Anit-Racism Movement (ARM) / Flickr (CC BY-NC-ND 2.0)

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Resourcing Feminist Movements

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The “Where is the Money?” #WITM survey is now live! Dive in and share your experience with funding your organizing with feminists around the world.

Learn more and take the survey


Around the world, feminist, women’s rights, and allied movements are confronting power and reimagining a politics of liberation. The contributions that fuel this work come in many forms, from financial and political resources to daily acts of resistance and survival.


AWID’s Resourcing Feminist Movements (RFM) Initiative shines a light on the current funding ecosystem, which range from self-generated models of resourcing to more formal funding streams.

Through our research and analysis, we examine how funding practices can better serve our movements. We critically explore the contradictions in “funding” social transformation, especially in the face of increasing political repression, anti-rights agendas, and rising corporate power. Above all, we build collective strategies that support thriving, robust, and resilient movements.


Our Actions

Recognizing the richness of our movements and responding to the current moment, we:

  • Create and amplify alternatives: We amplify funding practices that center activists’ own priorities and engage a diverse range of funders and activists in crafting new, dynamic models  for resourcing feminist movements, particularly in the context of closing civil society space.

  • Build knowledge: We explore, exchange, and strengthen knowledge about how movements are attracting, organizing, and using the resources they need to accomplish meaningful change.

  • Advocate: We work in partnerships, such as the Count Me In! Consortium, to influence funding agendas and open space for feminist movements to be in direct dialogue to shift power and money.

Related Content

Solidarity: membership why page

Solidarity 

We take a position in solidarity with each other and diverse struggles for justice and freedoms. We strive to mobilize and strengthen collective action and practice meaningful ways of working with each other.

Publications - Homepage - eng

Publications

Kindle for your feminist fire! Browse AWID’s research on funding, WHRDs, movement building, fundamentalisms, economic justice, feminist monitoring & evaluation and more

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FRMag - Looking at me Looking at Safe Spaces

Looking at me Looking at Safe Spaces

by Judyannet Muchiri

October last year I left for Kenya to begin what I have come to think of as my most important work yet. (...)

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artwork: “Healing Together” by Upasana Agarwal >

Ours report 2021 summary

Today, a complex and evolving network of anti-rights actors is exerting more influence in international and regional spaces as well as domestic politics. Anti-rights actors are entering multilateral spaces (spaces where multiple countries come together for international collaboration) to transform and undermine them from the inside out. They employ a range of persuasive discourses to gain legitimacy, often co-opting the language of rights and justice to hide their true agendas.

This report is the second in a series on human rights trends reports produced by the Observatory on the Universality of Rights (OURs). As well as analysis of key anti-rights actors, discourses, strategies, and impacts, the report features inspiring short stories of feminist action, and knowledge-building exercises to help strengthen our collective resistance.

Read Full Report

The effect on our rights has already been grave, but this is not a done deal. We can all play a part in resisting anti-rights agendas and reclaiming our rights. 

Join the collective call-to-action today! 

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فقدان الكلام | كلمة العدد

كلمة العدد

فقدان الكلام

بدأنا التخطيط لعدد المجلّة هذا مع نانا داركوا قُبيل مهرجان «ابدعي، قاومي، غيٍّري: مهرجان للحراكات النسوية» لجمعية «حقوق المرأة في التنمية» AWID، وانطلقنا وقتها من سؤالٍ هو بالأحرى ملاحظة حول حالة العالم، ورغبة في تغيير الاعتقادات السائدة: لماذا لا تزال جنسانيّاتنا وملذّاتنا تخضع للترويض والتجريم مع أنّه يتمّ تذكيرنا مراراً وتكراراً بأنّها لا تأتي بأيّ قيمة أو تطوّر؟ واستنتجنا أنّ جنسانيّاتنا، لمّا تتجسّد، فيها ما يتعارض مع النظام العالمي الذي ما زال يتجلّى من خلال ضوابط الحدود، والتمييز العنصري في توزيع اللقاح، والاستعمار الاستيطاني، والتطهير العرقي، والرأسمالية المُستشرية. هل يمكننا إذاً القول إنّ لجنسانيّاتنا قدرةٌ تعطيليّة؟ وهل يصحّ هذا القول عندما ننظر إلى واقع حركاتنا التي يتمّ الاستيلاء عليها ومأسستها في سعيها للتزوّد بالموارد؟

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Sexting Like a Feminist: Humor in the Digital Feminist Revolution | Title Snippet

Sexting Like a Feminist: Humor in the Digital Feminist Revolution

by Chinelo Onwualu

Louise Malherbe | Title Snippet EN

About the authors

Portrait of Louise Malherbe

Louise Malherbe is a film programmer/curator and a film critic based in Berlin. She worked as a film programmer for the Metropolis Cinema Association in Beirut and is now coordinating the Reel Streams project aiming at supporting the dissemination of independent cinema in the Arab region. She is Head of Programming for Soura Film Festival, a queer film festival focusing on the S.W.A.N.A. region, writes film critics for Manifesto XXI, and recently started curating films and festivals for Cinema Akil.

Do You Want To Organize Your Own Festival?

Do You Want To Organize Your Own Festival?

Check Out our Super Short Guide To Organising Global Feminist Festivals And Online Events!

Download here

Ester Lopes | Snippet

Ester Lopes Portrait

Ester Lopes is a dancer and writer whose research focuses on the body, gender, race, and class relations. She is a Pilates instructor and art educator. Ester graduated in Contemporary Theater – Creative Processes (at FAINC) and in Dance and Body Consciousness (at USCS). Her musical specialization includes popular singing and percussion. She received training in Novos Brincantes with Flaira Ferro, Mateus Prado, and Antonio Meira at Brincante Institute in 2015 and 2016.