Да, пожалуйста! Мы просим распространить ссылку на опрос среди своих коллег по сети. Чем больше различных точек зрения мы соберем, тем более полным будет наше понимание финансового положения феминистских организаций.

Anti-rights actors have had a substantive impact on our human rights framework and the progressive interpretation of human rights standards, especially rights related to gender and sexuality.

When it comes to the impact of conservative actors in international policy spaces, the overall picture today is of stasis and regressions.

We have witnessed the watering down of existing agreements and commitment; deadlock in negotiations; sustained undermining of UN agencies, treaty review bodies and Special Procedures; and success in pushing through regressive language in international human rights documents.

Commission on the Status of Women (CSW)

The CSW, held annually in March, has long been one of the most contested sites in the UN system. In March 2015, conservative efforts set the tone before events or negotiations even began; the outcome document of the Commission was a weak Declaration negotiated before any women’s rights activists even arrived on the ground.

At 2016’s CSW, the new Youth Caucus was infiltrated by large numbers of vocal anti-abortion and anti-SRHR actors, who shouted down progressive youth organizations. Again, intensive negotiations resulted in a lacklustre text, which included regressive language on ‘the family.’

Precisely when addressing women’s human rights is of urgent importance, the CSW has been rendered a depoliticized and weakened space. Using it to advance rights has become harder and harder since progressives’ energy is taken up trying to hold the ground against conservative backlash.

Human Rights Council (HRC)

As the intergovernmental body responsible for the promotion and protection of human rights around the globe, the HRC is a key entry point for conservative actors. In recent years, this mechanism has been the scene for a number of damaging anti-human rights moves.

In conversation with other anti-rights actors, one strategy of conservative states, and blocs of states, is to aggressively negotiate out positive language and to introduce hostile amendments to resolutions, most often resolutions focusing on rights related to gender and sexuality.

To take one example, during the June 2016 session of the HRC, opposition was mounted towards a resolution on discrimination against women by the member states of the Organization of Islamic Cooperation (OIC) and allies. During contentious negotiations, multiple provisions were removed, including women’s and girls’ right to have control over their sexuality, sexual and reproductive health, and reproductive rights; and the need to repeal laws which perpetuate the patriarchal oppression of women and girls in families, and those criminalizing adultery or pardoning marital rape.

The HRC has also been the site of pernicious conservative initiatives to co-opt human rights norms and enact conservative “human rights” language, such as that of the Russia-led “traditional values” resolutions, and more recently the “Protection of the Family” agenda.

Human Rights Committee

In 2015, moving their sights to another front, a number of religious right organizations began to target the Human Rights Committee, the treaty monitoring body for the International Covenant on Civil and Political Rights (ICCPR), a pivotal human rights instrument.

Anti-human rights groups mobilized in hopes of cementing their anti-abortion rhetoric into the treaty.

When the Committee announced it was drafting a new authoritative interpretation of the right to life, over 30 conservative non-state actors sent in written submissions, advocating their misleading discourse on ‘right to life’ - that life begins at conception and that abortion is a violation of the right - be incorporated in the Committee’s interpretation of article 6.

Conservative groups targeting the Human Rights Committee was a shift considering that historically anti-human rights actors have repeatedly attempted to undermine and invalidate the essential work of the treaty monitoring bodies, including the Human Rights Committee.

SDG negotiations and Agenda 2030

Anti-human rights actors were involved in lobbying towards the development of the new Sustainable Development Goals (SDGs) in 2015, focusing again on rights relating to gender and sexuality. These efforts had limited traction in their attempts to embed regressive language in Agenda 2030.

However, after successfully pushing back against progressive language in the final text, conservative actors then pivoted to another strategy. In an attempt to evade state accountability and undermine the universality of rights, several states have repeatedly made reservations to the Goals.

On behalf of the African Group, Senegal claimed that African states would only “implement the goals in line with the cultural and religious values of its countries.”

The Holy See also made a number of reservations, stating it was “confident that the related pledge ‘no one will be left behind’ would be read” as meaning “the right to life of the person, from conception until natural death.”

Saudi Arabia went one step further, declaring that the country would not follow any international rules relating to the SDGs that reference sexual orientation or gender identity, describing them as running “counter to Islamic law.”

General Assembly (GA)

Anti-rights actors have made increasing headway at the UN General Assembly (GA).  Most recently, during the 71^st session in 2016, the GA was the scene of feverish anti-rights organizing in opposition to the new mandate created by the Human Rights Council resolution on sexual orientation and gender identity in June 2016: the Independent Expert on SOGI. Four separate attempts were made to undercut the mandate in GA spaces.

One approach was to introduce a hostile resolution at the Third Committee^[1], led by the African Group, which in essence aimed to indefinitely defer the new mandate. While this approach was not successful, such an attempt in the GA to retroactively block the creation of a mandate brought forward by the Human Rights Council represented a new and troubling tactic - anti-right actors are now working to directly undermine the HRC’s authority respective to the General Assembly.

Another approach targeted the Fifth Committee (responsible for administration and budgetary matters) as an entry point to attack the mandate. In an unprecedented move a number of States attempted (again, unsuccessfully) to block the funding of UN human rights experts, including the new IE on SOGI^[2],.

While these multiple efforts were unsuccessful in blocking the creation and continuation of the new mandate, the significant support they received, the novel strategizing employed, and the strong alliances built along regional lines through negotiations point to difficulties ahead.

[1] The Third Committee of the GA deals with agenda items relating to a range of social, humanitarian affairs, and human rights issues.  Each year it discusses and issues resolutions on issues including the advancement of women, the protection of children, family, and youth.

[2] While UN Special Procedures experts (i.e. Special Rapporteurs, Working Group members and Independent Experts) work pro bono, some funds are generally allocated to facilitate country visits on the invitation of the national government, and support staff.

Other Chapters

• Key opposition actors
• Key opposition discourses
• Key opposition strategies and tactics

Read the full report

Other Chapters

• Key opposition actors
• Key opposition discourses
• Key opposition strategies and tactics

Read the full report

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By Prinka Saraswati, Gianyar, Bali

The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation.

In traditional Javanese culture, this is the moment for women to rest and take care of themselves. During this moment, a woman would take Kunyit Asam, a jamu or herbal drink to soothe the inflammation. This elixir consists of turmeric and tamarind boiled together in a pot.

I still remember my first period - it was one day before graduation day in elementary school. I remember pedaling my bike feeling something warm running between my thighs. When I arrived home I did all I could to clean myself and then put on a menstrual pad. My mother came home from work about four hours later. I told her what had happened. She looked me in the eye and asked how I felt. I told her that it was painful, that my body was swollen in every place. Then she asked me to go with her to the backyard. I followed her to our little jungle, my mother sat down on the soil and smiled.

“See this slender leaf? This is the leaf of Kunyit, *empon-empon that leaves the yellow stain on your fingers. What’s most important is not the leaf, but the roots. You dig the soil and slowly grab the roots.”, my mother showed me how to pick Kunyit or Turmeric roots. Then we went to the kitchen where she boiled water along with some tamarind. While waiting for it to boil, she showed me how to wash and grate the orangey-yellow root. Then, we put the grated turmeric into the boiling tamarind water. “Tomorrow, you can make it for yourself. This will help you to feel better!”.

I remember the first time I tasted it - a slightly bitter taste but also sour. My mother always served it warm. She would also put some in a big bottle which I would place on my stomach or lower back for further relief. For days after, my mother’s hands and mine were yellow. My friends could always tell every time I got period because my hands would be yellow.

A year after my first period, I found out that you could get the bottled version in convenience stores. Still, I made my own Kunyit Asam every time I had my period because the one in the convenience stores was cold. It did not smell of wet soil and warm kitchen.

Fast forward, I am a 26 year old woman who casually makes this drink for friends when they have their periods. I’ve made some for my housemates and I’ve delivered some for friends who live in different towns. I do not grow turmeric roots in my garden, but I have grown and shared the love from my mom. What was once from garden to cup is now from *pasar to cup.

A couple of days ago, I asked my mother who taught her how to make the jamu.

“Who else? Yang Ti*! Your grandmother was not just a teacher”, said my mom. I was never close to my grandmother. She passed away when I was eight. All I knew from my mom was that she was a math teacher who had to teach courses after work. I had this image of my grandmother as a hard worker who was kind of distant with her children. My mom did not disagree with that but explained it came from her survival instinct as a mother. “She tried to make time. She tried. She taught me how to make jamu so I could take care of myself and my sisters”.

My mother is the second child out of seven, six of whom are girls. The reason my grandmother taught her is so that all of her children could take care of each other. While my mother was taught how to make the drink, my mother’s older sister was taught how to plant turmeric. Yang Ti knew which one loved the smell of soil more and which one loved the smell of the kitchen. My mother was the latter. She learned how to plant from my aunt, her older sister.

My grandfather worked in a bank but he got laid off when he was in his 40s. So, my grandmother had to do a side-hustle to support their children. My mother was in high school at that time when Yang Ti woke her and her older sister up at dawn. “Would you help me to pick some roots?”. Of course nobody said no. Especially if it was your mother, especially if you were born in Javanese culture where saying “no” sounded like a bad word. Together, the three of them went to the backyard, and they harvested empon - empon, rhizome, that was buried inside the soil. She grew many kinds of rhizome; temu lawak, temu putih, ginger, galangal, kunci, kencur, and kunyit. That was the day where my mother realized that her mother was never far away from her.

That was the day where she could spend more time with her mother. There, in the garden. There, in the kitchen.

“We’re sending these for Ibu Darti, the lady who lives across the river. Kunyit Asam for her and her daughters.”, said my grandmother to my mother and my aunt that day. They poured the Turmeric-Tamarind warm drink into a tall thermos and later my grandmother would deliver it on the way to school.

Over time, my grandmother got more orders for jamu. Everybody in the family helped her to make and deliver her jamu. The small business lasted only a few years, but that was what paid for my mother and her siblings’ education.

Today, my mother, who got laid off just a few days before I wrote this piece, harvested Turmeric and other roots. She’s making her Turmeric Tamarind drink from her kitchen.

My phone rang in the middle of this afternoon, a couple minutes after I boiled the rest of my grated turmeric. Today is one day after my period.

“Ingka, have you washed your pot after boiling those turmeric? It would forever be yellow if you don’t wash it right away!”

• *empon-empon = roots like ginger, turmeric, etc. coming from the Javanese word “Empu” which means, something or someone that has deep knowledge.

• *jamu = Indonesia’s traditional elixir made of roots, barks, flowers, seeds, leaves, and fruits.

• *Yang Ti = Javanese term for grandmother, taken from the term “Eyang Putri” the female you look up to.

• *pasar = the word for traditional market in Indonesian.

“Feminist Movement”

by Karina Tungari, Hamburg, Germany  (@_katung_)

The more women support other women, the quicker we’ll see progress. Together we are stronger and make even more impact.

About Upasana Agarwal

Akosua Hanson is an artistic activist, based in Accra, Ghana. Her work spans radio, television, print media, theatre, film, comic art exhibitions, art installations, and graphic novels. Akosua’s activism has been centred around pan-Africanism and feminism, with an interest in the intersection of art, pop culture, and activism. She has a Masters in Philosophy in African Studies with a focus on Gender and African Philosophical Thought. Akosua Hanson is the creator of Moongirls, a graphic novel series that follows the adventures of four superheroes fighting for an Africa free from corruption, neocolonialism, religious fundamentalism, rape culture, homophobia and more. She works as a radio host at Y 107.9 FM, Ghana.

Ever experienced moments of deep clarity during or after sex?

In these panels, the Moongirl Wadjet is engaged in BDSM lovemaking with a two-gender daemon. Of the four Moongirls, Wadjet is the healer and philosopher, the conduit of the Oracle. She does this to launch a scientific and spiritual process – an experiment she calls “Illumination by the Light of the Full Moon” – through which she traces a vibrational time arc between her memories, sensations, emotions, visions, and imagination. It is a form of vibrational time travel in order to discover what she terms as “truth-revelations.” 

During the experience, some of Wadjet’s hazy visions include: an approaching apocalypse brought about by humans’ environmental destruction in service to a voracious capitalism; a childhood memory of being hospitalized after a mental health diagnosis; and a vision of a Moongirls’ origin story of the Biblical figure of Noah as an ancient black Moongirl warning of the dangers of environmental pollution.

More than a fun kink to explore for the sensations, BDSM can be a way of addressing emotional pain and trauma. It has been a medium of sexual healing for me, providing a radical form of liberation. There is a purge that happens when physical pain is inflicted on the body. Inflicted with consent, it draws out emotional pain – almost like a “calling forth.” The whip on my body allows me to release suppressed emotions: anxiety, depression, my sense of defenselessness to the stresses that overwhelm me sometimes.

When engaging in BDSM as an avenue for healing, lovers must learn to be very aware of and responsible for each other. Because even though consent may have been initially given, we must be attentive to any changes that might occur in the process, especially as feelings intensify. I approach BDSM with the understanding that in order to surrender pain, love and empathy have to be the basis of the process and by that, I create space or open up for love. 

The engagement with aftercare after the infliction of pain is a completion of the process. This can be done in very simple ways such as cuddling, checking if they need water, watching a movie together, sharing a hug or just sharing a joint. It can be whatever your chosen love language is. This holding space, with the understanding that wounds have been opened, is necessary to complete the process of healing. It is the biggest lesson in practising empathy and learning to really hold your partner, due to the delicacy in blurring the lines between pain and pleasure. In this way, BDSM is a form of care work for me.

After BDSM sex, I feel a clarity and calm that puts me in a great creative space and spiritually empowers me. It is an almost magical experience watching the pain transform into something else in real time. Similarly, this personally liberating experience of BDSM allows Wadjet to access the foreknowledge, wisdom, and clarity to aid in her moongirl duties in fighting African patriarchy.

Moongirls was birthed during my tenure as the director for Drama Queens, a young artistic activist organization based in Ghana. Since our inception in 2016, we’ve employed different artistic media as part of their feminist, pan-Africanist, and environmentalist activism. We used poetry, short stories, theatre, film, and music to address issues such as corruption, patriarchy, environmental degradation, and homophobia.

Our inaugural theatre production, “The Seamstress of St. Francis Street” and “Until Someone Wakes Up” addressed the problem of rape culture in our communities. Another one, “Just Like Us,” was arguably one of the first Ghanaian theatre productions to directly address the country’s deep-seated issue of homophobia. Queer Universities Ghana, our queer film workshop for African filmmakers, has trained filmmakers from Ghana, Nigeria, South Africa, and Uganda. Films birthed during the workshop, like “Baby Girl: An Intersex Story” by Selassie Djamey, have gone on to be screened at film festivals. Therefore, moving to the medium of graphic novels was a natural progression.

About seven years ago, I’d started a novel that I never completed about the lives of four women. In 2018, the Open Society Initiative for West Africa (OSIWA) opened up a grant opportunity that launched the production of the project and my uncompleted novel was turned into Moongirls. 

There have been two seasons of Moongirls made up of six chapters each. Contributing writers and editors for the first season were Suhaida Dramani, Tsiddi Can-Tamakloe, George Hanson, and Wanlov the Kubolor. Writers for the second season were Yaba Armah, Nadia Ahidjo, and myself. Character illustrations and conceptualizations were by Ghanaian artist Kissiwa. And AnimaxFYB Studio, a premium animation, design, and visual effects studio, does the illustrations.

Writing Moongirls between 2018 and 2022 has been a labour of love for me, even, a labour for liberation. I aim to be very explorative in form and style: I’ve dabbled in converting other forms of writing, such as short stories and poetry, to graphic novel format. By merging illustration and text, as graphic novels do, Moongirls aims to tackle the big issues and to honor real life activists. My decision to centre queer women superheroes – which is rare to see in this canon – came to mean so much more when a dangerous backdrop started developing in Ghana in 2021. 

Last year saw a marked hike in violence for the Ghanaian LGBT+ community that was sparked by the shutdown of an LGBT+ community centre. This was followed by arbitrary arrests and imprisonment of people suspected to be on the queer spectrum, as well as of those accused of pushing an “LGBT agenda.” Crowning this was the introduction in Ghanaian Parliament of an anti-LGBT bill named “Proper Human Sexual Rights and Ghanaian Family Values.” This bill is arguably the most draconian anti-LGBT bill ever drafted in the region, following previous attempts in countries like Nigeria, Uganda and Kenya. 

I remember quite vividly the first time I read the draft of this bill. 

It was a Friday night, typically a night I take off to rest or party after a long work week. By sheer luck, the draft was leaked and shared with me on a WhatsApp group. As I read it, a deep sense of fear and alarm made burnt toast of my Friday night chill. This bill proposed to slap any LGBT+ advocacy with five to ten years of imprisonment, and to fine and imprison people who identify as LGBT+ unless they “recanted” and accepted conversion therapy. In the draft bill, even asexual people were criminalized. The bill went for all fundamental freedoms: freedoms of thought, of being, and the freedom to hold one’s personal truth and choose to live your life by that truth. The bill even went for social media and art. If it passed, Moongirls would be banned literature. What the bill proposed to do was so evil and far-reaching, I was stunned into a depression at the depth of hate from which it had been crafted. 

Scrolling through my Twitter timeline that night, the terror I felt inside me was mirrored. The timeline was a livestream of emotions as people reacted in real time to what they were reading: disbelief to terror to a deep disappointment and sorrow when we realized how far the bill wanted to go. Some tweeted their readiness to fold up and leave the country. Then, in the way Ghanaians do, sorrow and fear is alchemized to humour. From humour came the zest to upscale the fight.

So, the work still continues. I created Moongirls to provide an alternative form of education, to provide knowledge where it has been suppressed by violent patriarchy, and to create visibility where the LGBT+ community has been erased. It is also important that African BDSM is given this platform of representation when so much of BDSM representation is white. Sexual pleasure, through BDSM or otherwise, as well as non-heterosexual love, transcend race and continent because sexual pleasure and its diversity of experience are as old as time.

Dear feminist movements, 

Speaking on behalf of the Board, I  write to express our deepest gratitude, appreciation, and respect for Hakima Abbas and Cindy Clark, our extraordinary Co-Executive Directors during the past five years who will be stepping aside to refresh the AWID leadership as we move into a new strategic plan and phase of our organizational life. They have consistently practiced the best principles of feminist organizational leadership and ethics of care as they navigated us through one of the most unpredictable, turbulent times in recent history of the world, the COVID-19 syndemic, and the subsequent downward global political spiral. They held AWID, our Staff, and Board firmly, gently, and lovingly as all of us experienced various impacts. They also held steadfastly to AWID vision and mission as they responded respectfully and strategically to various changes, not least the cancellation of the AWID Forum.

The Board decided to prioritize an internal recruitment process first, fully recognizing the great potential that exists within the current team. We expect to complete the transition by the end of 2022. Hakima and Cindy will stagger their departure, and will facilitate a smooth transition to the new leadership.  

Seeing Cindy and Hakima leave AWID is difficult for the Board as well as others who have worked closely with them and love them.  Nonetheless, rest assured the AWID Board is leading the transition process in a way that fully recognizes the beautiful and inspiring indelible marks Hakima and Cindy will be leaving as part of our 40-year history, that embraces the next step of on-boarding and supporting new leadership, and that inspires us to do better at this moment in AWID's life. 

Major organizational transitions are neither simple nor easy. Sometimes they are forced, beyond anyone’s control, fraught, or even destructive. I, and many of you, have seen examples of those kinds of transitions. At other times, the staff’s needs and aspirations are aligned with those of the organization. Although we did not choose or wish Cindy and Hakima to leave AWID, their decision and AWID moving into the next strategic plan and new decade of existence are aligned. Best of all, we are in the wonderful, super competent, creative, and feminist hands of the Staff and Board.

We thank you, dear Feminist Movements, for your confidence in AWID. We also ask you to support our leadership transition in the coming months. Let’s continue to build, deepen, and strengthen our connections, as we have done for the past 40 years. 

Please stay tuned for more concrete developments and updates. You will be hearing from us in the coming weeks.

In feminist solidarity and love,
Margo Okazawa-Rey
President, AWID Board

Dearest Beloved Feminist Movements,

Hello again, and again, and again. I have known and loved you my entire adult life, since I first met you meaningfully, after graduating from university. I’d seen you one time before then. That was you appearing as Betty Friedan on a local TV talk show in the US Midwest, in the late-1960s. At the time, Mrs. Wells, my other mother, and I commented on what wild, far-fetched ideas this woman was trying to convince us about. Decade after decade since then I have fallen more deeply in love with you, Beloved, and understand and witness your political and theoretical brilliance, ethical and moral authority, creativity, joy, and love, above all. Nearly 60 years later, I know we are partners forever.

The early years of our acquaintanceship was ok. I was quite self-involved--figuring racial, gender, and sexual identity; getting clear on my core politics, values, and ethics; completing my formal education--and you provided numerous settings, intellectual drop-in centers, and comforting holding environments where and through which I was able to craft the young-adult building blocks of the feminist and human being whom I would become.

The predominantly white women’s movement of Cambridge and Boston, including Daughters of Bilitis, was my starting place. That suited me at the time but soon realized I desired something more. Poof! Like magic (serendipity), I connected with a small group of radical, anti-imperialist, Black, socialist lesbian women and we soon became the Combahee River Collective. 

That early Combahee experience, combined with critical life lessons and particular African-American/Korean immigrant racial politics of early-1990s in the US, prepared me for the journey that has led me to identify and work as a transnational feminist to address militarism and to dedicate myself to imagining other worlds where all living beings will thrive.

The next two critical women’s-movement moments were decades after Combahee years but deeply linked. First was meeting and being invited into the Korean feminist movement organizing against US military bases and supporting the “kijichon women” the Korean women whose lives, including for some, their mixed-race children, revolved around servicing US military personnel in numerous ways in villages and towns adjacent to the bases. Korean Beloved Feminists, especially Kim Yon-Ja and Ahn Il-Soon, the first sisters I met and traveled with, made me see and understand the critical importance of nation as an analytical and organizing principle. The “capstone” was living, working in occupied Palestine. The late Maha Abu-Dayyeh introduced me to the Palestinian women’s movement, with a profound comment, “you can leave Palestine but Palestine will never leave you.” So true. And, all my work and experiences across many borders brought me to AWID--my second home.

As you know, Beloved, being with you has not been easy or simple. Indeed, you are demanding, consistently riddled with contradictions, and sometimes even hurtful. Nonetheless, you continue to grow and develop, as you are supporting my political, emotional, and spiritual growth and development.  I guess we are growing each other--a very profound process to which I will dedicate the rest of my time in my current form.

The through-line of being with you all these decades is this: 

So much love, Feminist Movements!

Your Margo
AKA DJ MOR Love and Joy
Wellfleet Massachusetts USA

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Last updated: May 2019