
Heike Jensen

WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
We work collaboratively with international and regional networks and our membership
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Sim! Reconhecemos e valorizamos diferentes motivos pelos quais as feministas nos seus respetivos contextos não dispõem de financiamento externo: desde não serem elegíveis para se candidatar a subsídios e/ou receber dinheiro do exterior, até dependerem de recursos gerados autonomamente como uma estratégia política por si só. Queremos saber mais sobre vocês, independentemente da vossa experiência com financiamento externo.
Laurie Carlos fue una actriz, directora, bailarina, dramaturga y poeta estadounidense, una artista y visionaria extraordinaria que tenía un poderoso don para hacer surgir el arte en otras personas.
«Laurie entraba en una habitación (cualquier habitación/todas las habitaciones ) con clarividencia arremolinada, con genio artístico, rigor corporizado, con un realismo feroz— y con la determinación de ser libre... y de liberar a otrxs. Una hacedora de magia. Una vidente. Alguien que cambiaba de formas. Laurie me dijo una vez que entraba en los cuerpos de las personas para descubrir qué necesitaban.» - Sharon Bridgforth
Combinaba estilos de actuación tales como gestos rítmicos y texto. Laurie era mentora de nuevxs actorxs, performers y escritorxs, y ayudaba a difundir su trabajo a través de «Naked Stages», una beca para artistas emergentes. Integraba el Penumbra Theater, con el que colaboraba mediante guiones que produjeran identificaciones, a fin de «traer más voces femeninas al teatro». Laurie integraba también Urban Bush Women, una compañía de danza contemporánea prestigiosa que relata historias sobre mujeres de la diáspora africana.
En 1976, como Lady in Blue, hizo su debut en Broadway, en la producción original galardonada del drama poético de Ntozake Shange For colored girls who have considered suicide / when the rainbow is enuf. La obra de Laurie incluye White Chocolate, The Cooking Show y Organdy Falsetto.
«Cuento las historias en el movimiento (las danzas internas que surgen espontáneamente, como en la vida), la música y el texto. Si escribo una línea, no necesariamente tiene que ser una línea que es hablada; puede ser una línea que es movida. Una línea a partir de la cual se crea música. El gesto se convierte en la oración. Gran parte de quienes somos como mujeres, como personas, tiene que ver con los gestos que hacemos entre nosotrxs todo el tiempo, y en particular, durante momentos emotivos. El gesto se convierte en una oración o una declaración de hechos. Si pongo en un guión “cuatro gestos”, eso no quiere decir que no estoy diciendo nada; significa que lo he abierto para que algo sea dicho físicamente.» - Laurie Carlos
Laurie nació y creció en la ciudad de Nueva York, trabajó y vivió en Twin Cities. Falleció el 29 de diciembre de 2016 a la edad de 67 años, luego de una batalla contra el cáncer de colon.
Tributos:
«Creo que esa era exactamente la intención de Laurie. Salvarnos. De la mediocridad. Del ego. De la pereza. De la producción de arte a medias. De estar paralizadxs por el miedo. Laurie quería ayudarnos a Brillar plenamente. En nuestra producción artística. En nuestras Vidas.» - Sharon Bridgforth para Pillsbury House Theatre
«Nadie que conociera a Laurie dejaría de definirla como una persona original. Era su propia persona. Era su propia persona, su propia artista; ponía en escena el mundo tal como lo conocía, con verdadero estilo y comprensión, y vivía su arte.» - Lou Bellamy, fundador de Penumbra Theater Company, para Star Tribune
Leer un tributo completo de Sharon Bridgforth (solo en ingles)
La domination croissante des marchés financiers internationaux et des institutions dans la définition des politiques économiques mondiales a pour effet de confisquer le pouvoir des personnes dans l’intérêt des élites mondiales et des grandes entreprises.
Notre rapport sur les flux financiers illégaux explore leur impacts disproportionnés sur la justice de genre. Il expose les cadres politique et juridique qui permettent aux entreprises de jouir d'abus fiscaux au détriment des personnes et de la planète.
Le rapport conclut avec ces sept recommandations politiques féministes pour demander plus de transparence et de responsabilité des entreprises afin de stopper les flux financiers illégaux.
Les flux financiers illicites attirent une attention sans précédent, par exemple dans le cadre de négociations sur le développement autour du Programme de développement à l’horizon 2030 ou lors de la Conférence sur le financement du développement d’Addis-Abeba en 2015. Ils font également les gros titres dans les médias traditionnels avec la diffusion de documents concernant des opérations financières offshore ayant fait l’objet de fuites, une affaire connue sous le nom des « Panama Papers ».
Pour donner un autre exemple, lors d’un référendum en février 2017, le peuple équatorien a voté pour empêcher les politiciens et les fonctionnaires de posséder des actifs, des entreprises ou des capitaux dans des paradis fiscaux. Le gouvernement équatorien est maintenant une voix de premier plan au sein du G77, aux Nations Unies, en faveur de la création d’un organisme fiscal mondial de l’ONU pour mettre un terme aux paradis fiscaux.
Ce coup de projecteur constitue potentiellement une opportunité pour les féministes, les mouvements sociaux et les défenseur-euse-s de la justice fiscale de faire pression en faveur de la transformation du système financier mondial qui renforce les inégalités au niveau mondial, y compris les inégalités de genre.
Nous proposons ci-dessous sept revendications politiques pour contribuer aux actions de plaidoyer des féministes et des activistes oeuvrant en faveur de la justice sociale, des droits des femmes et de l’égalité de genre :
حالياً سيتواجد الاستطلاع على منصة KOBO باللغات العربية، الإنجليزية، الفرنسية، البرتغالية، الروسية والاسبانية. ستكون لديكم/ن الفرصة لاختيار اللغة التي تريدون تعبئة الاستطلاع بها في بداية الاستطلاع.
Fadila M. était une activiste “tribale” Soulaliyate d’Azrou, dans la province marocaine d’Ifrane. Elle s'est battue contre une forme spécifique de discrimination à l'égard des femmes “tribales” liée à la propriété foncière.
Dans le cadre du Mouvement en faveur des droits fonciers des femmes Soulaliyates, elle a travaillé pour la révision de la législation-cadre relative à la gestion des biens communautaires, avec l'adoption en 2019 de trois projets de lois garantissant l'égalité des femmes et des hommes.
Selon le droit coutumier en vigueur, les femmes n'avaient pas le droit de bénéficier de la terre, surtout celles qui étaient célibataires, veuves ou divorcées. Au Maroc, les droits à la terre collective se transmettaient traditionnellement entre les membres masculins de plus de 16 ans issus d’une même famille. Depuis 2007, Fadila M. faisait partie du mouvement des femmes, à savoir la première mobilisation populaire nationale de revendication de leurs droits fonciers. Parmi leurs victoires, citons le fait qu'en 2012, les femmes Soulaliyates ont pu, pour la première fois, s'inscrire sur les listes de bénéficiaires et disposer d'une indemnisation liée à la cession des terres. Le mouvement a également réussi à faire modifier le dahir de 1919 (décret du roi du Maroc) de façon à garantir aux femmes le droit à l'égalité.
Fadila M. s’est éteinte le 27 septembre 2018. Les circonstances de sa mort, survenue alors qu’elle participait à une marche de protestation sur la question des terres collectives, ne sont pas claires. Si les autorités déclarent que sa mort est accidentelle et qu'elle a fait un arrêt cardiaque sur le chemin de l'hôpital, la section locale de l'Association marocaine des droits de l'homme (AMDH), affirme quant à elle que Fadila a été étouffée par un membre des forces policières arborant un drapeau marocain. Sa famille a demandé qu’une enquête soit menée mais les résultats de l'autopsie n'ont pas été communiqués.
Apprenez-en davantage sur le Mouvement en faveur des droits fonciers des femmes Soulaliyates
Veuillez noter: Nous n'avons pu trouver aucune photo de Fadima M. C'est pourquoi cette illustration (au lieu d'un portrait) représente ce pour quoi elle s'est battue et a travaillé : la terre et le droit d'y vivre et d'avoir accès à cette terre et ce qui y pousse.
Anti-rights mobilization at the United Nations constitutes a response to the significant feminist and progressive organizing. It involves a constant threat for women's rights, especially when it comes to sexual and reproductive rights and an open door to racism, xenophobia and all kinds of discrimination.
Get to know all their tactics and discourses worldwide.
We’re looking at an attack on the human rights system, and all of these fundamentalisms are coming together to try to weaken the fabric of multilateralism, and that’s happening in large part at the expense of marginalized groups of people. It’s happening at the expense of women, and it’s happening through tactics that are often about gender and sexuality.
Cynthia Rothschild
Independent human rights expert, OURs member
We’ve experienced a lot of pushback from different states, from different civil society actors, from private corporations and large donors who are funding the activities of these anti-rights actors.
Meghan Doherty
Director of Global Policy and Advocacy with Action Canada
Read more on what we do at the Human Rights Council
Zhan Chiam
ILGA's Gender Identity and Gender Expression Senior Programme Officer
Paola Salwan Daher
Global Advocacy Adviser at the Center for Reproductive Rights
Да, мы хотим получить ваш ответ, независимо от того, сколько раз (один, два или три) вы получали финансирование в период между 2021 и 2023 годами.
By joining AWID, you are becoming part of worldwide feminist organizing, a collective power that is rooted in working across movements and is based on solidarity.
“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)
One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa.
Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.
Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”.
On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health.
Watch Dorothy Masuka in an interview with Mail & Guardian
Listen to some of her music:
Six thematic anchors hold the Feminist Realities framework of the Forum. Each anchor centers feminist realities, experiences and visions, on the continuum between resistance and proposition, struggle and alternative. We seek to explore together what our feminist realities are made of and what enables them to flourish in different spheres of our life.
These realities may be fully articulated ways of living, dreams and ideas in the making, or precious experiences and moments.
The anchors are not isolated themes, but rather interconnected containers for activities at the Forum. We envision many activities to be at the intersection of these themes, at the intersection of different struggles, communities and movements. The descriptions are preliminary, and continue to evolve as the Feminist Realities journey continues.
This anchor centers questions of how we -- as individuals, communities, and movements -- meet our basic needs and secure the resources that we need to thrive, in ways that center care for people and nature. By “resources” we mean food, water, clean air, as well as money, labor, information, knowledge, time, and more.
Drawing on feminist resistance to the dominant economic system of exploitation and extractivism, the anchor highlights the powerful and inspiring feminist proposals, experiences and practices of organizing our economic and social life. Food and seed sovereignty, feminist visions of work and labor, just and sustainable systems of trade, are just some of the questions to explore. We will bravely face the contradictions that emerge from the need to survive in oppressive economic systems.
This anchor positions funding and resourcing for organizations and movements in a broad feminist analysis of economic justice and wealth creation. It explores how to move resources where they are needed, from tax justice and basic income to different models of philanthropy and creative & autonomous resourcing for movements.
We seek to build new visions and amplify existing realities and experiences of feminist governance, justice and accountability. In the face of the global crisis and rising fascisms and fundamentalisms, this anchor centers feminist, radical and emancipatory models, practices and ideas of organizing society and political life, - locally and globally.
The anchor will explore what feminist governance looks like, from feminist experiences of municipalism to building institutions outside of nation-states, to our visions of multilateralism. We will exchange experiences of justice and accountability processes in our communities, organizations and movements, including models of restorative, community-based and transformative justice that reject state violence and the prison-industrial complex.
Centering experiences of travel, migration and refuge as well as feminist organizing, we seek a world without deadly border regimes; a world of free movement and exciting journeys.
The role of technology in our lives is ever increasing and the line between online and offline realities blurred. Feminists make widespread use of technologies and online space to build community, learn from each other, and mobilise action. With online spaces, we can expand the boundaries of our physical world. On the flip side, digital communications are largely owned by corporations with minimal accountability to users: data mining, surveillance and security breaches have become the norm, as well as online violence and harassment.
This anchor explores the feminist opportunities and challenges within digital realities. We’ll look at alternatives to privately owned platforms that dominate the digital landscape, well-being strategies for navigating online spaces, and uses of technology to overcome accessibility challenges. We’ll explore the potentials of technology in relation to pleasure, trust and relationships.
We hold feminist realities also within ourselves -- the embodied experience. Control of our labour, mobility, reproduction, and sexuality continues to be central to patriarchal, cis-heteronormative and capitalist structures. Defying this oppression, people of diverse genders, sexualities and abilities create encounters, spaces and sub-cultures of joy, care, pleasure and deep appreciation for ourselves and each other.
This anchor will explore multiple ideas, narratives, imaginations, and cultural expressions of consent, agency and desire as held by women, trans, non-binary, gender non-conforming and intersex people in different societies and cultures.
We will exchange strategies for winning reproductive rights and justice, and articulate social practices that enable and respect bodily autonomy, integrity and freedom. The anchor links different struggles and movements to inform each other’s perceptions and experiences of wellbeing and pleasure.
Imagine a feminist planet. What is the sound of the water, the smell of the air, the touch of the earth? What is the relationship between the planet and its living beings, humans included? Feminist realities are realities of environmental and climate justice. Feminist, indigenous, decolonial and ecological struggles are often rooted in transformative visions and relations among people and nature.
This anchor centers the wellbeing of our planet, and reflects on the ways in which humans have interacted with and reshaped our planet. We seek to explore aspects of traditional knowledge and biodiversity as part of sustaining a feminist planet, and learn about feminist practices around degrowth, commoning, models of parallel economies, agro-ecology, food and energy sovereignty initiatives.
While we see all the anchors as related, this one is truly cross-cutting so we invite you to add an organizing dimension to whatever anchor(s) your proposed activity links to.
How is feminist organizing happening in the world today? This question turns our attention to actors, power dynamics, resources, leadership, to the economies we are embedded within, to our understanding of justice and accountability, to the digital age, to our experiences of autonomy, wellbeing and collective care. Across all anchors, we hope to create a space for honest reflection on power and resources distribution and negotiation within our own movements.
The Forum is more than a four-day convening. It is one more stop on a movement strengthening journey around Feminist Realities that has already begun and will continue well beyond the Forum dates.