Young Feminist Activism
Organizing creatively, facing an increasing threat
Young feminist activists play a critical role in women’s rights organizations and movements worldwide by bringing up new issues that feminists face today. Their strength, creativity and adaptability are vital to the sustainability of feminist organizing.
At the same time, they face specific impediments to their activism such as limited access to funding and support, lack of capacity-building opportunities, and a significant increase of attacks on young women human rights defenders. This creates a lack of visibility that makes more difficult their inclusion and effective participation within women’s rights movements.
A multigenerational approach
AWID’s young feminist activism program was created to make sure the voices of young women are heard and reflected in feminist discourse. We want to ensure that young feminists have better access to funding, capacity-building opportunities and international processes. In addition to supporting young feminists directly, we are also working with women’s rights activists of all ages on practical models and strategies for effective multigenerational organizing.
Our Actions
We want young feminist activists to play a role in decision-making affecting their rights by:
-
Fostering community and sharing information through the Young Feminist Wire. Recognizing the importance of online media for the work of young feminists, our team launched the Young Feminist Wire in May 2010 to share information, build capacity through online webinars and e-discussions, and encourage community building.
-
Researching and building knowledge on young feminist activism, to increase the visibility and impact of young feminist activism within and across women’s rights movements and other key actors such as donors.
-
Promoting more effective multigenerational organizing, exploring better ways to work together.
-
Supporting young feminists to engage in global development processes such as those within the United Nations
-
Collaboration across all of AWID’s priority areas, including the Forum, to ensure young feminists’ key contributions, perspectives, needs and activism are reflected in debates, policies and programs affecting them.
Related Content
My question isn’t answered here
For additional questions, please use our contact form. We will keep updating this document based on the queries we receive from you!
Snippet Kohl - Panel | El placer más allá de las fronteras
con Lindiwe Rasekoala, Lizzie Kiama, Jovana Drodevic y Malaka Grant
AWID IN 2015: Building Collective Impact
In 2015 AWID grew and diversified.
We ramped up preparations for the 13th AWID international Forum, focused a lot of energy on the Post 2015 Development Agenda and Financing for Development processes, and continued the core work of our priority areas:
- Challenging Religious Fundamentalisms
- Women Human Rights Defenders
- Economic Justice
- Resourcing Women’s Rights
- Young Feminist Activism
A sneak peak inside the report
The context
- We continue witnessing the rapid breakdown in democracy and democratic institutions, with spaces for dissent shrinking.
- Multiple and concurrent systemic crises (energy, food, finance and climate) continue to deepen inequalities and pose major challenges.
- Corporations are a leading power in determining the development agenda.
- Violence against WHRDs remains an urgent problem.
- Religious fundamentalisms are pervasive and increasingly powerful.
- New forms of online gender-based violence have emerged.
In response, we are moving out of our silos.
Increasingly, women’s rights and other movements worldwide are articulating the systemic and intersectional nature of these and other problems. We are making better connections with the agendas of other social and environmental movements for solidarity, alliance building and collective responses. We are also seeing greater visibility of these movements fighting for justice on the ground.
Our Impact
- For effective strategizing and advocacy, we need facts
- To exchange knowledge and join hands in solidarity, we need a strong online community
- To build our collective power, we need to work together
- To influence international processes, we need to increase our access and voice
- To reposition power we need to give visibility and emphasize the important role that feminist and women’s rights movements are already playing
Our Members
As at 31st December, 2015 we had:
Read the full report
Lesbia Yaneth Urquía Urquía
Snippet - COP30 - The People's Summit
The People's Summit
The climate summit by movements, for movements.
📅 November 12 - November 16, 2025
📍 Universidade Federal do Pará, Belém
Hevrin Khalaf
Hevrin Khalaf était une grande dirigeante politique kurde de Syrie dans la région autonome du Rojava, où les femmes kurdes risquent leur vie pour résister aux offensives turques et pour bâtir un système féministe.
Elle a travaillé en tant que secrétaire-générale du Parti du Futur de la Syrie, un groupe qui souhaitait construire des ponts, réconcilier les différents groupes ethniques et mettre sur pied une « Syrie démocratique, pluraliste et décentralisée ».
Véritable symbole de cet effort de réconciliation, elle a également oeuvré à la promotion de l’égalité entre les femmes et les hommes et fut représentante auprès des journalistes en visite, des humanitaires et des diplomates.
Hevrin a de plus été diplômée en tant qu’ingénieure civile, à la ville de Derik, ainsi que l’une des fondatrices de la Fondation pour la Science et la Libre pensée en 2012.
Elle a été torturée et assassinée le 12 octobre 2019 par la milice Ahrar al-Sharqiya, soutenue par la Turquie, lors d’une opération militaire contre les Forces démocratiques syriennes dans le Rojava.
« L’assassinat de Khalaf est un tournant majeur dans l’histoire moderne de la Syrie, celui-ci ayant une fois de plus confirmé la validité du vieux proverbe kurde qui dit : « Il n’y a de véritable ami·e que la montagne ». Je serai toujours ami avec Khalaf et sa vision d’un monde meilleur. » – Ahed Al Hendi
Descarga ahora: El Calendario Feminista de AWID 2024
El calendario nos invita a sumergirnos en el inspirador mundo del arte feminista. Conforme se despliega, cada mes brinda una vívida pieza de artistas feministas y queer de nuestras comunidades. Sus creaciones no son meras imágenes: son, en cambio, narraciones profundas que resuenan con las experiencias de lucha, de conquistas y de valentía imperecederas que definen nuestra búsqueda colectiva. Las historias visuales desbordantes de color y emoción sirven para acortar distancias y tejer juntxs nuestras experiencias diversas para acercarnos en nuestras misiones compartidas.
Con este calendario te hacemos un pedido: Úsalo, imprímelo, compártelo. Que sea una compañía diaria en tu viaje, un recordatorio constante de nuestra interconexión y nuestras visiones compartidas de un mundo mejor.
Deja que te inspire, como nos inspira a todxs nosotrxs, para continuar avanzando juntxs.
Úsalo, imprímelo, compártelo.
¡Consíguelo en tu idioma preferido! |
| English |
| Français |
| Español |
| Português |
| عربي |
| Русский |
| Thai |
Featured
El Calendario Feminista 2023
CFA 2023 - Hybrid like never before: in person - FR
Hybride comme jamais auparavant
Pour la première fois, le Forum de l'AWID propose trois modes de participation :
En personne
Les participant.e.s se réuniront à Bangkok, en Thaïlande. Nous sommes impatient.e.s de vous y retrouver!
Crear | Résister | Transform: A Walkthrough of the Festival! - smaller snippet
Crear | Résister | Transform :
visite guidée du Festival
Alors que le capitalisme hétéropatriarcal s’acharne à nous contraindre au consumérisme et à la conformité, nous constatons que nos luttes sont cloisonnées et séparées par des frontières aussi bien physiques que virtuelles.
Annual Report 2010
Our 2010 Annual Report highlights the major accomplishments of each of our strategic initiatives during the year.
Along with activity highlights, we include a brief analysis of the impact of our initiatives as well as reflections from our members and partners that further illustrate the relevance of AWID’s work and its connection to broader women’s rights movements.
This interactive document is complete with links to our websites and recent publications with in-depth information on the issues we address in the report.
Phyllis Ntantala-Jordan
Snippet - COP30 - Resistance Hubs Section Title - ES
Nodos de resistencia por la justicia climática
Laurie Carlos
Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others.
“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth
She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.
In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto.
“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos
Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.
Tributes:
“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre
“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune
Renforcement des mouvements
Related Content
CFA 2023 - Call for Activities is live- FR
L’appel à activités est ouvert!
La date limite pour proposer une activité est prolongée jusqu'au 1er février 2024
Dans l'esprit du thème du Forum, nous vous invitons à proposer une diversité de sujets et de formats d'ateliers qui :
- Facilitent une connexion et une interaction authentiques entre les participant.e.s.
- Favorisent la guérison et la régénération sous diverses formes, en tant qu'individus, communautés et mouvements.
- Nous inspirent et nous mettent au défi de prospérer ensemble en tant que communautés et mouvements.
#1 - Sexting like a feminist Tweets Snippet FR
Et mon numéro 1. Parce que tu sais que c’est du bon quand on invoque les puissances supérieures.
« Je veux jouir tellement fort que ça réveillera mes ancêtres, qui se joindront à la lutte. »
Lucy O.
Biography
With over ten years of finance experience, Lucy has devoted her career to for profit and furthering nonprofit missions. She also worked and volunteered at non-for-profit organizations. From the fast-paced world of Finance, Lucy has passion for staying tuned with tech skills in the finance field. Lucy joined AWID in 2014. During her spare time she enjoys music, traveling, and variety sports.
Position
Accounting Coordinator
Add to stories
Off
Dorothy Stang
Snippet - COP30 - Political Education Toolbox - ES
📚 Caja de herramientas de educación política
Denunciar la captura corporativa. Comprender las soluciones falsas. Elaborar alternativas. Todo lo que necesitas para ejecutar la campaña “¿De quién es esta COP?”
Fadila M.
Fadila M. fue una activista tribal soulaliyate de Azrú, en la región Ifrane de Marruecos. Luchó contra una forma específica de discriminación territorial dirigida a las mujeres tribales.
Como parte del Movimiento de Mujeres Soulaliyate por el Derecho a la Tierra, trabajó para reformar el marco legislativo relacionado con la administración de la propiedad comunitaria, a través de la adopción, en 2019, de tres proyectos de ley que garantizan la igualdad de mujeres y varones.
Según las leyes consuetudinarias vigentes, las mujeres no tenían derecho a beneficiarse de la tierra, en especial aquellas que eran solteras, viudas o divorciadas. En Marruecos, los derechos a las tierras colectivas eran transmitidos tradicionalmente entre los varones de la familia mayores de 16 años. Desde 2007, Fadila M. ha sido parte del movimiento de mujeres, la primera movilización nacional de base por los derechos a la tierra. Una de sus conquistas ha sido que, en 2012, las mujeres soulaliyate pudieron registrarse por primera vez en las listas de beneficiarixs, y recibir compensaciones relacionadas con la cesión de tierras. El movimiento también logró la enmienda del dahir (decreto del Rey de Marruecos) de 1919, para garantizar el derecho a la igualdad de las mujeres.
Fadila M. falleció el 27 de septiembre de 2018. Las circunstancias de su muerte no son claras. Participó en una marcha de protesta relacionada con el tema de las tierras colectivas y, si bien las autoridades informaron que su muerte fue accidental y que tuvo un paro cardíaco camino al hospital, la sección local de la Asociación de Derechos Humanos de Marruecos (AMDH) señaló que Fadila fue sofocada por un miembro de la fuerza policial utilizando una bandera marroquí. Su familia solicitó una investigación, pero los resultados de la autopsia no fueron dados a conocer.
Más información sobre el Movimiento de Mujeres Soulaliyate por el Derecho a la Tierra (en inglés)
Nota: Como no ninguna fotografía/imagen de Fadila M. disponible, la obra de arte (en lugar de un retrato) pretende representar por lo que luchó y trabajó: la tierra y los derechos a vivir y tener acceso a esa tierra y lo que crece en ella.