Anit-Racism Movement (ARM) / Flickr (CC BY-NC-ND 2.0)

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Resourcing Feminist Movements

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Banner image announcing that WITM Survey is live.

 

 

 

 

The “Where is the Money?” #WITM survey is now live! Dive in and share your experience with funding your organizing with feminists around the world.

Learn more and take the survey

Around the world, feminist, women’s rights, and allied movements are confronting power and reimagining a politics of liberation. The contributions that fuel this work come in many forms, from financial and political resources to daily acts of resistance and survival.

AWID’s Resourcing Feminist Movements (RFM) Initiative shines a light on the current funding ecosystem, which range from self-generated models of resourcing to more formal funding streams.

Through our research and analysis, we examine how funding practices can better serve our movements. We critically explore the contradictions in “funding” social transformation, especially in the face of increasing political repression, anti-rights agendas, and rising corporate power. Above all, we build collective strategies that support thriving, robust, and resilient movements.

Our Actions

Recognizing the richness of our movements and responding to the current moment, we:

  • Create and amplify alternatives: We amplify funding practices that center activists’ own priorities and engage a diverse range of funders and activists in crafting new, dynamic models  for resourcing feminist movements, particularly in the context of closing civil society space.

  • Build knowledge: We explore, exchange, and strengthen knowledge about how movements are attracting, organizing, and using the resources they need to accomplish meaningful change.

  • Advocate: We work in partnerships, such as the Count Me In! Consortium, to influence funding agendas and open space for feminist movements to be in direct dialogue to shift power and money.

Related Content

Type

Snippet FEA different lines of work S4 (EN)

Lines of work:

AGAINST

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United against the violence

by Karina Ocampo

In a hidden corner of Chiapas, Mexico, women and sexual dissidents have come to organize our actions. (...)

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< artwork by Sonia Carolina Madrigal Loyola

Snippet FEA Union Otras Photo 1 (EN)

Photo shows shows four people with posters at a protest and in the middle a woman with a megaphone speaking.

FRMag - Ghosts Of Girlhood

Ghosts Of Girlhood

by Akua Antiwiwaa

There is an old, hazy picture laying in front of me. In it I am dressed in all white, from the pearl beads fastened into my hair and tucked against my ears, to the ones that trail loosely around my tiny wrists. (...)

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artwork: “Cultura Negra” [Black Culture] by Astrid Milena González Quintero

Snippet FEA Audio Story 4 (EN)

Listen to this story here:

ours chapter 4

Chapter 4
Anti-Rights Actors

A complex and evolving network of anti-rights actors is exerting increasing influence in international spaces as well as domestic politics. Often backed by obscure funding, these actors build tactic alliances across issues, regions, and faiths to increase their impact.

Read more

Snippet Forum Stories Title

Stories of Change: AWID Forums

Snippet Kohl - Panel: Pleasure Across Borders

Panel Pleasure Across Borders

with Lindiwe Rasekoala, Lizzie Kiama, Jovana Drodevic, and Malaka Grant.

YOUTUBE | SOUNDCLOUD

How much does participation cost?

Please calculate your costs of travel to Bangkok, accommodations and per diem, visa, any accessibility needs, and incidentals, on top of a registration fee that will be announced soon. Hotels in the Sukhumvit area in Bangkok range from USD$50 to $200 per night, double occupancy.

AWID members receive a discount at registration, so if you are not a member yet, we invite you to consider becoming a member and joining our global feminist community.

Intro to tweets snippet

As these tweets show, it turns out that sexting like a feminist is sexy, funny – and horny. Yet, it never loses sight of its commitment to equity and justice.

Daphne Caruana Galizia

Read in: English French Spanish
Category
Civil & Political Rights
Region
Europe
Date of death / disappearance
Cause of death / disappearance

Killed / Asesinada / Assassinée

Snippet Intro GV EN

We have partnered with Global Voices for a special series of pieces for Pride Month 2023 (include music, video, and stories!) engaging with the intersectional issues that queer individuals and communities face around the world.

Louise Malherbe | Title Snippet AR

About the authors

Portrait of Louise Malherbe

لويز ماليرب، مبرمجة أفلام وقيّمة معارض وناقدة أفلام مقيمة في برلين. عملت كمبرمجة أفلام لجمعية متروبوليس للسينما في بيروت. حاليا تنسق لويز مشروع ريل ستريمز الذي يهدف إلى دعم نشر السينما المستقلة في المنطقة العربية. هي رئيسة قسم البرمجة لمهرجان صورة السينمائي، وهو مهرجان أفلام كويرية يركز على منطقة جنوب غرب آسيا وشمال أفريقيا. تكتب لويز النقد السينمائيين لـ مانيفستو XXI، وقد بدأت مؤخرًا تنظيم الأفلام والمهرجانات لسينما عقيل.

CFA 2023 - what you need to know - EN

What you need to know

  • Priority will be given to activities that facilitate and encourage connection and interaction among participants. If your activity can be held online or hybrid (connecting participants on-site and online), please consider how to generate genuine engagement and active participation from online participants.
  • We encourage cross-movement, cross-regional and inter-generational encounters, dialogues and exchanges.
  • Please design your activity in a way that allows flexibility in the number of participants. While a few activities may be limited to smaller groups, the majority will need to accommodate larger numbers.
  • If your activity fits a number of formats or none, you will be able to indicate as such on the application form.

Languages in which you can submit your activity

  • Languages for Applications: Applications will be accepted in English, French, Spanish, Thai and Arabic.
  • Languages at the Forum: Simultaneous interpretation will be provided at the Forum Plenary Sessions in English, French, Spanish, Thai, and Arabic as well as ISL (International Sign Language) and possibly more. For all other activities, interpretation will be offered in some––but not all––of these languages, and possibly others, such as Swahili and Portuguese.

Disintegration | Content Snippet

On Wednesday a note arrives
with an address on the back.

    5 pm, tonight.

The handwriting on the invitation—
coily and brusque—
I’ve seen it five times in five years.

My body rouses,
feverish.

I need to fuck myself first.

The tide is high tonight and
I get 
off.

I want to slow everything down,
taste time and space, etch them 
into memory.

*

I’ve never been to this part of town before.
Unknown places excite me,
the way limbs and veins and bones
resist decay, 
their fate uncertain.

At the door, I think twice.
The hallway is pitch black 
and it makes me pause.

On the other side,
a portal of smell and color 
opens like a curse,  
into a sunny afternoon.

The breeze
makes my hair dance,
piques its curiosity,
compels it to move.

I hear the wheelchair whirring, 
shaping the shadows.
Then I see them:
a lynx face
and a body like mine
and I find myself desiring both
again.
 
The creature motions me closer.

Their gestures write a sentence;
as I move toward them,
I notice its details:


    wither, flesh, bliss

On their command, the vine that covers the hallway
hugging warm stones,
snakes up the wall.

It becomes a verb,
“to climb,”
and I’m reorientated when their claws point 
to the vine-bed in the center.

I hear the wheels behind me, 
then that sound. 
It reverberates
like no other.
Their long black wings
elevate toward the ceiling
then they lunge forward.

The feline vision scans every detail,
every change,
every longing.

Can desire liquefy your muscles? 

    Can it act sweeter than the strongest 
of tranquilizers?

A lynx sews the world
across our differences,
weaving lace around my knees.

Can desire crush the distance of the world, 
compressing the seconds?

They come closer still,
lynx eye meeting human eye,
sniffing the air,
turning body into
urgency.

They beat down their wings.
Stirred,
the vines tangle around my waist/waste.

Their tongue thins time,
shifting grounds,
soothes, with their magic,
what stirs beneath.

    I see the world in you, and the 
world is exhausted.

Then they plead:

    Let me feast on you.