, que tenía por objetivos tanto sensibilizar sobre los problemas relacionados con la violencia de género, como brindar apoyo a las mujeres que sufren violencia. Mereani empezó como una voluntaria comprometida y ofreció apoyo a las mujeres de todo el Pacífico.
Mereani falleció en 2019.
"Una persona con don de gente y una trabajadora todoterreno en el empoderamiento de las mujeres y construcción de movimientos a nivel comunitario. Descansa en paz, Sua". - Tupou Vere
透過CfA提交活動提案後續?
- 活動提案最初將由AWID工作人員進行篩選。
- 然後,入圍的提案企劃者受邀參加票選,在入圍的活動中進行選擇。票數最高者會納入論壇活動。AWID可能會在決選做一些調整,以確保我們的活動議程在各個地區、擁護族群、議題和方法之間具適當平衡。
- 我們的論壇內容與方法委員會將與獲選的提案企劃者聯繫,協助他們進一步規劃活動。
我們屆時會於網站上公告徵選結果。
Snippet FEA WE ARE LEGAL AND ALWAYS WERE (ES)
España
Sindicato OTRAS
SOMOS LEGALES Y
SIEMPRE LO FUIMOS
Charte communautaire pour les membres de l’AWID
Cocréer des espaces accueillants et sécurisés
La cocréation de nos réalités féministes commence par nous-mêmes, et nos façons de nous traiter les un·e·s les autres. Nous nous efforçons de créer et de protéger des espaces qui sécurisent et soutiennent nos communautés, à la fois en ligne et en personne.
Nous envisageons aussi les espaces sécurisés et accueillants, tout comme cocréés, et dont la possession est partagée. Nous attendons de nos membres qu'iels agissent de façon éthique, responsable et cohérente vis-à-vis des valeurs de l’AWID, et qu'iels assument une responsabilité collective pour garantir un environnement de respect mutuel et de solidarité.
Tou·te·s les membres de AWID sont invité·e·s à :
- Se connecter avec les autres, contribuer à rompre l’isolement et à favoriser la solidarité. On peut facilement se sentir perdu·e et seul·e. Un peu de convivialité et de réactivité peut donc s’avérer utile.
- Interagir et participer avec calme. Des différences d’opinions feront évidemment surface. Pensez alors à l’utilité de ces différences pour élargir vos réflexions et vos façons de voir le monde.
- Contribuer à construire un espace qui reconnaît et valide de multiples expériences de vie ainsi qu'une diversité de corps et d’expressions de genre. Reconnaissez que nous portons tou·te·s des identités intersectionnelles.
- Utiliser un langage inclusif. Respectez la façon dont les gens souhaitent être désignés en termes d’identité ou d’expression de genre (comme les pronoms), et recourez au langage inclusif.
- Écouter et adapter ses comportements et façons de communiquer si une personne mentionne son malaise. Ne posez pas d’autres questions que vous ne souhaiteriez vous voir poser.
- Aider à défier les comportements oppressifs, qui comprennent le harcèlement, la violence verbale ou physique, la violation du consentement, et toute autre action qui perpétue le classisme, l'âgisme, le validisme, le racisme, la misogynie, l’hétérosexisme, la transphobie ou d’autres formes d'oppressions. Si besoin, n’hésitez pas à contacter l’équipe de l’AWID.
- Avoir une parole et une écoute basées sur une ouverture d’esprit et de cœur, sans jugement.
- Être honnête, ouvert·e et sympathique : Évoquez et partagez véritablement vos expériences, vos défis, vos espoirs et vos rêves, et votre vision pour votre propre vie et celle de votre communauté.
- Pratiquer une écoute active et l’autoconscience : prenez conscience du temps et de l’espace que vous prenez ou laissez aux autres, pratiquez une écoute et un apprentissage sous forme active.
- Être attentif·ve et reconnaître le travail et l’activisme des autres : Souvenez-vous que nous œuvrons tou·te·s collectivement au changement -- Assurez-vous de reconnaître la contribution des autres et de les citer au besoin, par exemple dans des discussions, des articles, des images, etc.
- Rester en sécurité ! Nous vous invitons à prendre des mesures pour vous protéger en ligne et en personne, notamment si vous avez des raisons de croire que votre expression vous met en danger. Certains membres pourront utiliser des pseudonymes ou des photos de profil qui dissimulent leur identité. Pour plus d’informations, veuillez vous référer au kit (en anglais) « Digital Security First Aid Kit for Human Rights Defenders » (Kit de secours sur la sécurité numérique pour les Défenseur·e·s des droits humains) produit par l’Association pour le progrès des communications (APC).
- Respecter les besoins de confidentialité des autres. Ne partagez ou ne transférez aucune information sans avoir obtenu une autorisation explicite.
Remarque :
L’AWID se réserve le droit de supprimer des commentaires, suspendre ou révoquer l’adhésion de membres en cas de violation des règles de la communauté. Les membres de l’AWID ne sont pas autorisés à représenter l’AWID à titre officiel, sauf mention écrite contraire. Les membres ne peuvent pas utiliser les espaces de l’AWID à des fins de prosélytisme ou de recrutement de membres pour rejoindre une organisation ou une croyance religieuse. Les membres ne peuvent pas utiliser les espaces de l’AWID pour demander des fonds à des fins personnelles, bien que les liens vers des actions de levée de fonds ou des campagnes de mobilisation soit autorisés.
Values - intersectionality
Interseccionalidad
Creemos que para que los movimientos feministas sean transformadores y sólidos debemos seguir trabajando en nuestras similitudes y diferencias. También debemos cuestionar el poder y los privilegios, tanto dentro como fuera de nuestros movimientos.
Sandra Cabrera
لماذا تسألون عن اسم المجموعة، المنظمة و\ أو الحركة التي تعبئ الاستطلاع؟
نسأل عن هذه المعلومات كي نسهّل عملية المعالجة وكي نستطيع أن نتواصل مع مجموعتكم/ن في حالة لم تستطيعون تكملة الاستطلاع و\ أو في حالة كانت لديكم/ن شكوك أو أسئلة إضافية. يمكنكم/ن قراءة المزيد عن كيف نستعمل المعلومات التي نجمعها خلال عملنا هنا.
Sylvia Robinson
« La vie... c’est vivre dans la joie, se lever avec un but, sentir son énergie créative, répondre à son appel. » – Sylvia Robinson
Sylvia Robinson, infatigable leader et organisatrice communautaire, fut la fondatrice et directrice générale de l’Emergence Community Arts Collective (ECAC) à Washington, D.C.
Cet espace de performances créatrices foisonnantes rassemblait des initiatives d’éducation, d’engagement citoyen, d’arts, de services sociaux et spirituels et de pratiques de développement durable. Sylvia considérait cet endroit comme une maison où « il existe un équilibre et une synergie avec les activités dont les gens ont besoin pour entretenir la vie ».
Elle comptait également parmi les membres fondateur·trice·s du Georgia Avenue Community Development Taskforce, dans le nord-ouest de la capitale, un groupe de quartier actif dans le domaine de la justice sociale et de l’organisation qui veillait à ce que la communauté ait son mot à dire dans le redéveloppement et l’embourgeoisement du secteur.
« Nous demandons des logements abordables. Nous demandons que les petits commerces qui sont ici depuis longtemps ne soient pas balayés par de nouvelles enseignes. Nous demandons des espaces verts et des lieux où les gens peuvent se rencontrer. Nous demandons à ce que le paysage urbain soit amélioré, avec des rues en meilleur état et des éclairages publics. » – Sylvia Robinson, à propos du travail de la Taskforce
Avant de devenir organisatrice, et après avoir obtenu son diplôme en informatique, Sylvia avait travaillé dans le domaine des systèmes de contrôle du trafic aérien pendant plus d’une décennie. Elle s’est ensuite orientée vers le conseil relatif à la consommation d’alcool et de drogue, s’impliquant davantage dans le travail communautaire.
« Cette implication dans la communauté, c’était ma vocation. » – Sylvia Robinson
Née à Washington D.C. le 14 août 1961, Sylvia est décédée le 18 septembre 2017 après avoir lutté contre le cancer.
« L’esprit et l’héritage de Sylvia continueront d’inspirer cette communauté pour de nombreuses années. » – ECAC
去台北參加論壇需要簽證嗎?
您若持有下列國家的護照,可免簽入境台灣到台北參與論壇活動(請留意持免簽可停留的天數各國不同):
安道爾、澳大利亞、奧地利、比利時、保加利亞、汶萊、加拿大、智利、克羅埃西亞、賽普勒斯、捷克、丹麥、愛沙尼亞、 史瓦濟蘭、芬蘭、法國、德國、希臘、瓜地馬拉、海地、宏都拉斯、匈牙利、冰島、愛爾蘭、以色列、義大利、日本*、韓國、拉脫維亞、列支頓斯登、立陶宛、盧森堡、馬爾他、馬歇爾群島、摩納哥、荷蘭、紐西蘭、尼加拉瓜、挪威、帛琉、巴拉圭、菲律賓、波蘭、葡萄牙、羅馬尼亞、俄國、聖馬利諾、斯洛伐克、斯洛維尼亞、西班牙、瑞典、瑞士、吐瓦魯、英國、美國、梵蒂岡城國、貝里斯、多明尼加、馬來西亞、諾魯、聖克里斯多福及尼維斯、聖塔露西亞、聖文森和格瑞納丁、新加坡。
未持有上述國家護照的人士來台北須申請簽證。
請留意:
在您完成論壇註冊手續後,無論您國籍為何,應會收到與論壇參與相關的一組號碼,用於申請來台灣的電子簽證。
論譠開放報名的時間我們會另行通知。
Snippet FEA Unio Otras Photo 2 (FR)

Introduction to the films from Nuestramérica
By Alejandra Laprea
What a difficult task, that of condensing all the power and diversity of voices being raised in Latin America to tell the other stories emerging in this vast territory, to speak of the feminist realities we are building in our movement and other community-based organizations.
I spent a long time trying to establish parameters for the search and selection of these films, with the idea that they would enable you to get a little closer to so many dreams and projects that are slowly coming into being in the territories Nuestroamericanos, of our Americas, as we like to call them ourselves. It was a tough job trying to establish parameters, such as geographic location, linguistic justice, and representation of diverse communities — Indigenous, Afro-descendants, migrants — and the many causes and claims for which they raise their voices. I arrived at the conclusion that making such a compilation would be the work of years, one of those projects always under construction.
And so I decided to search for works that have emerged out of organizing and activism, as well as films that will perhaps spark major debates that we are yet to have.
In this selection of films you will find the voices of filmmakers who are not content with simply recording the feminist realities that palpitate in every corner of this vast and diverse territory. These are works that from their very conceptualization are questioning for what, by whom, and how films and videos are made. They understand film to be an instrument of struggle, something more than images to be enjoyed on a screen. These are individual or collective filmmakers who see film and video making as an instrument to promote discussion, open a debate, and thus serve as a resource for popular and feminist pedagogies.
Seen in this light, this small film selection is a journeythrough feminist realities on two levels; on one level are the stories you will see, and on another level, there is the experimentation of filmmakers who are seeking and creating other feminist realities through the ways in which they are making films and telling stories.
Enjoy this journey through films that Resist, Create, and Transform.
Lima is Burning
Direction: Giovana García Soto
Docu-fiction
Spanish with English subtitles
In Lima is Burning our work plays with documentary and fiction to take us into the life of Gía, a non-binary person, who uses performance art as a tool to denounce and transgress, as a vital manifesto against transfobia in every space, including gays spaces. With Gía we also take a look at transfeminism as a safe community in which Gía feels embraced, where she shares feelings and affections.
Giovana Garcia Sojo is a young peruvian audiovisual producer, specialized in low-budget production, creation for children and adolescents in cinema and cinematographic script by the International School of Cinema and Television - EICTV in San Antonio de Baños - Cuba. Giovana has developed her path as a director towards women and feminized identities, Lima is Burning is one of her first works.
Yo, Imposible / Being Impossible
Director: Patricia Ortega
Fiction
Spanish with English subtitles
Patricia Ortega, director of «Yo, Imposible» [“Being Impossible”] explores through the character of Ariel, a young girl whose intersex body was surgically violated as a child, the many ways that society attempts to normalize sexual and gender diversity.
The film tells the story of how Ariel discovers she was born intersex and subjected to several surgeries to normalize her genitals. This discovery leads the character to rediscover her body and reconstruct her identity. The audience is led to question a society dominated by heteronormativity which renders others invisible and condemns them to a life of unhappiness.
Patricia Ortega is a Venezuelan filmmaker living in Argentina who studied at the International School of Film and Television in Cuba, where she specialized in film directing. Patricia uses fiction to address extreme situations that women or feminized bodies go through, and how they overcome them.
«Yo, Imposible»' takes a position vis-à-vis the dominant conception of a world in which only the masculine and feminine exist, which makes others invisible. “They are not sick. They are just genetically different. Interventions are done on their genitals and bodies through hormones without their consent, which is a violation of their human rights and identity, forcing them to fit into established categories'' - Patricia Ortega
Cubanas, mujeres en revolución [Cuban Women in Revolution]
Director: Maria Torrellas Liebana
Documentary
Spanish with English subtitles
María Torrellas narrates the story of the Cuban Revolution through the women who brought it to life, Vilma Espín, Celia Sánchez, and Haydee Santamaría, among others.
For women, telling the story of the Cuban Revolution is not something of the past, but a daily struggle that Torrellas shows through the voices of Cuban rural women, professionals, students, and workers in the present. In “Cuban Women in Revolution” we encounter the current challenges facing Cuban women such as the persistence of old prejudices, new forms of violence, and the constant challenge of creating new feminist realities for themselves and the next generations in a territory besieged by USA imperialism for more than 70 years.
Maíia Torrellas
María Torrellas is a journalist and documentary filmmaker. She has a long trajectory of filmmaking and has won, among others, the Santiago Alvarez in Memoriam award for her documentary “Memoria de una hija de Oshun” [Memory of a Daughter of Oshun].
“In the documentary I have woven together the struggles of yesterday’s heroines with those of today’s women. The women tell their own stories and also describe those whose struggles they most admire. It made an impression on me to hear the words ‘The Revolution gave us everything’ or ‘What would have become of my family without the Revolution?’ from voices of compañeras who are poor, rural, or Black.” - María Torrellas
Serie documental Cuidanderas [Mini documentary series Women Healers/Carers]
Directors: Gabriela Arnal and Marzel Ávila for Fondo de Acción Urgente - LAC
Ecuador 2019
Spanish with English subtitles
CUIDANDERAS joins the words cuidar (to care for) and curanderas (women healers) synthesizing the identities of a series of women in Latin American territories, women who put their bodies and all their energy into protecting the Commons, what Pachamama gives us, with the commitment that we use it as wisely as the rest of living beings doThis mini series of documentary films presents the stories of three collectives of Latin American women who are committed to caring for their territories, healing their bodies, and confronting extractivist and racist projects in Ecuador, Colombia, and Bolivia.
GUARDIANAS DE LA AMAZONIA [GUARDIANS OF THE AMAZON]
Province of Orellana, Ecuador. For centuries the Waorani women have been engaged in a struggle for their territory in the Amazon and the preservation of their Indigenous culture. Today they confront threats by the oil industry and their death-production model. From the jungle, leaders from the Waorani Women’s Association of the Ecuadoran Amazon (AMWAE, in Spanish) share the motivation behind their resistance and show their greatest power: their inexhaustible joy.
COMADRES DEL PACÍFICO COLOMBIANO [BLACK SISTERHOOD OF THE PACIFIC]
Buenaventura, Colombia. In the largest and most violent port city in Colombia, plagued by decades of armed conflict, racism, and machismo, a group of women refuse to give in to fear and continue to resist in the face of adversity. The Butterflies with New Wings network is made up of Black women from the Pacific coast of Colombia who work together to protect their territory, recuperate their ancestral traditions, and heal the wounds of systematic and structural violence.
HERMANAS DEL ALTIPLANO [SISTERS OF THE HIGHLANDS]
Indigenous, rural, and regantes (women in charge of irrigation) in Bolivia are calling for the care and protection of bodies-earth-territories, as they are faced with an extractive production model which threatens their lives, health, physical and sexual integrity, and the survival of their communities and territories. The Network of Defenders of Mother Earth is made up of women from 12 Indigenous communities who are defending the right to water and denouncing mining companies’ violations of human rights and the rights of Nature while working to recuperate their ancestral ways of knowledge and practices of collective care.
“CUIDANDERAS, a combination of the words cuidar (to care for) and curanderas (women healers), presents the stories of Latin American women defenders who are caring for their territories and healing their bodies. The collective power of these women has changed the history of their communities in Ecuador, Colombia, and Bolivia as they confront extractivist and racist production models.”
Yo aborto, tú abortas, todxs callamos [I abort, you abort, we all keep silent]
Director: Carolina Reynoso
Argentina 2013
Spanish
If there is one thing that has marked feminist movements across the continent of Latin America that is the call for abortion to be made available, safe, and free. From North to South feminist movements are rising up and taking to the streets fighting for the liberation of our first territory, our bodies, which is why this selection must include a documentary on abortion to fully understand the power of the women of Nuestramérica.
Yo aborto, Tu Abortas, Todxs Callamos [I abort, you abort, we all keep silent] presents the stories of seven women from different social classes, including the director of the documentary herself, who reflect on something they have all experienced in their own bodies: clandestine abortion.
Through their stories, the film aims to bust myths regarding the voluntary interruption of pregnancy, de-stigmatize the topic, and show one of the most common forms of violence in the Americas in a new light.
Carolina Reynoso
Director, researcher, and producer of feminist films. She is also a feminist activist who organizes workshops on screenwriting from a gender perspective so that more films are made showing other counterhegemonic realities and stories. Carolina Reynoso strikes a balance between activism and creation in each one of her works.
“We are a group of filmmakers who make documentaries in order to continue fighting to make abortion available, safe, and free in Argentina. The film presents the testimonies of seven women from different social classes, including the director of the documentary herself, who reflect on something they have all experienced in their own bodies: clandestine abortion.” -The filmmaking team
Historias Urgentes: Resistencia en ollas Comunes [Urgent Stories: Resistance in the Soup Kitchens]
Nosotras Audiovisuales, collective of Chilean women filmmakers
Chile 2020
Spanish
“Urgent Stories” is a series created by women to make their needs and important experiences visible to the people living in the territories that today comprise Chile. This film series aims to keep alive the flame ignited by the social uprising of October 2019, the flame ofChile in all its diversity that woke up and said, ‘Enough!’
«Resistencia en ollas comunes» [Resistance in the Soup Kitchens] is the first of these “Urgent Stories.” Through the voices of four women from Iquique, Valparaiso, Chillan and Santiago, it shows how by collectively assuming care work they are on the front lines of resistance, creating other feminist realities for themselves and the communities where Latin American women live.
Nosotras audiovisuales
This organization was formed in 2017 to link together women involved in the Chilean filmmaking scene. It helps women filmmakers to network, collaborate, and share information along with their works and perspectives on the field.
Nosotras Audiovisuales contributes to the Chilean uprising by documenting it and collectively generating new material.
Se trata de Mujeres [It’s about Women]
Micol Metzner
Argentina 2019
Spanish
Based on her personal experience, director Micol Metzner presents a film mixing documentary with fiction, aligning her filmmaker’s voice with that of thousands of women who have been victims of trafficking across the continent and showing how solidarity among women is the best form of protection.
Micol Metzner
Filmmaker trained at the Instituto de Arte Cinematográfico de Avellaneda [Avellaneda Institute of Film Arts]. Art director and editor. Metzner belongs to the Video Cluster of the City of Buenos Aires, a community space and multisectorial cooperative for independent projects.
She facilitates filmmaking workshops in working class neighbourhoods and spaces of enclosure (youth group homes and women’s prisons). She is a member of the film production house MVM.
“The production house MVM was born out of the necessity to express a lot of things that we regularly protest on the streets about while also doing it in a creative way through drawing, film, and photography.The production house MVM is a place that interrogates language, image, film from a feminist perspective. It is also a place for processing everything we have gone through and using art to make things sometimes to heal, sometimes to generate public debate as happened with this short film…I didn’t imagine that was going to happen, but when we showed it, a lot of things were set in motion. Discussions happen that are even more enriching than the short film itself. That this can happen based on something we made is so good…” - Micol Metzner
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