ونحن نسأل أنفسنا نفس السؤال، ونعتقد أنه لا توجد إجابات بسيطة. بالنسبة للعديد من المشاركين/ات، قد يكون منتدى جمعية حقوق المرأة في التنمية (AWID) أحد الرحلات الدولية القليلة التي يقومون بها في حياتهم/ن. علمتنا الجائحة الإمكانيات والقيود التي تفرضها المساحات الافتراضية لبناء الحركة: لا يوجد شيء أفضل من الاتصال الشخصي. تحتاج الحركات إلى التواصل عبر الحدود لبناء قوتنا الجماعية في مواجهة التهديدات التي نواجهها، ولا سيما أزمة المناخ. نعتقد أن منتدى حقوق المرأة في التنمية القادم يمكن أن يكون مساحة استراتيجية لعقد هذه المحادثات واستكشاف بدائل للسفر الدولي. ويشكل العنصر المختلط للمنتدى جزءًا مهمًا من هذا الاستكشاف.

"A Feminist Approach to Understanding Illicit Financial Flows and Redirecting Global Wealth"

Download your facilitation guide in English

This Guide is also available in Spanish and Russian

Thanks to the co-creators of this facilitation guide:

• Daniela Fonkatz and Ana Ines Abelenda (AWID)
• Zenaida Joachim (Mesoamericanas en Resistencia - El Salvador)
• Olga Shnyrova (Ivanovo Center for Gender Studies - Russia)
• Leah Eryenyu (Akina Mama Wa Afrika - Uganda)
• Daryl Leyesa (Oriang and PKKK/National Rural Women Congress - the Philippines)

We have the pleasure to introduce you to Carmen Silva Ferreira.

She was born in Bahia, the Northeastern part of Brazil. She is an immigrant, a social activist and a mother of 8 children.

Carmen experienced homelessness at the age of 35, after migrating to Sao Paulo on her own. This led her to become a fierce advocate for vulnerable, marginalized and invisibilized communities most affected by the housing crisis. She eventually became one of the founders of MSTC in 2000.

As a visionary political organizer and the current leader of the MSTC, Carmen’s work has laid bare the city's housing crisis and provided inspiration to others on different ways to organize and manage occupations. She stood strong on the forefront of several occupations. One of them is the 9 de Julho Occupation, which now serves as a stage for direct democracy, and a space where everyone can be heard, seen, appreciated and work together.

Carmen has been long celebrated for her boldness in giving life back to abandoned buildings in the heart of São Paulo.

To know more about her life, you can follow her on Instagram!

Day 1

11^th March

Nos membres forment un réseau dynamique de personnes dans le monde entier. Ce sont des chercheur-euse-s, des universitaires, étudiant-e-s, éducateur-trice-s, militant-e-s, femmes et hommes d’affaires, des responsables politiques, des praticien-ne-s du développement, des bailleurs de fonds. Nos membres, de tous âges, font de l’AWID une association féministe mondiale unique.

L’adhésion à l’AWID est ouverte à toutes celles et à tous ceux qui partagent nos valeurs

Nous proposons divers types d’adhésions en fonction du niveau de revenus et selon que vous êtes une personne ou une organisation. À l’heure actuelle, nous comptons plus de 5 000 membres, individuel-lle-s et institutionel-lle-s, issu-e-s de 164 pays.

Nos membres sont essentiel-le-s à notre travail

Nous collaborons aux plaidoyers sur des problématiques spécifiques ; nos membres votent à l’élection des membres de notre conseil d’administration et peuvent également participer à nos actions prioritaires par le truchement de webinaires, d’enquêtes, d’actions urgentes, pour ne citer que quelques exemples.

Nos membres institutionnel-le-s représentent des organisations qui souhaitent faire progresser la justice de genre et les droits humains des femmes. Il s’agit d’organisations de droits des femmes, de l’échelle locale à la scène mondiale, de réseaux communautaires, de grandes institutions internationales, de ministères gouvernementaux, de programmes universitaires, et bien plus encore. Quelque 63 % de nos membres proviennent des pays du Sud et 38 % ont moins de 30 ans.

En savoir plus sur l'Adhésion à l'AWID

A Film Series on Feminist Realities from Africa and the African Diaspora

by Gabrielle Tesfaye

When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities. 

In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore. 

“... a truly unique, raw and representation of feminist power in action.”
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work. 

“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
 
    - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin

Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.” 

“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams. 

“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
 
       - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin

Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.   

“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”

     - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Register here to watch this film from June 18-22

These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world. 

Follow us on Social Media to receive news about upcoming events and screenings:

Facebook: @AWIDWomensRights
Instagram: @awidwomensrights
Twitter ENG: @awid
Twitter ES: @awid_es
Twitter FR: @awid_fr
LinkedIn: Association for Women's Rights in Development (AWID)

DESAFÍOS

• Cambio Climático
• Acesso a créditos
• Intermediários

🎤AWID's Feminist Community Evening

a gathering for feminist activists attending CSW68

(with special guests!)

📅Tuesday, March 12
🕒6-9.30pm EST
🏢 Blue Gallery, 222 E 46th St, New York

RSVP required

Yes, AWID membership is open to anyone who shares our values.

A number of men who share our commitment to feminism and women’s human rights are members of AWID.

En China, el movimiento #MeToo [«Yo También»] se encendió en enero de 2018, empujado por el ímpetu del movimiento #MeToo de todo el planeta. Fue una respuesta a los problemas culturales y sistémicos relacionados con el género y el poder dentro de China. Las bases del movimiento habían sido establecidas durante décadas, y los muchos años de debate y promoción de la igualdad de género, finalmente, hicieron erupción con tremenda fuerza en toda la sociedad. El movimiento #MeToo fue impulsado fundamentalmente por jóvenes, que incluyen a innumerables mujeres anónimas y sus aliadxs, en busca de oportunidades para hacer realidad el principal «sueño chino»: transformar a China en un país con igualdad de género.
 
En China, el contexto para el movimiento #MeToo es extremadamente adverso: el Estado de derecho, la justicia y la transparencia de las acciones gubernamentales y la libertad de expresión no pueden darse por descontados, pero estos son precisamente los objetivos por los cuales lucha el movimiento. Ha sido, desde el principio, una lucha intensa, y cada víctima o activista que se visibiliza corre enormes riesgos: desde ser silenciadx o humilladx o de sufrir represalias hasta poner en peligro su seguridad. Todos los éxitos del movimiento #MeToo han sido logrados por quienes son lo suficientemente valientes como para asumir los costos de manifestarse y desafiar la censura.
 
La exhibición «#MeToo in China» fue inaugurada en 2019 y recorrió cinco ciudades. Su objetivo es dar mayor prominencia  a las experiencias personales de lxs víctimas y lxs activistas, para inspirar al público a unirse a la lucha a través del contacto con estas historias. La exposición misma se ha convertido en parte de la lucha #MeToo: ha debido enfrentar desafíos en su itinerario por toda China y, en más de una ocasión, fue amenazada con la clausura.

Barcelone, Espagne

Metzineres

Les Gens se Droguent.

ET ALORS?

¿Quién debería responder la encuesta?*

La encuesta está orientada a agrupaciones, organizaciones y movimientos que trabajan específica o primordialmente por los derechos de las mujeres, las personas LBTQI+ y la justicia de género, en todos los contextos, en todos los ámbitos y en todas las regiones. Si alguno de estos es el pilar fundamental de tu agrupación, colectivo, red o cualquier otro tipo de organización —ya sea que esté registrada, sea de reciente creación o de larga data—, te invitamos a responder la encuesta.

*En esta oportunidad, no estamos solicitando respuestas de individuos ni de fondos feministas o de mujeres.

Obtén más información sobre la encuesta:
Consultar las preguntas frecuentes

nous sommes infini·e·s

Une exposition de Nicole Barakat qui incarne sa reconnexion avec la diaspora d'objets provenant de ses terres ancestrales dans l'Asie du Sud-Ouest et l'Afrique du Nord.
 
Barakat présente une collection d'œuvres textiles en tant que manifestations de sa démarche consistant à travailler avec des objets déplacés, souvent volés, détenus dans les collections de musées occidentaux, notamment le Louvre, le British Museum et le Nicholson Museum. 
 
Pour contourner les gardiens et pénétrer dans les vitrines contenant ces objets ancestraux, Barakat récupère des formes de connaissances précoloniales, non linéaires et réceptives qui sont souvent dévaluées et rejetées par les institutions coloniales et patriarcales. Elle utilise ainsi la cafédomancie, le travail du rêve, l'écoute intuitive et les conversations avec les objets eux-mêmes (source).

À propos de Nicole Barakat