A general view of participants at the 16th session of the Human Rights Council in Geneva, Switzerland.
Analyses Spéciales
L´AWID est une organisation féministe mondiale qui consacre ses efforts à la justice de genre, au développement durable et aux droits humains des femmes
Le Conseil des droits de l'homme (CDH) est un organe intergouvernemental clé du système des Nations Unies, responsable de la promotion et la protection des droits humains autour du globe. Il se réunit trois fois par an en session ordinaire, en Mars, Juin et Septembre. Le Bureau du Haut-Commissariat des Nations Unies aux Droits de l’Homme (HCDH) constitue le secrétariat pour le CDH.
Le CDH :
Débat et adopte des résolutions sur les questions globales des droits humains ainsi que sur la situation des droits humains dans des pays particuliers
Examine les plaintes des victimes de violations des droits humains et des organisations activistes, au nom des victimes de violations des droits humains
Nomme des experts indépendants (que l'on connaît sous le nom de « Procédures Spéciales ») pour réviser les cas de violation des droits humains dans des pays spécifiques, ainsi que pour examiner et suivre des questions globales relatives aux droits humains
Prend part à des discussions avec les experts et les gouvernements sur les questions de droits humains
Évalue les bilans des États membres de l'ONU en matière de droits humains tous les quatre ans et demi, dans le cadre de l'examen périodique universel.
La prochaine session du CDH a lieu à Genève, en Suisse, du 30 juin au 17 juillet 2020.
AWID travaille avec des partenaires féministes, progressistes et du domaine des droits humains pour partager nos connaissances clé, convoquer dialogues et évènements avec la société civile, et influencer les négociations et les résultats de la session.
Avec nos partenaires, notre travail consiste à :
◾️ Suivre, surveiller et analyser les acteurs, discours et stratégies anti-droits et leur impact sur les résolutions du CDH.
◾️ Co-développer un plaidoyer collectif pour contrer les acteurs anti-droits et discuter plus en détails les résultats du Rapport de tendances 2017 du OURs
◾️ Soutenir, coordoner et développer de manière collaborative le Caucus féministe qui émerge au CDH.
Contenu lié
Snippet - WITM Acknowledgements - PT
Agradecimentos
A AWID agradece sinceramente às várias pessoas cujas ideias, análises e contribuições moldaram a pesquisa e a defesa do “Onde está o dinheiro” ao longo dos anos.
Em primeiro lugar, os nossos mais sinceros agradecimentos aos membres da AWID e às ativistas que participaram nas colaborações com o WITM e testaram este questionário connosco, ao partilhar tão generosamente o seu tempo, análise e espírito.
Agradecemos aos movimentos feministas, aos aliados e aos fundos feministas, incluindo, mas não se limitando ao Black Feminist Fund, Pacific Feminist Fund, ASTREA, FRIDA Young Feminist Fund, Purposeful, Kosovo Women's Network, Human Rights Funders Network, CEECCNA Feminist Fund e PROSPERA, pelas suas investigações rigorosas sobre o estado de financiamento, pela análise perspicaz e pela defesa contínua de mais recursos de melhor qualidade e poder para a organização feminista e de justiça de género em todos os contextos.
Junte-se à comunidade global de feministas que se manifestam sobre o estado de financiamento, e exigem mais recursos de melhor qualidade e poder para feministas globalmente.
¿Qué es el Proceso de la Financiación para el Desarrollo de Naciones Unidas?
El proceso de la Financiación para el Desarrollo (FpD) de Naciones Unidas (ONU) se propone abordar distintas formas de financiación y cooperación para el desarrollo. Según lo acordado en el Consenso de Monterrey, se centra en seis áreas prioritarias:
Movilización de recursos financieros nacionales para el desarrollo;
Movilización de recursos internacionales para el desarrollo: la inversión extranjera directa y otras corrientes de capitales privados;
El comercio internacional como promotor del desarrollo;
Aumento de la cooperación financiera y técnica internacional para el desarrollo;
La deuda externa;
Tratamiento de cuestiones sistémicas: fomento de la coherencia y la cohesión de los sistemas monetarios, financieros y comerciales internacionales en apoyo al desarrollo.
Snippet FEA Workers demonstrations in Georgia 2 (FR)
Madiha était une éminente professeure de sociologie qui s’est activement engagée auprès de la société civile en tant que défenseure des droits des femmes dans les pays arabes.
Elle a présidé l'Alliance pour les femmes arabes et a été membre du Comité sur la société civile et du Comité sur le développement du gouvernorat de Minia auprès du Conseil national pour les femmes. Elle a publié de nombreux articles qui ont éclairé et analysé les inégalités de genre et la discrimination à l'égard des femmes.
Ses collègues, étudiant-e-s et ami-e-s se souviennent d'elle avec tendresse.
Mridula was a strong advocate for the advancement for women’s health at a time when the topic of women’s sexual and reproductive health were considered taboo in Fiji.
The initial works of the Fiji Women’s Rights Movement about sexual and reproductive rights were under her guidance, and in September 1999, the United Nations Population Fund presented her with a regional award for Reproductive Health and Rights. Mridula was a strong, dedicated and tireless campaigner who was passionate about women’s health and empowerment.
She was a valued member of the women’s and feminist movement in Fiji and her contributions will always be remembered. Mridula passed away due to natural causes in 2017.
Download your faciliation guide:
"A Feminist Approach to Understanding Illicit Financial Flows and Redirecting Global Wealth"
By joining AWID, you are becoming part of worldwide feminist organizing, a collective power that is rooted in working across movements and is based on solidarity.
Опрос доступен на KOBO – открытой платформе для сбора, управления и визуализации данных. Чтобы принять участие, просто перейдите по ссылке здесь. Следуйте инструкциям, чтобы пройти опрос.
Pronto brindaremos esta información. ¡Mantente sintonizadx!
Snippet FEA Sopo Japaridze (ES)
Tenemos el placer de presentarte a Sopo Japaridze, feminista feroz, líder sindical y presidenta del sindicato independiente de servicios Red de Solidaridad.
Dejó el país cuando era muy joven para ir a los Estados Unidos, donde se volvió políticamente muy activa como organizadora laboral. Siempre mantuvo a Georgia en su mente todo ese tiempo, hasta que un día, dos décadas después, decidió regresar.
La confederación sindical georgiana existente en este momento era menos que ideal. Entonces, equipada con sus habilidades, conocimientos y experiencia en organización laboral, Sopo regresó a Georgia y formó su propio sindicato.
También es una apasionada investigadora y escritora. Estudia relaciones laborales y sociales, escribe para varias publicaciones y es una de lxs editorxs de Left East, una plataforma analítica de Europa del Este. También cofundó la iniciativa y el podcast de historia política, Reimaginando la Georgia soviética, donde explora las complejidades y los matices de las experiencias del país bajo la Unión Soviética, para entender mejor su pasado y construir un futuro mejor.
Amal fue una destacada política y parlamentaria de Libia.
Fue docente de la Universidad de Benghazi desde 1995 hasta su muerte, en 2017. Amal fue activista de la sociedad civil e integrante de varias iniciativas sociales y políticas. Asistió a las familias de lxs mártires y de lxs desaparecidxs y fue una de lxs fundadorxs de una iniciativa juvenil llamada «Juventud de Benghazi Libia».
En las elecciones parlamentarias de 2014, Amal fue elegida para la Cámara de Representantes con más de 14.000 votos (el mayor número de votos recibido por unx candidatx en las elecciones de 2014). Permanecerá en la memoria de muchxs como una mujer que actuó en política para garantizar un futuro mejor en uno de los contextos de la región más difíciles y afectados por los conflictos.
Holding up the Skies
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
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Piensa en grande. Gracias a nuestro alcance internacional, podemos combinar el trabajo analítico con herramientas políticas y prácticas para la incidencia y la transformación, con el objeto de promover la causa de los movimientos feministas en todos los ámbitos.
