Adolfo Lujan | Flickr (CC BY-NC-ND 2.0)
Mass demonstration in Madrid on International Women's Day
Multitudinaria manifestación en Madrid en el día internacional de la mujer

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Advancing Universal Rights and Justice

Uprooting Fascisms and Fundamentalisms

Across the globe, feminist, women’s rights and gender justice defenders are challenging the agendas of fascist and fundamentalist actors. These oppressive forces target women, persons who are non-conforming in their gender identity, expression and/or sexual orientation, and other oppressed communities.


Discriminatory ideologies are undermining and co-opting our human rights systems and standards,  with the aim of making rights the preserve of only certain groups. In the face of this, the Advancing Universal Rights and Justice (AURJ) initiative promotes the universality of rights - the foundational principle that human rights belong to everyone, no matter who they are, without exception.

We create space for feminist, women’s rights and gender justice movements and allies to recognize, strategize and take collective action to counter the influence and impact of anti-rights actors. We also seek to advance women’s rights and feminist frameworks, norms and proposals, and to protect and promote the universality of rights.


Our actions

Through this initiative, we:

  • Build knowledge: We support feminist, women’s rights and gender justice movements by disseminating and popularizing knowledge and key messages about anti-rights actors, their strategies, and impact in the international human rights systems through AWID’s leadership role in the collaborative platform, the Observatory on the Universality of Rights (OURs)*.
  • Advance feminist agendas: We ally ourselves with partners in international human rights spaces including, the Human Rights Council, the Commission on Population and Development, the Commission on the Status of Women and the UN General Assembly.
  • Create and amplify alternatives: We engage with our members to ensure that international commitments, resolutions and norms reflect and are fed back into organizing in other spaces locally, nationally and regionally.
  • Mobilize solidarity action: We take action alongside women human rights defenders (WHRDs) including trans and intersex defenders and young feminists, working to challenge fundamentalisms and fascisms and call attention to situations of risk.  

 

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هل سيكون هناك أي دعم للمواد أو التكاليف التحضيرية الأخرى لورش العمل؟

يمكنك أن تتوقع جميع المواد الأساسية لورش العمل والعروض التقديمية: اللوحات الورقية، والأقلام والملاحظات اللاصقة، بالإضافة إلى أجهزة العرض والمعدات السمعية والبصرية. أي مواد إضافية تقع على عاتق منظمي/ات النشاط. سيكون الفريق اللوجستي التابع لجمعية حقوق المرأة في التنمية متاحًا للإجابة على الأسئلة وتقديم المشورة.

Laurie Carlos

Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others. 

“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth 

She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.

In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto. 

“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos

Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.



Tributes:  

“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre

“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune 

Read a full Tribute by Sharon Bridgforth

CFA FAQ - Accessibility and Health - AR

إمكانية الوصول والصحة

Esther Mwikali

Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.

After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered. 

“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020

“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters

“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders

“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019

Snippet - CSW68 - Follow the Money - EN

Follow the Money:

Illicit Financial Flows & Anti-Rights Actors

📅Monday, March 11
🕒4:30 - 6pm EST

Organisers: AWID, IJSC and NAWI
🏢 Church Center of the United Nations, 777 United Nations Plaza, New York, 11th Floor
(French and Spanish interpretation available)

Snippet - WITM why - EN

Why should I take this survey?

Snippet - WITM Articulate - EN

Articulate feminist visions, proposals and agendas for resourcing justice.

START THE SURVEY

What are the WITM official survey languages?

For now, the survey on KOBO is available in Arabic, English, French, Portuguese, Russian and Spanish. You will have the chance to select your language of choice at the beginning of the survey.

How long is the survey open?

The survey is open until the end of August 2024. Please complete it within this timeframe to ensure your responses are included in the analysis.

Snippet - WITM To build - RU

Создать ориентированную на феминистские реалии доказательную базу движения денег их получателей

Snippet - WITM Why now_col 1 - PT

Por que devo responder à pesquisa agora?

A monochromatic orange illustration of a woman with curly hair with her hand on her chin. She seems to inquisitive or posing a question.

Os movimentos feministas, de direitos das mulheres, de justiça de género, de LBTQI+ e de aliados em todo do mundo encontram-se num momento crítico, e enfrentam uma forte retaliação contra direitos e liberdades conquistados anteriormente. Os últimos anos trouxeram o crescimento rápido do autoritarismo, a violenta repressão da sociedade civil e a criminalização dos defensores dos direitos humanos das mulheres e de pessoas de género diverso, o aumento da guerra e do conflito em várias partes do nosso mundo, a perpetuação contínua de injustiças económicas e crises de saúde, da ecologia e do clima interligadas.

Snippet - WITM RESOURCES - RU

Ресурсы

(Доступно на английском языке)

Quem deve participar no inquérito?

Grupos, organizações e movimentos cujo foco específico ou principal seja os direitos das mulheres, de jovens, a justiça de género, os direitos das pessoas LBTQI+ e de aliados em todas as regiões e em todos os níveis, quer sejam novos ou já estabelecidos.

Membership why page page - to join as a member block

To join as a member - step by step

  1. Read and endorse the AWID Values and Community Guidelines.
  2. Fill out your membership sign-up form and indicate your contribution to at least one type of action proposed.
  3. Check your mailbox for a confirmation of your membership.
  4. Fulfill your contribution commitment to the type(s) of action you chose in the sign-up form.

هل على مجموعتنا، منظمتنا أو حركتنا تعبئة الاستطلاع مع أننا لم نحشد أو نأخذ تمويلاً من ممولين/ات خارجيين/ات؟

نعم! نلاحظ ونقدّر الأسباب المختلفة لعدم تلق الحركات النسوية التمويل الخارجي، حيث من الممكن أن تكون غير مؤهلة لتقديم الطلبات للتمويل و\ أو تلقّي المال من خارج البلاد، أو الاعتماد على المصادر التي يتم إنتاجها بشكل مستقل كاستراتيجية سياسية. نريد أن نسمع منكم/ن بعيدا عن تجربتكم/ن مع التمويل الخارجي.

FRMag - Freeing the Church

Freeing the Church, Decolonizing the Bible for West Papuan Women

by Rode Wanimbo

I was born and grew up in Agamua, the Central Highlands of West Papua. My father belongs to the Lani tribe and my mother comes from Walak. (...)

Read


< artwork: “Offerings for Black Life” by Sokari Ekine

Моего языка нет в списке и мне сложно заполнить опрос – что мне делать?

AWID стремится к языковой справедливости, и мы сожалеем, что на данный момент проведение опроса на большем количестве языков не представляется возможным. Если вам нужна помощь в переводе или вы хотите заполнить анкету на любом другом языке, пожалуйста, свяжитесь с нами по адресу witm@awid.org

Film club - Tenderness is the sharpest resistance

Our first Feminist Film Club program is now available to view: “Tenderness is the Sharpest Resistance” is a film series on Asian/Pacific Feminist Realities curated by Jess X Snow 

WATCH

O nosso grupo não recebeu qualquer financiamento nos três anos entre 2021 e 2023. Devemos preencher o questionário mesmo assim?

Sim, ainda queremos a sua resposta, independentemente de terem recebido financiamento em três, dois, um, ou qualquer um dos anos entre 2021 e 2023.

ours chapter 6

Chapter 6
Anti-Rights Trends in Regional Human Rights Systems

In the African Commission and the Inter-American System, anti-rights actors push essentialist notions of culture and gender to hamper progress on rights and undermine accountability. As we see, anti-rights actors are exerting influence in regional human rights systems, as well as international spaces.

Read more