WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
Physical assault and death
Intimidation and harassment, including in online spaces
Judicial harassment and criminalization
Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
documenting the violations targeting WHRDs using a feminist intersectional perspective;
promoting the social recognition and celebration of the work and resilience of WHRDs ; and
building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
María Digna Montero fue una garífuna (afrodescendiente e indígena) defensora de la tierra e integrante de la Organización Fraternal Negra Hondureña (OFRANEH), una organización de base que trabaja para proteger a las comunidades garífunas, sus derechos ancestrales, su cultura, sus recursos y su territorio.
María también enseñaba en la escuela local, e integraba el grupo de trabajo de Educación Bilingüe Intercultural de OFRANEH.
El 12 de octubre (Día de la Resistencia Indígena) de 2019, sujetos desconocidos le dispararon a María varias veces en el patio de su casa.
Fue una de las seis defensoras garífunas asesinadas entre septiembre y octubre de 2019 y, según OFRANEH, no hubo ninguna investigación de estos crímenes por parte de las autoridades. En un comunicado oficial, la organización también subrayó la conexión entre la violencia contra líderes garífunas y el incremento de las industrias extractivas que explotan los recursos naturales en sus comunidades, y definieron esta violencia como «parte de una estrategia de intimidación y de expulsión sistemática por parte del Estado de Honduras.»
«El recrudecimiento de la tensión y de los riesgos crecientes para la seguridad y derechos humanos de las lideresas en las comunidades y territorios ancestrales es producto del despojo, desplazamiento y criminalización hacia las comunidades, y de los mega proyectos extractivos que impulsa el Estado junto con las corporaciones nacionales e internacionales.» - Pronunciamiento de OFRANEH, 13 de octubre de 2019
Yo, Imposible proyección: la guía de participación
Film club - La tendresse est la plus tranchante des résistances
Notre tout premier programme du Club de cinéma féministe est désormais accessible : « La tendresse est la plus tranchante des résistances » fait référence à une série de films sur les réalités féministes d’Asie et du Pacifique, sélectionnés par Jess X Snow.
Nilcéa Freire était une activiste, politicienne et universitaire brésilienne. Ardente défenseuse des droits des femmes et des minorités sous-représentées dans le pays, sa vie et son travail ont été marqués par une longue histoire de luttes et de victoires.
"Nous devons, tout en résistant, continuer à chercher à progresser, et ce que nous pouvons accomplir actuellement, je pense que nous le devons à la fantastique organisation des jeunes femmes blanches, et surtout des femmes noires, dans toutes les capitales d’États et les grandes villes brésiliennes.” - Nilcéa Freire
En 1999, elle est devenue la première femme à occuper le poste de doyenne de l'université d'État de Rio de Janeiro. Elle y a dirigé la mise en œuvre de la première politique d'action positive pour les étudiant·e·s des écoles publiques, demandant au sein d’une école publique que des places soient spécifiquement réservées aux étudiant·e·s noir·e·s à faible revenu. Ce système a été adopté dans des dizaines d'autres universités publiques.
Quelques années plus tard, Nilcéa dirigea le Secrétariat spécial des politiques pour les femmes sous le gouvernement de l'ancien président Luiz Inácio Lula da Silva. C’est à ce titre qu’elle conduisit la première Conférence nationale des femmes. Plus de 12 000 femmes de tout le pays y participèrent et le résultat de ce travail collectif fut incorporé dans le Plan national des politiques pour les femmes.
Son engagement envers les femmes, les Afro-Brésilien·ne·s et les populations autochtones se reflète aussi fortement dans son travail de défense de leurs droits, qu’elle a mené dans le cadre des initiatives du bureau de la Fondation Ford du Brésil, dont elle était la directrice régionale.
L’activiste féministe Manoela Miklos a dit de Nilcéa qu'elle était "une femme sans égal·e".
Nilcéa s’est éteinte à Rio de Janeiro à l'âge de 66 ans, le 29 décembre 2019, des suites d’un cancer.
"Je n’ai pas de mots face à l’annonce de la mort de notre chère Nilcéa Freire. Il m’est trop triste de savoir qu’elle est partie si tôt. Elle s’est toujours rangée du côté de celleux qui ne tolèrent pas les injustices de ce monde. Elle était la ministre des femmes, sans cesse engagée dans la cause féministe. Elle nous manquera beaucoup!” - Jandira Feghali, Federal Deputy
Impression sur papier, sérigraphie 4 couleurs, 8.5x11, 2016
«Tasseography» (Tasséomancie)
La tasséomancie est une méthode de divination qui interprète les motifs dans les feuilles de thé et/ou le marc de café. Il s’agit d’une pratique qui se transmet par les femmes de mon côté arménien et qui m’a été enseignée par ma mère, qui elle-même l’a apprise de sa mère, et ainsi de suite. Lorsque je regardais ma grand-mère lire le marc de café du café arménien préparé pour la famille et les amis, je remarquais que, souvent, elle voyait ce qu'elle avait envie de dire. Ces gravures disent certaines des choses que j’ai envie de voir dans le monde ; j'espère que vous aussi.
Impression relief sur papier, 11 × 14 in, 2021
«Our Promise» (Notre promesse)
Cette gravure célèbre la résilience, le sacrifice et la force des combattant·e·s de la liberté de l’Asie du Sud-Ouest et de l’Afrique du Nord à travers l'histoire et la solidarité qui existe. Elle a été inspirée à l'origine par un article que j'ai lu sur une exposition organisée à Tatvan, un district de Bitlis, qui mettait en lumière la présence arménienne dans la région. Mes ancêtres sont originaires de Bitlis, se situant aujourd'hui sur le territoire de la Turquie actuelle.
Impression relief sur papier, 8.5 × 11 in, 2020
«Looking at the Cup» (Regarder la tasse)
La tasséomancie (la lecture du marc de café) est une pratique culturelle utilisée par les femmes arméniennes depuis des siècles pour se parler entre elles et les unes aux autres, un langage codé permettant d'entamer des conversations, d'établir des relations et de tisser des liens.
À propos d’Ali Chavez Leeds
Ali Cat Leeds (elle/iel) est une artiste et graveuse qui vit sur les territoires non cédés de Cowlitz, Multnomah et des tribus confédérées de Grand Ronde, au confluent de deux rivières, également connu sous le nom de Portland, Oregon. Elle produit ses œuvres sous le nom de Entangled Roots Press. Ses impressions mêlent le littéral et le métaphorique pour éclairer et commenter le monde qui nous entoure. Les impressions en relief, sérigraphiques et typographiques vont du carnage de la déforestation à la beauté des mouvements des peuples. Les impressions d'Ali s'inspirent d'histoires ancestrales et s'orientent vers des avenirs libérateurs ; elles enchevêtrent les leçons des jardins, les symboles dans le marc de café, les fils tissés d'Arménie et d'Euskal Herria, jusqu'à la page imprimée.
Snippet Discover Forum Stories (FR)
Les mouvements féministes ont énormément évolué et se sont adaptés depuis la dernière fois que nous nous sommes rencontrées de cette manière. Pour nous rappeler pourquoi les Forums de l’AWID sont importants, nous avons demandé à des activistes du monde entier de réfléchir et de partager leurs histoires, leurs impressions et leurs souvenirs. Voici ce que nous avons appris.
As part of AWID’s Feminist Realities journey, we invite you to explore our newly launched Feminist Film Club: a collection of short and feature films selected by feminist curators and storytellers from around the world, including Jess X. Snow (Asia/Pacific), Gabrielle Tesfaye (Africa/African Diaspora), and Esra Ozban (South West Asia, North Africa). Alejandra Laprea is curating the Latin & Central American program, which we’ll launch in September during AWID’s Crear, Résister, Transform: A Festival for Feminist Movements. In the meantime, look out for announcements on special films screenings and conversations with filmmakers!
Snippet - Jobs and opportunities intro
If you’re looking to have an impact through your work in feminist, social justice and other non-profit organizations, we hope this page provides a start.
Here you will find open vacancies and call for applications from AWID and the Alliance for Feminist Movements, when available. Follow us on social media to be in the loop.
“If we stay quiet they kill us and if we talk [they kill us] too. So, let’s talk.” - Cristina Bautista, 2019
Cristina Bautista was a member of the Nasa Indigenous people’s community whose home is situated in the region of Northern Cauca, Colombia. She was part of their resistance as a leader, land rights defender, social worker, and governor of the Nasa Tacueyó Indigenous reserve.
A tireless defender of the rights of Nasa people, Cristina spoke strongly and loudly against the violence directed at her community. In a speech before the United Nations, she called for the protection of Indigenous women’s lives and their involvement in different spheres of life. In 2017, Cristina was a UN Human Rights Office Indigenous fellow and she was awarded a grant from the UN Voluntary Fund for Indigenous Peoples in 2019.
“I would like to bring to light the current situation of the Indigenous people in Colombia, the killing of Indigenous leaders, the repression of social protest. Instead of helping, the peace deal has increased war and the exploitation of sacred territories in Colombia… In the current situation, in almost all Indigenous nations as women we have been working to find a better future for our families. I don’t want more women from the countryside to continue living under these circumstances. We need opportunities for Indigenous women to participate in politics, in the economy, in society and in culture. Today gives me true strength, to see all these women here and that I am not alone.” - Cristina Bautista, 2019
On 29 October 2019, Cristina was murdered along with four unarmed Indigenous guards in an attack which was allegedly carried out by armed members of “Dagoberto Ramos”, a FARC dissident group.
According to Global Witness, “the murder of community and social leaders has risen dramatically in Colombia in recent years.”
“The Nasa community has repeatedly raised the alarm with the authorities about threats to their safety. Despite efforts by successive Colombian Governments, indigenous peoples continue to face great risks, especially religious or community leaders like Cristina Bautista.” - UN press briefing, 1 November 2019
A Film Series on Feminist Realities from the SWANA region
by Esra Ozban
In a product-obsessed world, prioritizing process is a fundamental feminist method. Processes matter, and curation is no exception. While figuring out which of the films from the SWANA region would speak the loudest to the Feminist Realities theme, the global pandemic we are still facing shifted our everyday lives tremendously. Even to think, write, or express myself has become an everyday struggle. I kept missing all of my deadlines and sending apology emails to Kamee Abrahamian, whom I was working with as an independent curator for AWID’s Feminist Film Club. Kamee’s invaluable support, understanding, and suggestions reminded me that even in two different parts of the world, as colleagues who never met in person, we can co-create micro versions of the Feminist Realities for which we live and yearn.
Feminist Realities for me have a lot to do with sisterhoods. Sisterhoods that help womxn clearing mines in Artsakh/Nagorno-Karabakh. Sisterhoods baked in Vegan Inclusive Trans Cake by young trans feminists in Ankara that remind cis-ters that they are not welcomed by the Z generation. Sisterhoods that are growing into the mint on Dragica Alafandi’s rooftop in the Dheisheh Refugee Camp in Occupied Palestine in Sowing seeds of resistance. Sisterhoods that embrace intimate, sexual, and revolutionary proximities in Gezi Park in #resistayol. Sisterhoods that unearth an imagined encounter between two generations of womxn in exile in the streets of Haifa in Your father was born 100 years old and so was the Nakba. Cross-species sisterhoods that build in a fictional (brave) space created by Mounia Akl in Submarine for her rebel character Hala, who refuses to evacuate from a city full of garbage and is left behind with a dog friend.
This selection gathers bits and pieces of many Feminist Realities that have been realized in the SWANA region over the last couple of years. We will continue to imagine, learn, and share feminist embodiments of hope and power. In the meantime, let’s immerse ourselves in the powerful alternatives brought to life by the filmmakers and protagonists of these films. We may co-create every step, every act, and every attempt as we continue to cohabitate this world with others who are living Feminist Realities and continue to dream more of them into existence.
MOTHERLAND
By Emily Mkrtichian& Jesse Soursourian
“With beautiful visuals paired with compelling verité scenes, Motherland is a show of female camaraderie and strength… The film is a testament of women around the world who are willing to work harder to overcome any obstacle they meet.”
- Nosarieme Garrick, award winning filmmaker
“Motherland is an inspiring visualization of solidarity, courage, and grit…”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Emily Mkrtichian on Feminist Realities and Artsakh/NKR: We shot the short film, Motherland, in the Republic of Artsakh in 2018. I was drawn to each of these women for their strength, their resilience and their humor -- despite the context in which they lived. In 2018, that context was the aftermath of a brutal war in the 1990’s, after which their country remained an unrecognized (or, in the international community, disputed) territory that was not given the autonomy and independence so many other countries enjoy. Artsakh was also deeply affected by the consequences we see in almost all places that go through violent conflict -- consequences that so often fall on women to bear: PTSD, high rates of alcoholism, high rates of domestic abuse, less equality and freedoms granted to women, little to no representation of women in politics and civil service. In the face of all these challenges, this film tries to capture the fire and power of the women of Artsakh, one that might not fit the traditional Western feminist paradigm, but one they have created for themselves through deep community ties, care for their families, hard work, and the ability to laugh with eachother through it all. Today, the Republic of Artsakh has been newly devastated by another war that left it without 70% of the lands these women grew up understanding were theirs. Yet, I can promise you that these women, and thousands of others, continue to pull their families, communities, and culture together through the same networks of care, commitment to hard work, and deep riotous laughter in the face of an uncertain future.
SOWING SEEDS OF RESISTANCE
By Baladi-Rooted Resistance
“A timely film to watch after having born witness to the latest bombardment of Gaza by Israeli Defence Forces. A glimpse into the way that women in Palestinian communities survive structural oppression, through the story of a library of traditional seeds.. and the women that sustain them as a form of nourishing rebellion.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
“Watching women coming together and working collectively for food autonomy is both therapeutic and empowering for me.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Baladi-Rooted Resistance Team on Feminist Realities: How to talk about Feminist Realities when you live in Deheisheh, a Palestinian refugee camp, built 70 years ago to serve 3000 refugees, but now home to 15000 people, in the occupied West Bank? Or when the land you farm is under constant threat by illegal settlers.
If you’re a woman in occupied Palestine you will have to struggle not only against patriarchy but also against colonialism and a brutal military occupation.
Dragiča and Vivien are fighting these multiple systems of domination in their own way.
Vivien uses native seeds to help Palestinians maintain their identity. Growing traditional food in traditional ways has great significance: “If you’re not a producer anymore, you’re a consumer, and what better way to enslave someone than turning them into your consumer. This is happening all around the world, but here you have it doubled with the military occupation.”
31.5% of households in the West Bank are food insecure. Through a rooftop edible garden, Dragiča managed to increase her family’s food autonomy. In the crowded camp, where the Israeli army conducts regular nighttime incursions to arrest and harass residents, Dragiča’s rooftop garden not only nourishes her family, but it especially nourishes her soul.
#RESISTAYOL
By Ruzgar Buski
Ruzgar Buski on Feminist Realities: I don’t know what to say about Feminist Realities but as a trans artist, an activist from Turkey, I know our realities are harsh. We live with violences- physical, emotional, economical, sexual! That is why we have to build our own networks, and co-creating micro realities for each other is a Feminist Reality for me. #resistayol is my first film, and at the beginning I was planning to make a film by/for/with trans people that does not try to convince anyone to the fact that trans people are human or focuses on raising awareness on trans issues. However, Gezi Uprising, one of the biggest uprising in the history of Turkey, happened and the film became something different.
I believe the production process really affects what the film is. We tried very hard for women, trans and non-binary people to work on every step of the film. This film is made by people who gathered with camaraderie and friendship. Kanka Productions is founded on transfeminist comradeship. I want the film to give hope, to heal because we carry a lot of traumas in our bodies- this is what makes us and what bonds us. Healing is a never-ending process and we have to create spaces to breath. #resistayol is an hour of breathing collectively.
Boysan Yakar in #resistayol: Well lubunyas (queers) were sitting in the park, all of a sudden bulldozers arrived and everyone got pissed off. Actually in summary this is it. It's Lubunya's park,and we had thirty days to explain that to this huge city. Everyone acknowledged that at night ibnes (faggots) fuck in that park...LGBTI Block carried our commune there. We already didn't trust the state and police and didn't have any security, we've established our own ways of doing things, our own laws and customs to survive... We carried our law to Gezi rapidly...With an effort to establish some common language and understanding among all these groups, the LGBT language of togetherness spread all through the park. Every day was a Pride march, everyone was continuously saying ‘ayol’. We spruced up the stinky, fusty language of the left. I guess we had such an impact because we've been disowned for all these years. From the most radical ones to the most conservative and nationalist ones, they all needed us, because everyone got used to being confronted with everything. Τhey were not used to such energy, our energy. That’s why it was a great political space for us. Every day, we actualized our biggest and main struggle there, that is, a struggle for visibility and recognition. That’s why we left Gezi with a huge gain.
VEGAN INCLUSIVE TRANS CAKE
By Pembe Hayat
“...a multifaceted statement, showing the joy that exists in the friendships within the queer community in Turkey as a display of rebellion and resistance.”
- Nosarieme Garrick, award winning filmmaker
“...fun, light, and random. In a world constantly marked and scarred by violence against the trans community, nothing, no action, is (unfortunately) deprived of meaning. So to more joy, love, and meaningful randomness!”
Cayan Azadi in Vegan Inclusive Trans Cake: Hello Barbies, Kens, porcelain dolls, Olive Oyls, cabbage dolls. Brides of Chucky, sisters of Chucky, brother-in-laws of Chucky and last but not least, esteemed brother-in-law lovers.
So why did we make this cake.
Now we got the news that a trans woman sex worker has attempted suicide due to the violence from street-guards and police on the street. She’s being kept at a police station now and that’s exactly why we made this cake. This transvestite cake is baked to show that we exist in every part of life, that we exist persistently and this cake shows that won’t be wiped off or ignored in this society.
Yes, there is violence in our lives, yes there is a lot of shade as well but despite all of that, we can still have fun, enjoying life as much as we can. Bon appetit, sis!
YOUR FATHER WAS BORN 100 YEARS OLD AND SO WAS THE NAKBA ابوكي خلق عمره ١٠٠ سنة، زي النكبة
By Razan AlSalah
SUBMARINE
By Mounia Akl
“It is directed as a poem is written… simple, a touch abstract, and moving.”
Esra Ozban: Esra Ozban is a film programmer and filmmaker from Turkey. Their artistic, curatorial, and scholarly work intersects critical archival practices, sex work, pornography, feminist/queer film cultures among others.
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Twitter ES: @awid_es
LinkedIn: Association for Women's Rights in Development (AWID)
Will you be opening a call for proposals?
Yes! Please read the Call for Activities and apply here. Deadline is February 1st, 2024.
Paulina Cruz Ruiz, de la región de Rabinal, Baja Verapaz, en Guatemala, fue una autoridad ancestral Maya Achí (Indígena) y una defensora de los derechos humanos. Paulina se involucró activamente en la organización comunitaria y la resistencia, lo cual incluyó la adopción de medidas legales contra los proyectos mineros en territorios Indígenas, proyectos que afectarían y perjudicarían severamente el tejido socio ambiental.
"El modelo de industria extractiva promovido por el gobierno guatemalteco y la construcción de proyectos de desarrollo a gran escala en tierras indígenas, sin el consentimiento de la comunidad afectada, ha sido una fuente de disputas permanentes con los movimientos de resistencia". - Minority Rights Group International
Paulina también formó parte de la Marcha por la Dignidad, la Vida y la Justicia, del 1º de mayo de 2019, en la cual miles de guatemaltecxs iniciaron una marcha de ocho días contra la corrupción y la impunidad en la persecución y el asesinato de dirigentes de derechos humanos, líderes campesinxs e indígenas y defensorxs de la tierra.
Paulina fue asesinada el 14 de septiembre de 2019 cerca de su casa en la aldea de Xococ.
Según el Grupo Internacional de Derechos de las Minorías: "actualmente, uno de los principales problemas que afectan a las comunidades mayas es la creciente actividad de la industria minera".
![]Ali Chavez Leeds portrait](/sites/default/files/styles/max_325x325/public/2021-10/portrait.jpeg?itok=0yU3PqLe)
