Analyses Spéciales

L´AWID est une organisation féministe mondiale qui consacre ses efforts à la justice de genre, au développement durable et aux droits humains des femmes

S'opposer à l’extractivisme et au pouvoir des entreprises

Dans le monde entier, les femmes défenseuses des droits humains défendent leurs terres, leurs moyens de subsistance et leurs communautés contre le pouvoir des entreprises et des industries extractives. Elles se mobilisent et défient de puissants intérêts économiques et politiques qui motivent la spoliation de terres, le déplacement de communautés, la perte des moyens de subsistance et la dégradation de l'environnement.


Pourquoi résister à des industries extractives?

L’extractivisme est un modèle économique et politique de développement qui œuvre à la marchandisation de la nature et privilégie le profit au détriment des droits humains et de l'environnement. Enraciné dans l'histoire coloniale, il creuse les inégalités sociales et économiques au niveau local et mondial. Le plus souvent, les femmes rurales, noires ou autochtones sont les plus touchées par l’extractivisme et sont largement exclues des espaces de prise de décision en la matière. Les femmes se mobilisent pour défier ces forces patriarcales et néocoloniales et défendre les droits, les terres, les personnes et la nature.

Les principaux risques et les violences basées sur le genre

Les femmes qui s’opposent aux industries extractives vivent une série de risques, de menaces et de violations de leurs droits comme la criminalisation, la stigmatisation, la violence et l'intimidation. Leurs histoires révèlent des aspects évidents de violences sexuelles et basées sur le genre. Parmi les auteurs de ces abus se trouvent les autorités locales et fédérales, les entreprises, la police, les militaires, les forces de sécurité paramilitaires et privées, et parfois mêmes leurs propres communautés.

Agir ensemble

L'AWID et la Coalition internationale des femmes défenseures des droits humains (WHRDIC) ont le plaisir d'annoncer la sortie de leur publication « Les défenseuses des droits humains résistent à l’extractivisme et aux pouvoir des entreprises », un rapport basé sur un projet de recherche transrégional qui relate les expériences vécues par des défenseuses en provenance d'Asie, d'Afrique et d'Amérique latine.

Nous encourageons les activistes, les membres de mouvements sociaux, la société civile, les donateurs et les décideurs à lire et à faire usage des documents suivants pour leur travail de plaidoyer, comme outil pédagogique et comme source d’inspiration :

Partagez votre expérience et vos questions !

Dites-nous comment vous utilisez la boîte à outils sur les défenseur-e-s des droits humains qui résistent à l'extractivisme et aux pouvoir des entreprises.

◾️ Comment ces ressources peuvent-elles soutenir votre activisme et votre plaidoyer ?

◾️ De quelles informations ou connaissances supplémentaires avez-vous besoin pour utiliser au mieux ces ressources ?

Faites-nous part de vos commentaires


Merci !

C’est avec gratitude que l’AWID reconnaît les contributions précieuses de chaque défenseur-e des droits humains qui a participé à ce projet. Cette recherche a été rendue possible grâce à votre volonté à partager vos expériences. Votre courage, créativité et résilience est une source d’inspiration pour nous toutes et tous. Merci !

Contenu lié

Marielle Franco

Marielle était une femme politique brésilienne, féministe lesbienne et militante des droits humains.

Marielle était une critique virulente de la brutalité policière et des exécutions extrajudiciaires. Sa politique, ouvertement féministe, centrée sur les personnes noires et les favelas était une source d’espoir pour les groupes marginalisés de Rio de Janeiro, actuellement gouvernée par un gouvernement conservateur et un maire évangélique.

Le 14 mars 2018, après avoir prononcé un discours à Rio de Janeiro, Marielle Franco et son chauffeur ont été assassinés, abattus par balles. Suite à la nouvelle de leur mort, les foules sont descendues dans les rues en criant « Marielle presente! » (Marielle est ici !) et ont exigé que justice soit faite.

En savoir plus sur Marielle et la situation au Brésil

 


 

Marielle Franco, Brasil

Nicole Barakat

nicole barakat -verge exhibition april 2018
We transcend time and place, Hand cut found paper (2017)
nicole barakat -verge exhibition april 2018
We will remember who we are and We will persist Cotton embroidered hand cut lamé on wool silk cloth (2018)
nicole barakat -verge exhibition april 2018
​​We will return home, Silk embroidered hand cut lamé on cotton velveteen (2018)
verge march 18 - document photography
We will heal in the now, Hand cut silk, wool, lamé, cotton, direct digital print silk satin on linen (2018)


we are infinite

An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
 
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum. 
 
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).

About Nicole Barakat

Nicole Barakat portrait
Nicole Barakat is a queer femme, SWANA artist born and living on Gadigal Country (so-called Sydney, Australia). She works with deep listening and intuitive processes with intentions to transform the conditions of everyday life. Her work engages unconventional approaches to art-making, creating intricate works that embody the love and patience that characterises traditional textile practices. 

Her works include hand-stitched and hand-cut cloth and paper drawings, sculptural forms made with her own hair, cloth and plant materials as well as live work where she uses her voice as a material. 

Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing. 

Snippet - WITM To make - FR

Pour rendre visible la diversité des formes de financement de l’organisation des mouvements féministes.

Snippet FEA ASOM (ES)

Asociación de Mujeres Afrodescendientes del Norte del Cauca

La organización comunitaria de mujeres negras en la región del Norte del Cauca en Colombia se remonta al pasado colonial del país, que está marcado por el racismo, el patriarcado y el capitalismo que sustentaron la esclavitud como un medio para explotar los ricos suelos de la región.

Estas organizadoras son las heroínas de un amplio movimiento por la autonomía negra, que lucha por el uso sostenible de los bosques y los recursos naturales de la región como elementos vitales para su cultura y sustento.

Durante 25 años, la Asociación de Mujeres Afrodescendientes del Norte del Cauca (ASOM) se ha dedicado a impulsar la organización de mujeres afrocolombianas en el Norte del Cauca. Se establecieron en 1997 como respuesta a las continuas violaciones de derechos humanos, la ausencia de políticas públicas, el manejo inadecuado de los recursos naturales y la falta de oportunidades para las mujeres en el territorio.

Han forjado la lucha para asegurar los derechos étnico-territoriales, para poner fin a la violencia contra las mujeres y obtener el reconocimiento del papel de las mujeres en la construcción de la paz en Colombia.

Barin Kobane

Barin was a member of the all-women fighting unit of the Kurdish People’s Protection Unit (YPG)

She was killed while on active duty.

Lebanese journalist Hifaa Zuaiter wrote: “Barin represents everything we have heard about the courage of the Kurdish female fighters, and her death is far more than the killing of a rival, or the result of a political or ethnic struggle. The horror of displaying her body only because she is a woman stems from the fact that she dared to threaten male hegemony by becoming a female fighter on a battlefield meant for men”.


 

Barin Kobane, Kurdistan

Tendencias anti-derechos en los sistemas regionales de derechos humanos

Chapter 6

En la Comisión Africana y en el Sistema Interamericano, los actores antiderechos impulsan nociones esencialistas de cultura y género para impedir el avance de los derechos y socavar las responsabilidades. Como vemos, los actores anti-derechos están ejerciendo su influencia sobre los sistemas regionales de derechos humanos, así como en los espacios internacionales.

2019 JUN 27 Meeting of the Summit Implementation Review Group in Colombia
© Juan Manuel Herrera/OAS/Flickr
2019 JUN 27 Reunión del Grupo de Revisión de la Implementación de Cumbres en Colombia

La Comisión Africana de Derechos Humanos y de los Pueblos ha comenzado a definir a los derechos sexuales y de las mujeres como un menoscabo a su capacidad de ocuparse de los «derechos reales» y como contrarios a los «valores africanos», con lo cual se establece un precedente anti-derechos preocupante. La anulación del estatus de observador de la Coalición de Lesbianas Africanas es un ejemplo de esta tendencia y muestra la forma en que el espacio para el involucramiento feminista panafricanista está siendo restringido.

En la Organización de Estados Americanos (OEA) y en el Sistema Interamericano de Protección de los Derechos Humanos, las estrategias anti-derechos incluyen la oenegización de grupos religiosos, la utilización de discursos seculares, y la cooptación de marcos de discriminación. La influencia antiderechos se ha materializado de diversas maneras, que incluyen la intimidación de activistas trans y la obstrucción de la introducción de lenguaje progresista en las resoluciones.

Índice de contenidos

  • Silenciamiento de feministas en el Sistema Africano de Derechos Humanos
  • Grupos anti-derechos en América Latina: Asamblea General de la Organización de Estados Americanos (OEA) y el Sistema Interamericano de Protección de los Derechos Humanos

Leer el capítulo completo

Snippet - WITM About the survey - ES

Acerca de la encuesta

  • GLOBAL Y DIVERSA: Reflexiona acerca de las realidades de la dotación de recursos entre las organizaciones feministas a escala mundial y desglosada por regiones.
  • CONTEXTUALIZADA: Se centra en las voces, perspectivas y experiencias de los movimientos feministas en toda su riqueza, audacia y diversidad, en sus respectivos contextos.
  • DE CREACIÓN CONJUNTA: Desarrollada y puesta a prueba en consulta estrecha con lxs afiliadxs y movimientos aliados de AWID.
  • COMPLEMENTARIA: Contribuye a la evidencia disponible acerca del estado de la dotación de recursos para las organizaciones feministas, por los derechos de las mujeres y la justicia de género por parte de activistas, donantes feministas y aliadxs, y la difunde.
  • PLURILINGÜE: Disponible en árabe, español, francés, inglés, portugués y ruso.
  • CONFIDENCIAL: Damos prioridad a tu privacidad y anonimato. En ningún caso, AWID divulgará información acerca de una organización en particular ni exhibirá información que permita identificar a una organización por su ubicación o características. Los detalles de nuestra política de privacidad se encuentran disponibles aquí.
  • ACCESIBLE: Es accesible a personas con distinto grado de capacidades auditivas, de movilidad, visuales y cognitivas, y responderla toma aproximadamente 30 minutos.
  • REPLICABLE: Es susceptible de ser replicada por los movimientos en sus respectivos contextos; las herramientas y los conjuntos de datos de la encuesta estarán disponibles al público como forma de apoyar una mayor investigación y la promoción colectiva.
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Snippet FEA Mano Cambiada (FR)

Two hands shaking - lighter skinned hand with a yellow shirt and darker skinned hand with a burgundy shirt. The words "Mano cambiada" are written over in cursive.

MANO CAMBIADA

(« main échangée ») 

Terme des communautés noires du Cauca du Nord pour la minga, le travail collaboratif dans les fermes, basé sur l'entraide et la solidarité.

Jacqueline Coulibaly Ki-Zerbo

Jacqueline fue una feminista pionera malí-burkinesa, nacionalista y educadora.

Enseñó inglés en Senegal antes de ser convocada en 1961 como maestra de inglés en el Lycée Philippe Zinda Kaboré en Ouagadougou, Burkina Faso. Debido a su activismo, estuvo involucrada en el alzamiento popular del 3 de enero de 1966. Entre 1961 y 1966 fue responsable de la prensa del sindicato docente, Voces de lxs Maestrxs. Fue nombrada directora del Curso Normal para Niñas Jóvenes (ahora conocida como Escuela Secundaria Nelson Mandela), cargo que ocupó hasta 1974, dedicándose a la educación de las niñas y a la promoción de los derechos de las mujeres.

En 1984 recibió el Premio Paul G. Hoffmann por su destacado trabajo para el desarrollo nacional e internacional.


 

Jacqueline Coulibaly Ki-Zerbo, Mali/ Burkina Faso

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Snippet - WITM Acknowledgements - ES

Agradecimientos

AWID agradece a las numerosas personas cuyos análisis, ideas y contribuciones han dado forma a la investigación y las acciones de promoción de "¿Dónde está el dinero para las organizaciones feministas?" a lo largo de los años.

Ante todo, vaya nuestro agradecimiento más profundo a lxs afiliadxs y activistas de AWID que participaron en las consultas de ¿Dónde está el dinero? y ensayaron esta encuesta con nosotrxs, y que compartieron su tiempo, sus análisis y el corazón con tanta generosidad.

Expresamos nuestra gratitud a los movimientos, aliados y fondos feministas, entre otros, a Black Feminist Fund, Pacific Feminist Fund, ASTRAEA Lesbian Foundation for Justice, FRIDA Young Feminist Fund, Purposeful, Kosovo Women’s Network, Human Rights Funders Network, Dalan Fund y PROSPERA por su rigurosa investigación sobre el estado de la dotación de recursos, sus agudos análisis y promoción sostenida para más y mejor financiamiento y poder para las organizaciones feministas y por la justicia de género en todos los contextos.

Súmate a la comunidad mundial de feministas que se expresa con contundencia acerca del estado de la dotación de recursos, y demanda más y mejor financiamiento y poder para los feminismos de todo el mundo.

Snippet FEA Metzineres has supported (EN)

Since its foundation,

Metzineres has supported over:

383

people

Lara Kruger

Lara était une DJ bien connue et appréciée de la Motsweding, une radio FM d’Afrique du Sud.

Lara a été l’un des premières animatrices ouvertement transgenre d’une radio grand public. Elle a œuvré sans relâche pour que lumière soit faite sur les questions LGBTI.

L’activisme de Lara a commencé très tôt, alors qu’elle revendiquait son droit de s’habiller et de se comporter afin de se sentir à l’aise auprès des membres de sa communauté qui ne comprenaient pas encore ce que signifiait être transgenre.


 

Lara Kruger, South Africa

A Joy to the World: Six Questions with Naike Ledan

Interviewed by Chinelo Onwualu

Decorative Element


Naike Ledan Portrait

Naike Ledan is a social justice defendant, a committed feminist that brings forward 20 years of experience in human rights and health justice advocacy, women’s empowerment, the fight for universal access to basic services and social inclusion, as well as civil society capacity building. She has built extensive work in Canada, West and southern Africa, as well as in Haiti, in civil rights advocacy, capacity building for CSOs, while emphasising the social determinants of structural exclusion. She values the principles of shared leadership, anticolonial, anti-oppressive, and anti-patriarchal spaces. 

Article Cover for A Joy to the World: Six Questions with Naike Ledan

Chinelo You’re billed as a trans rights activist; I’m curious about how you made that journey.

Naike So, I grew up in Haiti until I was 18, then I lived in Montreal for 19 years. Coming back to Haiti in 2016, I thought I would be coming back home, but the place had changed and I had to readjust. I did not necessarily reconnect in the way that I’d expected to with childhood family and friends. I came back as an expat with a comfortable work situation, and I felt very much like a foreigner for a very long time. And at the same time, I felt very much at home because of the language, the understood silence, the not having to explain when we start singing a commercial – you know, that thing we share, that energy, that space, that spirit.

My return to self-love – I would call “rebirth” – coinciding with giving birth to my first child, giving birth to myself, and falling in love with my queerness or same-gender lovingness. (Photo credit: Naike Ledan)

What helped me was, I loved the work of going into the country and documenting people’s knowledge. So I left the comfort. I became a country director of a regional organisation that was queer as fuck! Most of my work was to find resources and build the capacity of civil society. My strategy was to go into the countryside, look for all these little organizations, help build their capacity, and fund them. I was not interested in politicians and shaking hands and taking pictures . I had a very good ally, Charlot Jeudy – the [queer] activist that got killed three years ago in his house. We got very close after an Afro-queer film festival we were planning got banned in Haiti. But it made a lot of noise and sparked conversations about queerness everywhere, so Charlot introduced me to every little CSO in every little corner of the country. And I would just be there to help organisation[s] with registering legally or building their strategic plan. So it’s been a lot of these kinds of work that made me a queer activist and by extension, a trans activist. Although I don’t call myself that – an activist. It’s such a loaded word, you know? And it’s something people call you. I think I’m just a lover and a fighter .

Chinelo Tell me about the workshop you conducted with AWID for the festival. What was it about and what was the context?

My deep self awareness during my childhood years and my engagement in questioning inequalities and injustice at a very very young age (+/- 4 years old). (Photo credit: Naike Ledan)

Naike International media doesn’t really talk about Haiti, but with a political environment that is as bad as ours, the economic environment is even more catastrophic. Being a more middle class Haitian, speaking different languages, having different passports, I was initially hesitant to take the space. But I often see myself as a bridge more than someone that would talk about themself. That is how I came to invite Semi, who is a brilliant young trans woman from outside Port-au-Prince, to take the space to talk for herself and walk us through the ecosystem of the realities for trans women in Haiti. We ended up building a session about uninclusive feminism – or, I would say, formal feminist spaces – and how trans girls in Haiti do not have spaces where they can contribute to women’s knowledge and sharing of women’s realities. So the AWID festival was the opportunity for me to give the space to the women who should have it. We had a wonderful time; we had wine online while hosting the conversation. My co-facilitator, Semi, shared what it is like to be a trans child/girl/woman at different stages of her life. She also shared the dangers of the street, of poverty, of exclusion, of “not passing,” and her victories as well.

Chinelo What is the relationship of trans women to feminist organizations in Haiti? What has been your experience with that?

Naike It’s been really hard – heartbreaking, actually – the experience of trans women in Haiti. From not existing at all to just being extremely sexualized. The other thing that’s been happening is how they’re being killed, and how those killings have gone unreported in the media. This is how non-existent, how erased trans women are. They’re everywhere but not in job settings, not in feminist settings, not in organizational settings. Not even in LGBT organizations. It’s only recently, and because of a lot of advocacy push, that some of these organization are kind of readjusting, but in feminist spaces, this is still out of the question. We are still having to deal with the old exclusionary discourse of “They’re not women. Of course, if they can pass…” The culture of passing, it’s a risk management conversation – how much you pass and how much you don’t pass and what it means for your body and the violence it inflicts. In the trans-exclusionary realities we live in, which are reproduced in a lot of feminist spaces, those that pass completely may be considered girls, but only to a certain extent. But how about falling in love, how about having a conversation, how about being in the closet, how about wanting a certain aesthetic, or a career? So really, the conversation about hormone therapy becomes about risk reduction, as Semi herself shared at the workshop. But we don’t have the option of hormone therapy, we don’t have the medical framework nor the system to support those who would like to pursue that option.

Chinelo When you talk about the way that trans people and queer people are thought of in society, it sounds like it might be similar to Nigeria, which can be a deeply homophobic environment.

Naike Haiti is a very complex country in a very beautiful way. Nothing is simple, you know, nothing is ever one way. Haitians are very tolerant – and they’re also very homophobic. You’re going to find regions in the countryside where people aren’t that homophobic at all because all the Vodou temples there, and this is a religion that respects life. One basic principle of the Vodou religion is that all children are children. So, there is no right or wrong in the religion. For the longest time, people thought of Haiti as a haven, a place where people are tolerant – we’re talking 70s, 80s, pre-HIV, 90s even. Then you had the earthquake [in 2010] where around 300,000 people died. And then all this money came from the south of the US through the Evangelicals to rebuild the country and find Jesus. So, the homophobia in Haiti is very recent. In the depth, in the heart of the soul of the culture, I cannot really say that it is homophobic. But in the everyday life, it surely lands on the skin of queer people, that violence. And that of women, of poor women, of dark women as well, because colorism runs deep in the Caribbean.

Chinelo How have you managed this? What’s been your strategy for survival?

My return to Haiti as part of my decolonizing process, and choosing to physically position my senses and my family’s senses to magic and blackness uncompromisingly. (Photo credit: Naike Ledan)

Naike I’m really in love with my work. I love working. When I first arrived, I was working with this horrible NGO but I was doing amazing work. I was always in the countryside, conversing and learning from people, from women. And that filled my heart for so long because I’m very much in love with my culture, with black people, with black women – old black women, black babies. It just fills me up in a spiritual way. When we were in Canada my kids were in these all-white schools and tokenized. They did not speak Creole nor French. And now, they’re running free in the yard and starting to fight in Creole. I also found hubs of survival with the people I met. I created bonds with the queers and others who were weirdos like me and it’s been really wonderful. But now I’m struggling because I don’t feel safe in Haiti anymore. We have about 40 kidnappings per week in Port-Au-Prince – and it’s been like that since 2018. I’ve developed anxiety and panic attacks. So It’s time to go, and I’ve been asking myself, “where is home?” I spent 19 years in Montreal but I never felt at home there. When I left, I never missed it so I don’t want to go back. I’ve been crying a lot lately because it feels like entering a second exile.

Chinelo What’s your relationship to pleasure, leisure, and rest?

Naike My relationship with pleasure, leisure, and rest are for me one and the same. It is the lived moment when I indulge in the heat of the sun on my face for example. It is pleasure, leisure, and rest at the same time.

Pleasure: My go-to space, most solely a haven of celebration of myself. I reserve myself the power and the right to be loud or quiet in the enjoyment of the pleasure I experience. All the pleasure I viciously and abundantly indulge in, including and not limited to the pleasure of solitude and silence.

Leisure: biking, music festivals, eating, wine discoveries, dancing in Haitian traditional Vodou dances are amongst many that occur at the moment.

Rest: is what I live for. As an overachiever and a person that is literally in love with work, it is a paradox how lazy I am. No one knows that because all of what the world sees is this: an accomplished overworker. They do not know how I can just, uncompromisingly and profoundly indulge in idleness.

Cover image for Communicating Desire
 
Explore Transnational Embodiments

This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.

Explore

Cover image, woman biting a fruit
 

التجسيدات العابرة للحدود

نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.

استكشف المجلة

Nuestra agrupación, organización o movimiento no está registrado, ¿deberíamos responder la encuesta de todos modos?

Absolutamente; deseamos saber de ustedes y su experiencia con la obtención de recursos.