Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Movement Building

Related Content

Snippet FEA ASOM Challenges Story 1 (EN)

CHALLENGES:

  • Climate Change
  • Access to financial credit Intermediaries
  • Cultivation for illicit usage

1. Gather your resources

This section highlights key resources recommended by AWID so you can conduct your own WITM research.

In this section

People needed

  • 1 or more person(s) to lead overall implementation of research methodology and ensure all key pieces are on track (Sections 2-11)
  • 1 or more person(s) to conceptualize the key research objectives and guiding questions
  • 1 or more person(s) to refine and conduct the research methodology, including collecting data
  • 1 or more person(s) to conduct relevant qualitative and quantitative analysis of collected data
  • 1 or more person(s) to document and package research findings for desired audience(s)
  • 1 or more person(s) to serve as an editor to your final products
  • 1 or more person(s) to conduct outreach to spread the word about your survey and advocacy using your research results

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Potential expenses

  1. Staff and/or consultant salaries
  2. Data analysis software if conducting analysis of large dataset in-house. Options:
    - SPSS
    - Stata
    - R (this is free)
  3. Cost of producing publications and research products
  4. If desired, incentive prize that survey participants can win if they complete the survey
  5. If desired, incentives to offer your advisors

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Estimated time

  • For research process: 6 to 18 months, depending on size of dataset(s) and staff capacity
  • For advocacy: 1-2 years, as determined by your organizational goals

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Resources needed

  • List of advisor organizations, donors and activists
  • List of online spaces and events/networks to distribute your survey and present your survey results
  • List of donors, activists, and women’s rights organizations to interview
  • Prepared interview questions
  • List of publication sources to use for desk research

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Resources available

Online tools

Once you gather these resources, you can estimate the costs for your research using our “Ready to Go? Worksheet”

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Previous step

Before you begin

Next step

2. Frame your research


Previous step

Before you begin

Next step

2. Frame your research


The Ready to Go? Worksheet helps you estimate resources, staff and budget needed for your research

Download the toolkit in PDF

Clone of Snippet FEA Environments Of Shelter (EN)

Metzineres provides the following kinds of support, known as

Environments of Shelter:

Illustration of a pink house with a yellow background

The Cover
Care and healing environment

Illustration of a pink human in white underwear doing a power pose

The Powerful
Self-protection and strengthening

An illustration of a vine with vine like leaves in neon with purple background

The Ivy
Community and neighborhood

Three arms with fist raised: one black, pink, and the last one in purple

The Howl
Participation and activism

Yellow and pink cog wheels

The Bold
Production and entrepreneurship

A pink paint palette with a pink brush with yellow details

Artisana
Art and creativity

Community knowledge to build just futures

Context

Today, many community knowledge systems are at risk.

Fast-paced economic, political, and cultural changes are bulldozing environments, practices and livelihoods. Various forms of knowledge are being erased from practice, commodified and colonized in the massive swallow of globalisation and in the promise of short-term gains or band aid solutions.

Definition

Buen Vivir, a concept adapted from Andean Indigenous peoples’ knowledges, is described as the collective achievement of a life in fulfillment, based
on harmonic and balanced relations among human beings and all living beings, in reciprocity and complementarity. It means acknowledging that human beings are a part
of nature, we depend on nature and are inter-dependent among ourselves.

Inherent in Buen Vivir is a vision that integrates production and reproduction as inseparable processes of the economy, of wealth production and living conditions.

Feminist perspective

In this sense, a broad understanding of Buen vivir from a feminist lens values relationships and resources mobilized in production and reproduction cycles—favouring equilibrium of not just the market kind—to guarantee continuity and changes as long as they are compatible with economic justice and life sustainability.

From a feminist perspective there have also been criticisms of the binary conceptions of gender and complementary of men and women. Binary conceptions leave little space for a deeper discussion on heteropatriarchy and non-conforming gender relationships.

Nevertheless, one of the main contributions of centralizing the principle of Buen Vivir to political, economic and social frameworks, is that equality is no longer the paradigm of individual rights, but the transformation of society as a whole.


Learn more about this proposition:

Part of our series of


  Feminist Propositions for a Just Economy

Snippet FEA What are the objectives (EN)

What are the Objectives of Nous Sommes la Solution?

Overview

This bibliography intends to contribute to the desire for learning and engagement identified by activists in the Middle East and North Africa region when reflecting on the aftermath of fast unfolding transitions in the region. Such transitions, while specific to the context of MENA, are not unique in their occurrences around the world. Experiences and practices of feminists from around the world engaged in similar, even if not identical, struggles towards the democratization of their countries with a gendered lens and a feminist politics constitute an important knowledge bank that activists can draw upon, learn from, and engage with. This resource mapping aims to fill the gap realized in various convenings and conversations of a lack of information sharing and knowledge bridging among feminists across the regions that experienced similar uprisings; particularly along south-south and east-south lines.

This publication represents a research mapping of key resources, publications and materials on transitions to democracy and women’s rights in different countries of the world that have undergone such processes, such as: Indonesia, Chile, South Africa, Nepal, Mexico, Argentina, Poland, Ukraine, as well as within the Middle East and North Africa (MENA). It provides bibliographic information and short summaries of resources which succinctly identify the contextual changes and challenges facing women in those particular transitional moments, as well as clearly delineates the ways in which women’s rights activists sought to confront those challenges and what lessons were learned.

We hope that this collection of ideas, research, analysis and experiences provides the kind of rich ingredients needed to create new recipes for confronting old and new challenges. By sharing these texts, our goal is to make links across borders, expand possibilities and knowledge, and invite debate, reflection, and inspiration for women’s rights organizations and activists in the MENA region. While every moment and space has its own unique flavor and history, highlighting connections to similar challenges and aspirations allows us all to bring things in conversation with one another, imagine a new vantage point into a problem, and increase our sense of belonging and purpose and thus our capacity to stay strong in the face of the seemingly impossible. It is the collective strength of a movement that gives it the power to create change. The goal with this publication is not that one specific text will necessarily help illuminate new solutions, but that the combined knowledge and analysis from a variety of sources will provide readers with an opportunity to expand their horizons and foster connections. In our small way, we hope to contribute to furthering the democratization of knowledge, and supporting women’s rights movements in the MENA to continue building an inclusive transition process that will result in advancements of social justice and gender equality.

Snippet FEA 1 of 3 trans and travesti people (EN)

This is an illustration that depicts a burgundy building next to a duck blue building

1 of 3 trans and travesti people in Argentina live in a poor household

Disclaimer: Communications with AWID staff

If you have received emails from any staff members at AWID, we would like you to understand the following:

  • The information contained in this communication is confidential and is intended solely for the addressee. 

  • This communication may contain information proprietary to the Association for Women’s Rights in Development (AWID), and may not be reproduced or disseminated in whole or in part without AWID's written consent. 

  • AWID does not warrant that any information contained herein is complete or correct. This communication is not an offer to enter into any agreement and is not a confirmation of any agreement described herein unless the context clearly indicates the contrary. 

  • AWID is not acting as your adviser in any agreement that may be proposed herein, and this communication does not constitute a recommendation, guidance or proposal to enter into any agreement. 

  • AWID does not guarantee or otherwise assure the expected results of any agreement. This communication may contain views or opinions that are not necessarily those of AWID. 

  • You shall not be entitled to place any reliance on the information contained in this communication for the purposes of entering into any proposed agreement or otherwise.

Snippet FEA Who takes care of them S4 (EN)

...WHO TAKES CARE OF THEM?

Holding up the Skies

A Film Series on Feminist Realities from Africa and the African Diaspora

by Gabrielle Tesfaye

When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities. 

In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore. 

“... a truly unique, raw and representation of feminist power in action.”
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work. 

“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
 
    - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin


Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.” 

“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival


Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams. 

“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
 
       - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin


Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.   

“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”

     - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Register here to watch this film from June 18-22


These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world. 


Gabrielle Tesfaye:

Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.

Follow us on Social Media to receive news about upcoming events and screenings:

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LinkedIn: Association for Women's Rights in Development (AWID)

Leyla Yıldızhan (Deniz Fırat)

Snippet FEA different lines of work FOR S4 (EN)

Lines of work:

FOR

Anti-Rights Trends in Regional Human Rights Systems

Chapter 6

In the African Commission and the Inter-American System, anti-rights actors push essentialist notions of culture and gender to hamper progress on rights and undermine accountability. As we see, anti-rights actors are exerting influence in regional human rights systems, as well as international spaces. 

2019 JUN 27 Meeting of the Summit Implementation Review Group in Colombia
© Juan Manuel Herrera/OAS/Flickr
2019 JUN 27 Meeting of the Summit Implementation Review Group in Colombia

The African Commission on Human and Peoples' Rights has begun framing women’s and sexual rights as jeopardising its ability to deal with “real rights” and contrary to “African values”,   setting a worrying anti-rights precedent. The withdrawal of the Coalition of African Lesbians’ observer status is an example of this trend, and points to the way space for feminist, Pan-Africanist engagement is being stifled. 

In the Organization of American States (OAS) and the Inter-American Human Rights System, anti-rights strategies include the NGOization of religious groups, the use of secular discourses, and the co-optation of discrimination frameworks. Anti-rights influence has materialized in a number of ways, including the intimidation of trans activists and the blocking the introduction of progressive language in resolutions.

Table of Contents

  • Silencing Feminists in the African Human Rights System
  • Anti-rights Groups in Latin America: Organization of American States (OAS) General Assembly and the Inter-American Human Rights System
     

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