L´AWID est une organisation féministe mondiale qui consacre ses efforts à la justice de genre, au développement durable et aux droits humains des femmes
L’hommage se présente sous forme d’une exposition de portraits d’activistes du monde entier qui ne sont plus parmi nous qui ont lutté pour les droits des femmes et la justice sociale.
En 2020, nous adoptons une démarche légèrement différente
Cette année, tout en continuant à convoquer la mémoire de celleux qui ne sont plus parmi nous, nous souhaitons célébrer leur héritage et souligner les manières par lesquelles leur travail continue à avoir un impact sur nos réalités vécues aujourd’hui.
49 nouveaux portraits de féministes et de défenseur·e·s viennent compléter la gallerie. Bien que de nombreuses des personnes que nous honorons dans cet hommage sont décédé·e·s du fait de leur âge ou de la maladie, beaucoup trop d’entre iels ont été tué·e·s à cause de leur travail et de qui iels étaient.
Les histoires des activistes à l'honneur dans cet Hommage font vivre leur héritage et continuent d'inspirer le travail et l’action de nos mouvements.
Les portraits de l'édition 2020 ont été illustrés par Louisa Bertman, artiste et animatrice qui a reçu plusieurs prix.
L’AWID tient à remercier nos membres, les familles, les organisations et les partenaires qui ont contribué à cette commémoration. Nous nous engageons auprès d’elleux à poursuivre le travail remarquable de ces féministes et défenseur·e·s et nous ne ménagerons aucun effort pour que justice soit faite dans les cas qui demeurent impunis.
« Ils ont essayé de nous enterrer. Ils ne savaient pas que nous étions des graines » - Proverbe mexicain
L'Hommage a été inauguré en 2012
Le premier hommage aux défenseur-e-s des droits humains a pris la forme d’une exposition de portraits et de biographies de féministes et d’activistes disparu·e·s lors du 12e Forum international de l’AWID en Turquie. Il se présente maintenant comme une gallerie en ligne, mise à jour chaque année.
Depuis, 467 féministes et défenseur-e-s des droits humains ont été mis·es à l'honneur.
Yelena Grigoriyeva, a menudo conocida entre sus amigxs como Lena, fue una destacada defensora de los derechos LGBT en Rusia.
Formó parte de movimientos democráticos, anti-guerra y LGBT. En su activismo, fue una crítica feroz del Presidente Vladimir Putin y su administración, y expresó su oposición a la anexión por parte de Rusia de la península de Crimea de Ucrania y al maltrato de prisionerxs.
Yelena se declaró bisexual a principios de 2019. "Su salida del armario fue una sorpresa para mí, y no la aprobé. Le dije: ‘Escucha, Lena, ya estás en la mira por tu actividad política. Te acabas de clavar otro blanco en el pecho’". - Olga Smirnova
Yelena, de hecho, recibió múltiples amenazas de muerte y, según algunxs de sus conocidxs, figuraba en un sitio web homofóbico que instaba a sus visitantes a que persiguieran a las personas LGBT. Yelena denunció las amenazas a la policía, pero el Estado ruso no le proporcionó ningún tipo de protección.
Sin embargo, Yelena, a pesar de vivir en una sociedad en la que la oposición política, así como lxs integrantes de la comunidad LGBT y lxs defensores de sus derechos, se enfrentan a una violencia continua y creciente, siguió haciendo campaña por la justicia social y la igualdad.
"No se perdió ni una sola acción. Y la detuvieron tantas veces que hasta perdí la cuenta", Olga Smirnova (compañera activista de la oposición y amiga).
Yelena fue asesinada el 21 de julio de 2019, cerca de su casa. Las autoridades detuvieron a una persona sospechosa pero, según algunas fuentes, muchxs amigxs y compañerxs activistas creen que es un chivo expiatorio y que, en realidad, se trata de un asesinato político deliberado.
Para los familiares y amigxs de Yelena, su caso sigue sin resolverse aunque la persona sospechosa haya confesado.
En 2013, Rusia aprobó una ley que prohíbe la difusión de lo que describió como "propaganda gay". En 2014, Human Rights Watch publicó un informe al respecto.
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Partagez vos histoires et écoutez celles des les autres. En reliant nos expériences, nos récits et nos propositions, nous aidons à co-créer et à amplifier les Réalités Féministes.
Magaly Quintana était connue de nombreuses personnes au Nicaragua comme « La Maga » (la magicienne). Historienne et activiste féministe, elle était une indéfectible défenseure des droits des femmes, réclamant justice pour les victimes de féminicides.
Magaly était fortement engagée dans la documentation et la collecte de statistiques sur les femmes et les filles tuées dans le cadre de la violence sexuelle dans le pays.
« Elle s’employait à reconstituer la vie de chacune d’entre elles, de leur famille, pour montrer ces vies qui avaient été détruites », Dora María Téllez.
Magaly avait également critiqué le gouvernement pour sa réforme de la loi 779 sur la violence à l’égard des femmes. Résultat du travail acharné des mouvements de femmes nicaraguayens, cette loi incluait – avant sa réforme – d’importantes dispositions criminalisant le féminicide. Elle avançait que les réformes législatives avaient affaibli la loi et restreint la définition des féminicides à des homicides, rendant ainsi « invisibles » les crimes violents perpétrés contre les femmes.
Magaly a commencé à mener des actions féministes au début des années 1980. Directrice du Catholic Women for the Right to Choose, elle a défendu le droit à l’avortement thérapeutique après son interdiction en 2006, de même que soutenu les manifestations contre le gouvernement de Daniel Ortega en 2018.
Née en mai 1952, Magaly est décédée en mai 2019.
« Nous nous reverrons plus tard, ma très chère Magaly Quintana. Merci beaucoup, merci pour l’héritage que tu nous laisses. Nous te reverrons, aussi forte et puissante que toujours. », Erika Guevara Rosas (Directrice américaine d’Amnesty International)
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Most Member States of the European Union have laws and practices that either criminalize or control sex workers in ways unacceptable to them. Criminalization of sex workers and/or their clients only contributes to increase the vulnerability of sex workers, who are already facing stigma, discrimination and exclusion from society on a daily basis. In Spain for example, the government is currently trying to pass an Organic Law for the Abolition of Prostitution, which will result in more clandestiny and violence. Let’s dive into the stories of sex workers and union organizers fighting to decriminilaze sex work and advance their labor rights.
Holding up the Skies
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
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We believe in a full application of the principle of rights including those enshrined in international laws and affirm the belief that all human rights are interrelated, interdependent and indivisible. We are committed to working towards the eradication of all discriminations based on gender, sexuality, religion, age, ability, ethnicity, race, nationality, class or other factors.
Doris Valenzuela Angulo was an Afro-descendant social activist, leader and human rights defender from Buenaventura, Colombia. She was part of Communities Building Peace in the Territories (CONPAZ), a national network of organizations in communities affected by armed conflict that advocate for non-violence and socio-environmental justice.
Doris defied constant paramilitary violence and pressures from mega projects to displace her community and state collusion. Faced with one of the most difficult contexts in her country, she played a leadership role in an unprecedented initiative of non-violent resistance called Puente Nayero Humanitarian Space, an urban place for community cohesion, safety, creativity and collective action.
This unique non-violent struggle of the families that belonged to Puente Nayero Humanitarian Space, attracted attention and support from both local and international agencies. By September 2014, the Inter-American Commission on Human Rights had granted precautionary protection measures to the community ordering the Colombian State to adopt necessary measures to preserve their lives and personal integrity. However, the threats and violence from the paramilitaries continued. Doris focused her energies on preventing forced recruitment of children and young people by the neo-paramilitaires, continuing on despite the murder of her son Cristian Dainer Aragón Valenzuela in July 2015. Doris also became a target, continuously receiving threats for her activism and the work she did.
The continued aggression and threats against her life forced Doris to leave Colombia. She was residing in Spain from February 2017 to February 2018, as part of the Amnesty International temporary protection program for human rights defenders at risk. In April 2018, Doris was murdered in Murcia, Spain by her ex-partner. She was only 39 years old.
Tributes:
"Doris, spending a whole year with you has taught us how a person can have the ability to transform and generate hope in the face of deeply negative and devastating events during your life...We continue with our commitment in the defense of all human rights. Your courage and your light will always guide us.” - Montserrat Román, Amnesty International Grupo La Palma
Excerpt from “Words for Doris Valenzuela Angulo” by Elsa López
"..You knew it. You always knew. And in spite of everything you stood firm against so many injustices, so many miseries, so much persecution. You stood up, haughty and fierce, against those who wanted to make you again abandon your hopes, humble yourself and surrender. Standing up you cried out for your freedom and ours that was yours. Nothing and no one paralyzed your efforts to change the world and make it more generous and livable. You, live among us, more alive today than ever among us despite death. Always live by your gestures, your courage, your greatness when crying for a promised land that you came to invoke with each of your cries for all the deserts you inhabited. You. Always alive. Doris Valenzuela Angulo.
They are only words. I know. I know it too. But the words unite us, protect us, give us strength and encouragement to continue walking towards the light that you defended so much…”
«¿Dónde está el dinero para las organizaciones feministas?»
Sobre la base de nuestros 20 años de historia movilizando más y mejor financiamiento para el cambio social encabezado por los feminismos, AWID te invita a responder la nueva edición de nuestra encuesta insignia, WITM
En China, el movimiento #MeToo [«Yo También»] se encendió en enero de 2018, empujado por el ímpetu del movimiento #MeToo de todo el planeta. Fue una respuesta a los problemas culturales y sistémicos relacionados con el género y el poder dentro de China. Las bases del movimiento habían sido establecidas durante décadas, y los muchos años de debate y promoción de la igualdad de género, finalmente, hicieron erupción con tremenda fuerza en toda la sociedad. El movimiento #MeToo fue impulsado fundamentalmente por jóvenes, que incluyen a innumerables mujeres anónimas y sus aliadxs, en busca de oportunidades para hacer realidad el principal «sueño chino»: transformar a China en un país con igualdad de género.
En China, el contexto para el movimiento #MeToo es extremadamente adverso: el Estado de derecho, la justicia y la transparencia de las acciones gubernamentales y la libertad de expresión no pueden darse por descontados, pero estos son precisamente los objetivos por los cuales lucha el movimiento. Ha sido, desde el principio, una lucha intensa, y cada víctima o activista que se visibiliza corre enormes riesgos: desde ser silenciadx o humilladx o de sufrir represalias hasta poner en peligro su seguridad. Todos los éxitos del movimiento #MeToo han sido logrados por quienes son lo suficientemente valientes como para asumir los costos de manifestarse y desafiar la censura.
La exhibición «#MeToo in China» fue inaugurada en 2019 y recorrió cinco ciudades. Su objetivo es dar mayor prominencia a las experiencias personales de lxs víctimas y lxs activistas, para inspirar al público a unirse a la lucha a través del contacto con estas historias. La exposición misma se ha convertido en parte de la lucha #MeToo: ha debido enfrentar desafíos en su itinerario por toda China y, en más de una ocasión, fue amenazada con la clausura.
