Jean-Marc Ferré | Flickr (CC BY-NC-ND 2.0)
A general view of participants at the 16th session of the Human Rights Council in Geneva, Switzerland.

Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Human Rights Council (HRC)

The Human Rights Council (HRC) is the key intergovernmental body within the United Nations system responsible for the promotion and protection of all human rights around the globe. It holds three regular sessions a year: in March, June and September. The Office of the UN High Commissioner for Human Rights (OHCHR) is the secretariat for the HRC.

The HRC works by:

  • Debating and passing resolutions on global human rights issues and human rights situations in particular countries

  • Examining complaints from victims of human rights violations or activist organizations on behalf of victims of human rights violations

  • Appointing independent experts (known as “Special Procedures”) to review human rights violations in specific countries and examine and further global human rights issues

  • Engaging in discussions with experts and governments on human rights issues

  • Assessing the human rights records of all UN Member States every four and a half years through the Universal Periodic Review

Learn more about the HRC


AWID works with feminist, progressive and human rights partners to share key knowledge, convene civil society dialogues and events, and influence negotiations and outcomes of the session.

With our partners, our work will:

◾️ Monitor, track and analyze anti-rights actors, discourses and strategies and their impact on resolutions

◾️ Raise awareness of the findings of the 2017 and 2021 OURs Trends Reports.

◾️Support the work of feminist UN experts in the face of backlash and pressure

◾️Advocate for state accountability
 
◾️ Work with feminist movements and civil society organizations to advance rights related to gender and sexuality.
 

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Y a-t-il des sujets à ne pas aborder, à éviter dans nos propositions ?

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On Wednesday a note arrives
with an address on the back.

    5 pm, tonight.

The handwriting on the invitation—
coily and brusque—
I’ve seen it five times in five years.

My body rouses,
feverish.

I need to fuck myself first.

The tide is high tonight and
I get 
off.

I want to slow everything down,
taste time and space, etch them 
into memory.

*

I’ve never been to this part of town before.
Unknown places excite me,
the way limbs and veins and bones
resist decay, 
their fate uncertain.

At the door, I think twice.
The hallway is pitch black 
and it makes me pause.

On the other side,
a portal of smell and color 
opens like a curse,  
into a sunny afternoon.

The breeze
makes my hair dance,
piques its curiosity,
compels it to move.

I hear the wheelchair whirring, 
shaping the shadows.
Then I see them:
a lynx face
and a body like mine
and I find myself desiring both
again.
 
The creature motions me closer.

Their gestures write a sentence;
as I move toward them,
I notice its details:


    wither, flesh, bliss

On their command, the vine that covers the hallway
hugging warm stones,
snakes up the wall.

It becomes a verb,
“to climb,”
and I’m reorientated when their claws point 
to the vine-bed in the center.

I hear the wheels behind me, 
then that sound. 
It reverberates
like no other.
Their long black wings
elevate toward the ceiling
then they lunge forward.

The feline vision scans every detail,
every change,
every longing.

Can desire liquefy your muscles? 

    Can it act sweeter than the strongest 
of tranquilizers?

A lynx sews the world
across our differences,
weaving lace around my knees.

Can desire crush the distance of the world, 
compressing the seconds?

They come closer still,
lynx eye meeting human eye,
sniffing the air,
turning body into
urgency.

They beat down their wings.
Stirred,
the vines tangle around my waist/waste.

Their tongue thins time,
shifting grounds,
soothes, with their magic,
what stirs beneath.

    I see the world in you, and the 
world is exhausted.

Then they plead:

    Let me feast on you. 
 

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الفرح للعالم: ستّة أسئلة مع نايكي ليدان

ما ساعدني في ذلك هو حبّي للعمل في كافة أنحاء البلاد، وتوثيق معارف الناس. لذلك تركت مساحتى المريحة، وأصبحت مديرة قطرية لمنظّمة إقليمية كويرية. تركَّز معظم عملي على إيجاد الموارد وبناء قدرات المجتمع المدني.

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في الثاني من أيلول/ سبتمير 2021، التمّ شمل مجموعة رائعة من الناشطات النسويات والمناديات بالعدالة الاجتماعية ضمن فعاليات مهرجان (AWID Crear | Résister | Transform). لم يقتصر هدف اجتماعهنّ على مشاركة استراتيجيات المقاومة وعمليات الابتكار الخلّاقة المشتركة التي ترمي إلى تغيير العالم. لقد اجتمعت الناشطات ليتبادلن الغزَل الإباحي على «تويتر».

 

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Informe Anual 2011

Con el propósito de cumplir su misión, AWID trabaja a través de programas multianuales interconectados.

Cada programa comprende diversas estrategias que abarcan desde la generación y difusión de conocimientos, investigación aplicada, incidencia política y formación de alianzas, hasta convocatorias a diálogos estratégicos.

En nuestro Informe Anual 2011 encontrarán una síntesis de los principales logros alcanzados en cada una de los programas de AWID durante el año.  

Pleasure Garden

Pleasure Garden

The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.

Pleasure Garden Exhibition