Anit-Racism Movement (ARM) / Flickr (CC BY-NC-ND 2.0)

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Resourcing Feminist Movements

Banner image announcing that WITM Survey is live.

 

 

 

 

The “Where is the Money?” #WITM survey is now live! Dive in and share your experience with funding your organizing with feminists around the world.

Learn more and take the survey


Around the world, feminist, women’s rights, and allied movements are confronting power and reimagining a politics of liberation. The contributions that fuel this work come in many forms, from financial and political resources to daily acts of resistance and survival.


AWID’s Resourcing Feminist Movements (RFM) Initiative shines a light on the current funding ecosystem, which range from self-generated models of resourcing to more formal funding streams.

Through our research and analysis, we examine how funding practices can better serve our movements. We critically explore the contradictions in “funding” social transformation, especially in the face of increasing political repression, anti-rights agendas, and rising corporate power. Above all, we build collective strategies that support thriving, robust, and resilient movements.


Our Actions

Recognizing the richness of our movements and responding to the current moment, we:

  • Create and amplify alternatives: We amplify funding practices that center activists’ own priorities and engage a diverse range of funders and activists in crafting new, dynamic models  for resourcing feminist movements, particularly in the context of closing civil society space.

  • Build knowledge: We explore, exchange, and strengthen knowledge about how movements are attracting, organizing, and using the resources they need to accomplish meaningful change.

  • Advocate: We work in partnerships, such as the Count Me In! Consortium, to influence funding agendas and open space for feminist movements to be in direct dialogue to shift power and money.

Related Content

Forum 2024 - FAQ - General Information - AR

معلومات عامة

FRMag - Ghosts Of Girlhood

Ghosts Of Girlhood

by Akua Antiwiwaa

There is an old, hazy picture laying in front of me. In it I am dressed in all white, from the pearl beads fastened into my hair and tucked against my ears, to the ones that trail loosely around my tiny wrists. (...)

Read

artwork: “Cultura Negra” [Black Culture] by Astrid Milena González Quintero

Nadine Ramaroson

Nadine was a role model to many for her work supporting women and the most vulnerable in her community. She was committed to helping the poor and homeless in particular.

Though her death was reported as an accident, the Ramaroson family, led by her father, André Ramaroson led an investigation that pointed to evidence that she had been murdered. She is reported to have died in a fatal accident occurred between Soanierano - Ivongo and Ste Marie - a story that has been refuted by her family.

She received numerous death threats for her bold political positions. Her case remains in court in Antananarivo (the capital of Madagascar). 


 

Nadine Ramaroson, Madagascar

متى يمكنني التسجيل في المنتدى؟ كم هي تكلفة التسجيل؟ ماذا يشمل التسجيل؟

سيبدأ التسجيل أوائل العام 2024. وسنعلن عن تاريخ التسجيل المحدد ورسوم التسجيل قريبًا. سيتضمن التسجيل المشاركة في المنتدى، بالإضافة إلى الغداء والوجبات الخفيفة (يتم تقديم وجبة الإفطار في الفنادق)، وعشاء واحد في الموقع.

ours chapter 4

Chapter 4
Anti-Rights Actors

A complex and evolving network of anti-rights actors is exerting increasing influence in international spaces as well as domestic politics. Often backed by obscure funding, these actors build tactic alliances across issues, regions, and faiths to increase their impact.

Read more

Cynthia Cockburn

Cynthia Cockburn was a feminist sociologist, writer, academic, photographer and peace activist.

She explored the gendered aspects of violence and conflict and made significant contributions to the peace movement through her exploration of the themes of masculinity and violence as well as her local and international activism.

Cynthia brought a feminist power analysis to militarisation and war, and was among the academics whose writings and analysis clearly demonstrated how gender-based violence played a key part in perpetuating war. Working closely with peace activists in countries experiencing conflict, her findings covered diverse contexts including Northern Ireland, Bosnia-Herzegovina, Israel/Palestine, South Korea, Japan, Spain and the UK. She helped bring in her research and academic writings, an understanding that violence was experienced as a continuum of time and scale and perceived very differently when seen from a gendered lens.

In her words, “Gender helps us to see the continuity, the connection between instances of violence.” 

Cynthia bridged her research with the activism she did locally and internationally with movements for demilitarisation, disarmament and peace. She helped start the Greenham Common women’s peace camp, which advocated for universal nuclear disarmament in Britain and was part of establishing the London chapter of Women in Black.

Over the decades, Cynthia organized and participated in local weekly vigils and the political choir Raised Voices, singing in the choir, and writing several of the lyrics to the songs that have made up its repertoire. She was also active in the Women’s International League for Peace and Freedom (WILPF), the European Forum of Socialist Feminists as well as in Women Against Fundamentalism.

“Cynthia shed feminist light, wove together feminist communities, sang songs of peace, listened, listened, listened, watched the birds – and stopped traffic. I’ll be forever and gratefully in her debt, the other ‘Cynthia’” – Cynthia Enloe

Cynthia was born in July 1934 and passed away in September 2019 at the age of 85.

هل سيفتح الباب لتقديم المقترحات؟

"نعم! يرجى قراءة الدعوة للمشاركة والتقدم هنا . الموعد النهائي هو 15 يناير 2024" .

Snippet Kohl - Panel: Pleasure Across Borders

Panel Pleasure Across Borders

with Lindiwe Rasekoala, Lizzie Kiama, Jovana Drodevic, and Malaka Grant.

YOUTUBESOUNDCLOUD

Fadila M.

Fadila M. was a Soulaliyate tribal activist from Azrou, the Ifrane region of Morocco. She fought against a specific form of land discrimination directed against tribal women.

As part of the Soulaliyate Women’s Land-Use Rights Movement, she worked towards overhauling the framework legislation relating to the management of community property through the 2019 adoption of three projects of laws guaranteeing the equality of women and men.

According to the customary laws in force, women had no right to benefit from the land, especially those who were single, widowed or divorced. The rights to collective land in Morocco were transmitted traditionally between male members of a family of over 16 years of age. Since 2007, Fadila M. had been part of the women’s movement, the first grassroots nationwide mobilization for land rights. Some of the achievements included that in 2012 for the first time Soulaliyate women were able to register on the lists of beneficiaries and to benefit from compensation relating to land cession. The movement also managed to get the 1919 dahir (Moroccan King's decree) amended to guarantee women the right to equality.

Fadila M. died on 27 September 2018. The circumstances of her death are unclear. She was part of a protest march connected to the issue of collective land and while authorities reported her death as being accidental, and her having a cardiac arrest on the way to the hospital, the local section of the Moroccan Association of Human Rights (AMDH) pointed out that Fadila was suffocated by a member of the police force using a Moroccan flag. Her family requested investigation but the results of the autopsy were not known.

Find out more about the Soulaliyate Women’s Land-Use Rights Movement


Please note: As there was no photograph/image of Fadila M. available to us, the artwork (instead of a portrait) aims to represent what she fought and worked for; land and rights to live and have access to that land and what grows on it.

هل سيكون هناك دعم لترجمة لغة الإشارة بخلاف لغة الإشارة الدولية؟

إذا تم قبول مقترحك فسيتم الاتصال بك من قبل فريق جمعية حقوق المرأة في التنمية لتقييم احتياجات الترجمة الفورية وإمكانية الوصول والاستجابة لها.

Intro to tweets snippet

As these tweets show, it turns out that sexting like a feminist is sexy, funny – and horny. Yet, it never loses sight of its commitment to equity and justice.

Stacey Park Milbern

“I do not know a lot about spirituality or what happens when we die, but my crip queer Korean life makes me believe that our earthly bodyminds is but a fraction, and not considering our ancestors is electing only to see a glimpse of who we are.” - Stacey Park Milbern

Stacey Park Milbern was a self-identifying queer disabled woman of colour and a trailblazer. A long-standing and respected organizer and leader in the disability rights and justice movement, she also advocated for the rights of many different communities, not just her own. Stacey’s activism had mighty roots in her experience at the intersections of gender, disability, sexuality and race.

Stacey, along with some friends, co-created the Disability Justice Culture Club, a group working to support various and especially vulnerable communities, including helping homeless people gain access to resources during the COVID-19 pandemic. 

She was also a co-producer of an impact campaign for Netflix’s documentary “Crip Camp”, a board member of the WITH Foundation, and led organizations at local, state and national levels. Stacey wrote beautifully and powerfully:

“My ancestors are people torn apart from loves by war and displacement. It’s because of them I know the power of building home with whatever you have, wherever you are, whoever you are with. My ancestors are queers who lived in the American South. It’s because of them I understand the importance of relationships, place and living life big, even if it is dangerous. All of my ancestors know longing. Longing is often our connecting place...” - Stacey Park Milbern

She was born in Seoul, Korea and grew up in North Carolina, later  continuing her journey in the San Francisco Bay Area. Stacey passed away of complications from surgery on her 33rd birthday on 19 May 2020. 


Read an essay by Stacey Park Milbern
Listen to an interview with Stacey Park Milbern
#StaceyTaughtUs: Record your story for the Disability Visibility Project

Tributes:

“She was, a lot of people would say, a leader. She kind of encompassed all of it. You know, sometimes there's like a lead from the front, lead from the middle, lead from the back. And she was just somehow able to do all of that.” - Andraéa LaVant, disability rights activist

“What a blow to lose Stacey when our communities need her leadership more than ever, and at a time when her strength, insight, and grit were receiving increased recognition outside of disability circles, giving her a greater platform to advance her life’s work...We will not have the gift of learning where her charismatic leadership would have taken us. But let there be no doubt: What Stacey gave us, in a relatively short time, will continue benefiting others for years to come.” - Disability Rights Education and Defense Fund (DREDF)

هل ستكون هناك تدابير لتسهيل الوصول في المنتدى؟

باختصار، نعم! تعمل جمعية حقوق المرأة في التنمية حاليًا مع لجنة إمكانية الوصول لضمان إمكانية الوصول إلى المنتدى قدر الإمكان. نحن نجري أيضًا تدقيقًا لإمكانية الوصول إلى مكان انعقاد المنتدى والفنادق المحيطة ووسائل النقل. ستكون المعلومات التفصيلية حول إمكانية الوصول في منتدى جمعية حقوق المرأة في التنمية متاحة في هذا القسم قبل فتح التسجيل. وفي الوقت نفسه، لأية أسئلة يرجى الاتصال بنا.

Louise Malherbe | Title Snippet AR

About the authors

Portrait of Louise Malherbe

لويز ماليرب، مبرمجة أفلام وقيّمة معارض وناقدة أفلام مقيمة في برلين. عملت كمبرمجة أفلام لجمعية متروبوليس للسينما في بيروت. حاليا تنسق لويز مشروع ريل ستريمز الذي يهدف إلى دعم نشر السينما المستقلة في المنطقة العربية. هي رئيسة قسم البرمجة لمهرجان صورة السينمائي، وهو مهرجان أفلام كويرية يركز على منطقة جنوب غرب آسيا وشمال أفريقيا. تكتب لويز النقد السينمائيين لـ مانيفستو XXI، وقد بدأت مؤخرًا تنظيم الأفلام والمهرجانات لسينما عقيل.

Snippet - CSW68 - March 12 - EN

Day 2

12th March

Disintegration | Content Snippet

On Wednesday a note arrives
with an address on the back.

    5 pm, tonight.

The handwriting on the invitation—
coily and brusque—
I’ve seen it five times in five years.

My body rouses,
feverish.

I need to fuck myself first.

The tide is high tonight and
I get 
off.

I want to slow everything down,
taste time and space, etch them 
into memory.

*

I’ve never been to this part of town before.
Unknown places excite me,
the way limbs and veins and bones
resist decay, 
their fate uncertain.

At the door, I think twice.
The hallway is pitch black 
and it makes me pause.

On the other side,
a portal of smell and color 
opens like a curse,  
into a sunny afternoon.

The breeze
makes my hair dance,
piques its curiosity,
compels it to move.

I hear the wheelchair whirring, 
shaping the shadows.
Then I see them:
a lynx face
and a body like mine
and I find myself desiring both
again.
 
The creature motions me closer.

Their gestures write a sentence;
as I move toward them,
I notice its details:


    wither, flesh, bliss

On their command, the vine that covers the hallway
hugging warm stones,
snakes up the wall.

It becomes a verb,
“to climb,”
and I’m reorientated when their claws point 
to the vine-bed in the center.

I hear the wheels behind me, 
then that sound. 
It reverberates
like no other.
Their long black wings
elevate toward the ceiling
then they lunge forward.

The feline vision scans every detail,
every change,
every longing.

Can desire liquefy your muscles? 

    Can it act sweeter than the strongest 
of tranquilizers?

A lynx sews the world
across our differences,
weaving lace around my knees.

Can desire crush the distance of the world, 
compressing the seconds?

They come closer still,
lynx eye meeting human eye,
sniffing the air,
turning body into
urgency.

They beat down their wings.
Stirred,
the vines tangle around my waist/waste.

Their tongue thins time,
shifting grounds,
soothes, with their magic,
what stirs beneath.

    I see the world in you, and the 
world is exhausted.

Then they plead:

    Let me feast on you. 
 

Snippet - WITM to claim - EN

To claim your power as an expert on the state of resourcing for feminist movements

Moving Conversation | Small Snippet AR

عودةٌ إلى ذواتنا

بالنسبة إليّ، هذه الأنواع من الدردشات كانت ضمن تعابير الحبّ التي أتاحت لي الحياة أن أستمتع بها حديثًا فقط. ما كنت أعرف أن هذه الأشكال الأخرى ممكنة – تلك التي توجَد خارج نطاق ورشات العمل، أو أماكن الناشطين أو غرف الصفّ أو أماكن العمل.

اقرأ أكثر

Snippet - WITH Video tutorial - EN

Icon representing video content. It is a clapperboard with rounded corners and a play button at the center.

Click here to watch a video tutorial to support you in filling in the survey.

Celluloid Ishtar | Small Snippet AR

المقطع الأول 

عندما كنت في السادسة من العمر، علِمت أنّ جدّي كان يملك داراً للسينما. أخبرَتني أمّي كيف أنه افتتحها في أوائل الستينيّات، وكانت هي حينها في مثل عمري، إذ كان عمرها قُرابة الستّ سنوات. تذكّرتُ أنهم في الليلة الأولى عرضوا فيلم «صوت الموسيقى».

اقرأ أكثر

Illustration of film reel