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Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Young Feminist Activism

Organizing creatively, facing an increasing threat

Young feminist activists play a critical role in women’s rights organizations and movements worldwide by bringing up new issues that feminists face today. Their strength, creativity and adaptability are vital to the sustainability of feminist organizing.

At the same time, they face specific impediments to their activism such as limited access to funding and support, lack of capacity-building opportunities, and a significant increase of attacks on young women human rights defenders. This creates a lack of visibility that makes more difficult their inclusion and effective participation within women’s rights movements.

A multigenerational approach

AWID’s young feminist activism program was created to make sure the voices of young women are heard and reflected in feminist discourse. We want to ensure that young feminists have better access to funding, capacity-building opportunities and international processes. In addition to supporting young feminists directly, we are also working with women’s rights activists of all ages on practical models and strategies for effective multigenerational organizing.

Our Actions

We want young feminist activists to play a role in decision-making affecting their rights by:

  • Fostering community and sharing information through the Young Feminist Wire. Recognizing the importance of online media for the work of young feminists, our team launched the Young Feminist Wire in May 2010 to share information, build capacity through online webinars and e-discussions, and encourage community building.

  • Researching and building knowledge on young feminist activism, to increase the visibility and impact of young feminist activism within and across women’s rights movements and other key actors such as donors.

  • Promoting more effective multigenerational organizing, exploring better ways to work together.

  • Supporting young feminists to engage in global development processes such as those within the United Nations

  • Collaboration across all of AWID’s priority areas, including the Forum, to ensure young feminists’ key contributions, perspectives, needs and activism are reflected in debates, policies and programs affecting them.

Related Content

Kunyit Asam: The Roots of Love and Resilience

By Prinka Saraswati, Gianyar, Bali

The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation.

In traditional Javanese culture, this is the moment for women to rest and take care of themselves. During this moment, a woman would take Kunyit Asam, a jamu or herbal drink to soothe the inflammation. This elixir consists of turmeric and tamarind boiled together in a pot.

I still remember my first period - it was one day before graduation day in elementary school. I remember pedaling my bike feeling something warm running between my thighs. When I arrived home I did all I could to clean myself and then put on a menstrual pad. My mother came home from work about four hours later. I told her what had happened. She looked me in the eye and asked how I felt. I told her that it was painful, that my body was swollen in every place. Then she asked me to go with her to the backyard. I followed her to our little jungle, my mother sat down on the soil and smiled.

“See this slender leaf? This is the leaf of Kunyit, *empon-empon that leaves the yellow stain on your fingers. What’s most important is not the leaf, but the roots. You dig the soil and slowly grab the roots.”, my mother showed me how to pick Kunyit or Turmeric roots. Then we went to the kitchen where she boiled water along with some tamarind. While waiting for it to boil, she showed me how to wash and grate the orangey-yellow root. Then, we put the grated turmeric into the boiling tamarind water. “Tomorrow, you can make it for yourself. This will help you to feel better!”.

I remember the first time I tasted it - a slightly bitter taste but also sour. My mother always served it warm. She would also put some in a big bottle which I would place on my stomach or lower back for further relief. For days after, my mother’s hands and mine were yellow. My friends could always tell every time I got period because my hands would be yellow.

A year after my first period, I found out that you could get the bottled version in convenience stores. Still, I made my own Kunyit Asam every time I had my period because the one in the convenience stores was cold. It did not smell of wet soil and warm kitchen.

Fast forward, I am a 26 year old woman who casually makes this drink for friends when they have their periods. I’ve made some for my housemates and I’ve delivered some for friends who live in different towns. I do not grow turmeric roots in my garden, but I have grown and shared the love from my mom. What was once from garden to cup is now from *pasar to cup.

A couple of days ago, I asked my mother who taught her how to make the jamu.

“Who else? Yang Ti*! Your grandmother was not just a teacher”, said my mom. I was never close to my grandmother. She passed away when I was eight. All I knew from my mom was that she was a math teacher who had to teach courses after work. I had this image of my grandmother as a hard worker who was kind of distant with her children. My mom did not disagree with that but explained it came from her survival instinct as a mother. “She tried to make time. She tried. She taught me how to make jamu so I could take care of myself and my sisters”.

My mother is the second child out of seven, six of whom are girls. The reason my grandmother taught her is so that all of her children could take care of each other. While my mother was taught how to make the drink, my mother’s older sister was taught how to plant turmeric. Yang Ti knew which one loved the smell of soil more and which one loved the smell of the kitchen. My mother was the latter. She learned how to plant from my aunt, her older sister.

My grandfather worked in a bank but he got laid off when he was in his 40s. So, my grandmother had to do a side-hustle to support their children. My mother was in high school at that time when Yang Ti woke her and her older sister up at dawn. “Would you help me to pick some roots?”. Of course nobody said no. Especially if it was your mother, especially if you were born in Javanese culture where saying “no” sounded like a bad word. Together, the three of them went to the backyard, and they harvested empon - empon, rhizome, that was buried inside the soil. She grew many kinds of rhizome; temu lawak, temu putih, ginger, galangal, kunci, kencur, and kunyit. That was the day where my mother realized that her mother was never far away from her.

That was the day where she could spend more time with her mother. There, in the garden. There, in the kitchen.

“We’re sending these for Ibu Darti, the lady who lives across the river. Kunyit Asam for her and her daughters.”, said my grandmother to my mother and my aunt that day. They poured the Turmeric-Tamarind warm drink into a tall thermos and later my grandmother would deliver it on the way to school.

Over time, my grandmother got more orders for jamu. Everybody in the family helped her to make and deliver her jamu. The small business lasted only a few years, but that was what paid for my mother and her siblings’ education.

Today, my mother, who got laid off just a few days before I wrote this piece, harvested Turmeric and other roots. She’s making her Turmeric Tamarind drink from her kitchen.

My phone rang in the middle of this afternoon, a couple minutes after I boiled the rest of my grated turmeric. Today is one day after my period.

“Ingka, have you washed your pot after boiling those turmeric? It would forever be yellow if you don’t wash it right away!”


  • *empon-empon = roots like ginger, turmeric, etc. coming from the Javanese word “Empu” which means, something or someone that has deep knowledge.

  • *jamu = Indonesia’s traditional elixir made of roots, barks, flowers, seeds, leaves, and fruits.

  • *Yang Ti = Javanese term for grandmother, taken from the term “Eyang Putri” the female you look up to.

  • *pasar = the word for traditional market in Indonesian.

 


“Feminist Movement”

by Karina Tungari, Hamburg, Germany  (@_katung_)

The more women support other women, the quicker we’ll see progress. Together we are stronger and make even more impact.

Karina Tungari, Hamburg, Germany  (@_katung_)


 

Snippet FEA Criminalization of sex workers (FR)

La plupart des États membres de l'Union européenne ont des lois et des pratiques qui pénalisent ou contrôlent de facon inacceptable le travail des travailleur·euses du sexe. La criminalisation des travailleur·euses du sexe et/ou de leurs client·e·s ne fait que contribuer à accroître la vulnérabilité des travailleur·euses du sexe, qui sont déjà confronté·es quotidiennement à la stigmatisation, à la discrimination et à l'exclusion de l'État et de la société, en particulier les femmes, les personnes trans, les migrant·e·s et/ou les travailleur·euses racialisés. En Espagne par exemple, le gouvernement essaie actuellement de faire passer une Loi pour l'Abolition de la Prostitution, ce qui entraînera plus de marginalisation et de violence. Venez entendre les histoires de travailleuses du sexe et d'organisatrices syndicales qui luttent pour décriminaliser le travail du sexe et promouvoir les droits et conditions de travail décentes pour les travailleur·euses du sexe.

Our values - Human Rights

Droits humains

nous croyons en une application complète du principe des droits, y compris ceux établis dans les lois internationales, et affirmons la conviction que tous les droits humains sont indissociables, interdépendants et indivisibles. Nous nous engageons à œuvrer pour l'éradication de toutes les discriminations fondées sur le genre, la sexualité, la religion, l'âge, les capacités, l'ethnicité, la race, la nationalité, la classe sociale ou d'autres facteurs.

Ana M. Tallada Iglesia

Ana était un ardente défenseure des droits des femmes et travaillait avec un large éventail de femmes au sein d’organisations de terrain ainsi que dans le secteur privé.

Elle croyait en la construction de ponts entre les secteurs. Ana était membre du Réseau national de promotion de la femme (RNPM) et participait activement à l'élaboration de nombreux programmes sociaux traitant de questions telles que la santé et les droits sexuels et reproductifs.


 

Ana M. Tallada Iglesia, Peru

Qu’est-ce que l’AWID ?

L’Association pour les droits de la femme dans le développement (AWID) est une organisation associative internationale féministe.

Nous œuvrons à renforcer les répercussions et l’influence des organisations, mouvements et défenseur-euse-s des droits des femmes sur la scène internationale et à amplifier leur voix collective, en vue de la pleine réalisation de la justice de genre et des droits humains des femmes.

En savoir plus sur l’AWID

هل استطيع الوصول للاستطلاع وتعبئته من هاتفي؟

نعم، يمكن تعبئة الاستطلاع من خلال الهاتف الذكي.

Pleasure Garden Exhibition

The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.

Mental Health
Mental Health
Sex and Spirtuality
Sex and Spirtuality
Orgasm
Orgasm

About the Artists:

Siphumeze Khundayi portrait
Siphumeze Khundayi is an art-maker, photographer and facilitator interested in creative ways of bringing together dialogue and artistic practice in relation to African Queer identity.

She is creative director of HOLAAfrica! a pan-Africanist womanist online collective.

Her solo and collaborative performance work has been featured in a number of festivals and theatre spaces such as Ricca Ricca Festival in Japan

She directed two Naledi nominated productions in 2017 and 2018. She directed a show that won a Standard Bank Ovation award in 2020.

As a photographer she was part of a group exhibition titled Flowers of my Soul in Italy organised by the Misfit Project. Produced three publications for HOLAAfrica and was published in and provided the cover for volume two: As You Like of the Gerald Kraak Anthologies.
katia portrait
Katia Herrera is a 21-year-old  Digital visual artist from the noisy city of  Santo Domingo in the Dominican Republic. Despite Herrera being a self-proclaimed introvert, her artwork is remarkably loud in a world trying to quiet black voices. With titles like Black Woman, You Own the Moon, Earth Goddess, Forever,  and Universe Protector, Herrera’s legacy will be marked by her passion for highlighting the endurance and perseverance of black folks of old and present to contrast the narrative that black skin should only be associated with slavery.

One of her most lovely and vivaciously titled works, Universe Protector, portrays the black soul as a divine entity full of strength, power, and greatness. In her youth, her love of graphic design was stimulated by her parents’ artistry and the Photoshop they had downloaded on their computer for their professional photography.

Snippet FEA Union Otras Photo 4 (EN)

Photo of a group of people at night demonstrating.

Membership why page - Angelina Mootoo quote

"Joining AWID, I hope I can help in the mobilization of the feminist movement. Not just for the privileged women, but for ALL women and feminist activists."

- Angelina Mootoo, Intersectional and Caribbean Feminist, Guyana/USA

In memory of all women journalists who were killed in 2018

Just like women have learned to avoid dark streets for their safety, women journalists are forced to avoid reporting certain stories as a result of online harassment.

The physical, sexual and online abuse that has become a part of their daily work lives should never be normalized.

Harassment is not part of the job description and should be called out and challenged at every turn to ensure these important voices are not silenced.

This tribute to journalists was made on behalf of IFEX
In memory of all women journalists who were killed in 2018

What issues does AWID work on?

AWID works towards the realization of gender justice and women’s human rights worldwide. We work to strengthen the voices and impact of women’s rights advocates, organizations and movements. Our main Priority Areas relate to themes that are closely linked to dominant global trends.

These themes reflect growing challenges that negatively impact women’s rights worldwide.

  • Economic Justice
  • Resourcing Women’s Rights
  • Challenging Religious Fundamentalisms
  • Women Human Rights Defenders
  • Young Feminist Activism

Find out more about AWID's Priority Areas

Нужно ли мне как-то подготовиться, чтобы пройти опрос?

Поскольку опрос посвящен исследованию реалий обеспечения феминистских организаций ресурсами, большинство вопросов касаются финансирования вашей организации в период с 2021 по 2023 год. Вам необходимо будет иметь при себе данную информацию для заполнения анкеты (например, годовые бюджеты и информацию об основных источниках финансирования).

Colectivo Morivivi

El Colectivo Moriviví es una colectiva de solo mujeres. Nuestra producción artística consiste en muralismo, muralismo comunitario y acciones/performances de protesta. Nuestro trabajo tiene como objetivo democratizar el arte y llevar a la esfera pública las narrativas de las comunidades de Puerto Rico, para generar espacios en donde sean validadas. Creemos que, a través del artivismo, podemos promover conciencia sobre temas sociales y fortalecer nuestra memoria colectiva.

“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, proyecto de mural, Jiangxi, China
“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, proyecto de mural, Jiangxi, China
“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce,
“Paz para la Mujer” 2015, colaboración con la organización Coordinadora Paz para la Mujer, Santurce, Puerto Rico

 

“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce, Puerto Rico
“Paz para la Mujer” 2015, colaboración con la organización Coordinadora Paz para la Mujer, Santurce, Puerto Rico
Collectivo Moriri Artwork

En el marco de su participación en el Grupo de Trabajo Artístico de AWID, el Colectivo Moriviví convocó a un grupo diverso de afiliadxs, asociadxs y personal de AWID y facilitó un proceso colaborativo de imaginación, configuración y decisión sobre el contenido para la creación de un mural comunitario, a través de un proceso de creación conjunta en múltiples etapas. El proyecto comenzó con una conceptualización remota con feministas de diferentes zonas del planeta reunidxs por AWID, y luego evolucionó hacia su recontextualización y realización en Puerto Rico. Nos honra haber contado con la contribución de las artistas locales Las Nietas de Nonó (@lasnietasdenono), la participación de mujeres locales en la Sesión de Pintura Comunitaria, el apoyo logístico de la Municipalidad de Caguas, y el apoyo adicional al colectivo, brindado por FRIDA Young Feminist Fund.
 
El mural explora la trascendencia de las fronteras, al presentar cuerpos como un mapa en un abrazo que realza la intersección de las distintas manifestaciones, prácticas y realidades feministas.
 
Agradecemos también a Kelvin Rodríguez, quien documentó y captó las diferentes etapas de este proyecto en Puerto Rico:

Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork

Sobre el Colectivo Moriviví

Colectivo Morivivi portrait

Moriviví es un colectivo de jóvenes artistas mujeres que trabajan en arte público desde abril de 2013. Con sede en Puerto Rico, hemos obtenido reconocimiento por la creación de murales y de arte comunitario.
 
El grupo se inició en festivales locales de arte urbano. A medida que nuestro trabajo se fue haciendo más conocido, algunas organizaciones y líderes comunitarias comenzaron a contactarnos. Al principio éramos solo ocho estudiantes de secundaria que querían pintar juntas un mural. Y en estos ocho años de duro trabajo hemos enfrentado muchos desafíos. Ahora estamos en un período de transición. Queremos reestructurar internamente el colectivo durante el próximo año. Nuestro objetivo es abrir nuevas oportunidades de colaboración y respaldar nuestro proceso de toma de decisiones con un nuevo sistema de evaluación. Aspiramos, en el largo plazo, a convertirnos en una escuela alternativa para la práctica artística, destinada a  aquellas personas interesadas en sumergirse en la producción de arte comunitario.

Snippet FEA Principles of Work (ES)

Principios

DE TRABAJO

Questions (Forum page)

¿Preguntas?

¿Tienes preguntas sobre el Foro de AWID o sobre las actividades relacionadas? ¡Tenemos respuestas!

Encuentra las respuestas

Paula Andrea Rosero Ordóñez

“[She] was a person who was characterized by her hard work in favor of the defense of human rights and the construction of peace in Nariño, especially in the municipality of Samaniego-Nariño.”
- Jorge Luis Congacha Yunda for Página10

Paula Andrea Rosero Ordóñez was a trial lawyer in the office of the Public Ministry in Samaniego, Nariño, the main agency defending citizens’ rights in Colombia.

She focused on civil and political rights, issues of impunity and justice, and contributed to uncovering the abuse of power, including corruption. She also participated in peacebuilding projects in her hometown Samaniego, such as the Municipal Peace Council and the Municipal Women’s Board. 

Paula received death threats after exposing the irregular handling of resources and complaining about acts of corruption at the Lorencita Villegas Hospital in the Nariñense municipality. She was murdered on 20 May 2019, when two men approached and shot her at close range. 

¿Publican un informe anual?

Sí. AWID publica informes anuales.

Todos nuestros informes anuales estan disponibles en línea.

Ver todos los informes anuales de AWID