Analyses Spéciales

L´AWID est une organisation féministe mondiale qui consacre ses efforts à la justice de genre, au développement durable et aux droits humains des femmes

S'opposer à l’extractivisme et au pouvoir des entreprises

Dans le monde entier, les femmes défenseuses des droits humains défendent leurs terres, leurs moyens de subsistance et leurs communautés contre le pouvoir des entreprises et des industries extractives. Elles se mobilisent et défient de puissants intérêts économiques et politiques qui motivent la spoliation de terres, le déplacement de communautés, la perte des moyens de subsistance et la dégradation de l'environnement.


Pourquoi résister à des industries extractives?

L’extractivisme est un modèle économique et politique de développement qui œuvre à la marchandisation de la nature et privilégie le profit au détriment des droits humains et de l'environnement. Enraciné dans l'histoire coloniale, il creuse les inégalités sociales et économiques au niveau local et mondial. Le plus souvent, les femmes rurales, noires ou autochtones sont les plus touchées par l’extractivisme et sont largement exclues des espaces de prise de décision en la matière. Les femmes se mobilisent pour défier ces forces patriarcales et néocoloniales et défendre les droits, les terres, les personnes et la nature.

Les principaux risques et les violences basées sur le genre

Les femmes qui s’opposent aux industries extractives vivent une série de risques, de menaces et de violations de leurs droits comme la criminalisation, la stigmatisation, la violence et l'intimidation. Leurs histoires révèlent des aspects évidents de violences sexuelles et basées sur le genre. Parmi les auteurs de ces abus se trouvent les autorités locales et fédérales, les entreprises, la police, les militaires, les forces de sécurité paramilitaires et privées, et parfois mêmes leurs propres communautés.

Agir ensemble

L'AWID et la Coalition internationale des femmes défenseures des droits humains (WHRDIC) ont le plaisir d'annoncer la sortie de leur publication « Les défenseuses des droits humains résistent à l’extractivisme et aux pouvoir des entreprises », un rapport basé sur un projet de recherche transrégional qui relate les expériences vécues par des défenseuses en provenance d'Asie, d'Afrique et d'Amérique latine.

Nous encourageons les activistes, les membres de mouvements sociaux, la société civile, les donateurs et les décideurs à lire et à faire usage des documents suivants pour leur travail de plaidoyer, comme outil pédagogique et comme source d’inspiration :

Partagez votre expérience et vos questions !

Dites-nous comment vous utilisez la boîte à outils sur les défenseur-e-s des droits humains qui résistent à l'extractivisme et aux pouvoir des entreprises.

◾️ Comment ces ressources peuvent-elles soutenir votre activisme et votre plaidoyer ?

◾️ De quelles informations ou connaissances supplémentaires avez-vous besoin pour utiliser au mieux ces ressources ?

Faites-nous part de vos commentaires


Merci !

C’est avec gratitude que l’AWID reconnaît les contributions précieuses de chaque défenseur-e des droits humains qui a participé à ce projet. Cette recherche a été rendue possible grâce à votre volonté à partager vos expériences. Votre courage, créativité et résilience est une source d’inspiration pour nous toutes et tous. Merci !

Contenu lié

Forum anchors (Forum page)

Forum Anchors

The AWID Forum will be organized around 6 interconnected topics. These ‘anchors’ center feminist realities.

Explore

As realidades de financiamento para movimentos feministas mudam rapidamente. Este questionário é um ocorrência única?

Não. Tem por base a história de 20 anos da AWID de mobilizar mais financiamento de maior qualidade para mudanças sociais lideradas por feministas e é a terceira edição do nosso inquérito “Onde está o dinheiro para organização feminista?”. O nosso objetivo é repetir o inquérito WITM a cada 3 anos.

Sara AbuGhazal

Biography

Sara AbuGhazal is a Palestinian feminist living in Beirut. She is a co-founder of Sawt al-Niswa, a collective that produces knowledge in Beirut. She is the co-director of The Knowledge Workshop, a feminist organization based in Beirut that works on feminist oral history and archiving. Sara is currently the Regional Coordinator of the Regional Coalition for Women Human Rights Defenders in the Middle East and North Africa.

Sara strives to help create spaces of feminist transformation and solidarity. Her work is mostly centered on building sustainable movements in the MENA region. She is invested in knowledge production, feminist transformation, and Palestine. She publishes regularly in sawtalniswa.org and her fiction also appears in Romman e-magazine.

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Anatomy of a Survivor's Story

Maryum Saifee (@msaifee), New York, USA    

When you do a search for “Female Genital Mutilation” or “FGM” online, an image of four line-drawings of the female anatomy pop up next to its Wikipedia entry. It illustrates four types of violence. The first being a partial cut to the clitoris. The second, a more invasive cut with the entire clitoris removed. The third is progressively worse with the removal of the clitoris, labia majora and minora. And the fourth box illustrates a series of hash marks to symbolize stitches over the vaginal opening to allow only for urination and menstruation.

As a survivor of FGM, most questions about my story fixate on the physical. The first question I usually get asked is what type of FGM I underwent. When I told a journalist once that I went through Type 1, she said “oh, that’s not so bad. It’s not like type three which is far worse.” She was technically right. I had the least invasive form. And for many years, I gaslighted myself into feeling a sense of relief that I was one of the lucky ones. I comforted myself noting that I could have been less fortunate with all of my genitalia gouged out, not just the clitoral tip. Or worse I could have been one of the ones who didn’t survive at all. Like Nada Hassan Abdel-Maqsoud, a twelve year old, who bled to death on a doctor’s operating table earlier this year in Upper Egypt. Nada is a  reminder to me that for every data point -- 200 million women and girls who live with the consequences of FGM globally -- there is a story. Nada will never be able to tell hers.

As much as I find the label “survivor” suffocating at times -- I also realize there is privilege embedded in the word. By surviving, you are alive. You have the ability to tell your story, process the trauma, activate others in your community and gain insights and a new language and lens to see yourself through.

The act of storytelling can be cathartic and liberating, but it can also shatter the storyteller in the process.

Without integrating the psychosocial support of trained clinicians into storytelling and healing retreats, well-intentioned interventions can result in more trauma. This is all the more important as FGM survivors navigate the double pandemic of their own PTSD from childhood trauma, and the indefinite COVID-19 global shutdown.

In many anti-FGM advocacy spaces, I have seen this insatiable hunger to unearth stories -- whatever the cost to the storyteller. The stories help activate funding and serve as a data point
for measuring impact. 

Survivor stories then become commodities fueling a storytelling industrial complex. Storytellers, if not provided proper mental health support in the process, can become collateral damage.

My motivation in writing this piece is to flip the script on how we view FGM survivors, prioritizing the storyteller over the story itself.

FGM survivors are more than the four boxes describing how the pieces of our anatomy were cut, pricked, carved, or gouged out. In this essay, I’ll break down the anatomy of an FGM survivor’s story into four parts: stories that break, stories that remake, stories that heal, and stories that reveal.

Type 1: Stories that break

I was sitting in the heart of Appalachia with a group of FGM survivors, meeting many for the first time. As they shared their traumas, I realized we all belonged in some way or another to the same unenviable club. A white Christian survivor from Kentucky - who I don’t think I would have ever met if we didn’t have FGM survivorship connecting us - told the contours of her story. 

There were so many parallels. We were both cut at seven. She was bribed with cake after her cut. I was bribed with a jumbo-sized Toblerone chocolate bar when mine was over. Absorbing her trauma overwhelmed me. And I imagine when I shared my story, others in the circle may also have been silently unraveling. We didn’t have a clinician or mental health professional in a facilitation role and that absence was felt. The first night, I was sharing a room with six other survivors and tried hard to keep the sounds of my own tears muffled. By the last day, I reached breaking point. Before leaving for the airport, my stomach contracted and I convulsively vomited. I felt like I was purging not only my pain, but the pain of the others I’d absorbed that week. We all dutifully produced our stories into 90 second social media friendly soundbites with narration and photos. But at what cost?

Type 2: Stories that remake

On February 6, 2016, the Guardian published my story as a survivor. The second it was released, I was remade. My identity transformed from nondescript, relatively invisible mid-level Foreign Service Officer to FGM survivor under a public microscope. That same day, then-U.S. Ambassador to the United Nations Samantha Power tweeted my story with the introduction: “I was seven years old” before linking to the article. The tweet symbolized a moment for me where my personal and professional worlds collided. Since then, they have been forever intertwined. 

Even though I spent ten years of my career as a diplomat focused on other issues -- I lived in Cairo during the early days of the Arab Spring in 2011 and served in Baghdad and Erbil when the Syrian revolution turned from an uprising to civil war -- all of those past experiences that began to make mefeel erased. When I spoke on panels, my identity would be reduced to “survivor.” Like other survivors, I have worked hard to rewrite the script on how others see me.

I reinsert pieces of my other identities when speaking to underscore to the broader public that while yes, I am a survivor of childhood trauma and while my FGM story may have remade a part of my identity, it doesn’t define me.

Type 3: Stories that heal

With the guidance of a mental health expert, I have spent the last few months doing a deep dive into my FGM survivor story. I have told and retold my story over dozens of times in public venues. My goal is to break the culture of silence and inspire action. At this point, the telling of my story has almost become mechanized, as though I am reciting a verse from the Quran I memorized as a kid. I would always start with: “I was sitting an anthropology class when a fellow student described her research project on Female Genital Mutilation. And that’s when I had the memory jolt. A memory I had suppressed since childhood came flooding to the foreground.” I go into the details of what happened in granular detail -- the color of the floor, the feelings of confusion and betrayal in the hazy aftermath. And then I go on to talk about the afternoon I confronted my mother about the summer she and my father shipped my brother and off to India to stay with my aunt. The summer it happened. I later found out my aunt cut me without my parents’ consent. In my years of telling and retelling this story, I would have moments I felt nothing, moments I would break down, and moments of relief. It was a mixed bag, often contradictory emotions happening all at once. 

When I began to take apart the story, I discovered the core moment where I felt most gutted. It wasn’t the cut itself. It was the aftermath. I remember sitting in a corner alone, feeling confused and ashamed. When I looked at my aunt on the other side of the room, she was whispering to my cousin and they both pointed and laughed at me. Unearthing the moment of shame - the laughter - has haunted me since childhood. The piece that was carved out of me is called “haram ki boti” which translates into sinful flesh. Over time, the physical scar healed. But for many FGM survivors, the psychological wounds remain 

Type 4: Stories that reveal

Last year, I decided to take a sabbatical from the Foreign Service. I was burning out on both ends -- I had just completed a really tough assignment in Pakistan and was also doing anti-FGM
advocacy in my personal capacity. When I came home, an acquaintance from graduate school approached me to capture my story on film. As part of the process, she would send a camera
crew to shadow me. Sometimes while giving speeches, other times filming mundane interactions with friends and family. On a visit to my home in Texas, I’ll never forget the moment where my mom told me her story of survival. As part of the film, we went on a roadtrip to Austin to visit the university where I first had the memory jolt. My mom is patiently waiting for the cameraman to set up his tripod.  My father is standing next to her. 

In the end, we eventually had the conversation I never had the courage to have with either of my parents face to face. Looking them both in the eye, retelling my story with a camera as witness, we discussed how FGM ripped our family apart (specifically my dad’s relationship with his sister). For the first time, I heard my mom talking about her own experience and the feeling of betrayal when she discovered my aunt cut me without her consent. When I later told her that FGM was actually indigenous to the U.S. and Europe and that it was a cure for hysteria (prescribed by doctors) up until the 19th century, my mother exclaimed “that’s crazy to me, this was a cure for hysteria. I’m going to educate other doctors to speak out.” And in that moment, my mother, a survivor who had never shared her story before, became an activist. 

My story, intertwined with her story, revealed a tightly woven fabric of resistance. With our voices, we were able to break the cycle of intergenerational structural violence. We were able to rewrite the stories of future generations of girls in our own family and hopefully one day, the world.

 


 “Dreams”

by Neesa Sunar (@neesasunar), Queens, USA

This is a woman breaking free from her mundane reality, devoid of color. She dreams in a colorful, "nonsensical" way that people in her life would not understand. She could be considered insane, yet her dreams are more vivid and imaginative than actual life. This is frequently how schizophrenia occurs to me, more engaging and exciting than real life.

Neesa Sunar (@neesasunar)

< United against the violence, by Karina Ocampo 

Freeing the Church, Decolonizing the Bible for West Papuan Women, by Rode Wanimbo >

Snippet FEA Principles of work Human Rights (ES)

Una persona hablando por un altavoz.

DERECHOS HUMANOS

هل يمكنني التواصل مع أي أحد إن كانت لدي أسئلة أو أمور تثير قلقي؟

إن كانت لديكم/ن أسئلة أو أمور تثير قلقكم/ن، الرجاء التوجه الينا عن طريق هذا النموذج وكتابة "استطلاع أين المال" في العنوان أو راسلنا على witm@awid.org

Salome Chagelishvili

Biography

 es una activista feminista de Tiflis, Georgia, dedicada a la justicia social y de género. Tiene una Maestría en estudios de género, y ha estado comprometida con movimientos feministas, queer y ecologistas desde hace nueve años, trabajando, entre otras problemáticas, sobre violencia de género, violencia doméstica, derechos y salud sexuales y reproductivos, derechos LGBTIQ, y seguridad y derechos holísticos y digitales, entre otros.

Desde 2014 trabaja activamente sobre asuntos de seguridad de activistas y defensoras de derechos humanos, ha organizado talleres sobre seguridad integrada y seguridad digital dirigidos específicamente a activistas de grupos desfavorecidos (personas queer, minorías étnicas y religiosas, mujeres y niñas rurales, etc.), y también para organizaciones feministas más grandes. Salome integra el «Independent Group of Feminists», una iniciativa informal, no jerárquica y no registrada que reúne feministas de distintos contextos de Georgia. Actualmente, trabaja con el Fondo de Mujeres de Georgia, que está comprometido con la construcción de movimientos feministas y de mujeres, brindando financiación feminista y alentando la filantropía feminista local.

 

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Principles of Engagement

Welcome to Crear | Résister | Transform: a festival for feminist movements!

Principles of Engagement

AWID is committed to creating an online space that invites and challenges us all to operate from a place of courage, curiosity, generosity and shared responsibility.

We invite you to co-create spaces with us that are free of harassment and violence, where everyone is respected in their gender identity and expression, race, ability, class, religion, language, ethnicity, age, occupation, type of education, sexuality, body size, and physical appearance. Spaces where we recognize inequalities in our world and strive to transform them in our own interactions with each other.


We want to create a space where ...

  • we can all be present

This means that we are able to listen, understand and relate to each other. To feel close, in spite of it all being virtual.  For this, we will make interpretation available and open channels (like chat and other tools) for you to react and share. To hear each other better, we invite you to wear headphones during the conversation. If it is possible for you , we suggest  that you close your email and any other likely source of distraction while you are in the conversation. 

  • all forms of knowledge are valued

Let us celebrate the multiple ways in which knowledge shows up in our lives. We invite you to approach the conversation with curiosity and openness to learn from others, allowing ourselves to unlearn and relearn through the exchange, as a way to start collectively building knowledge.  

  • all of us feel welcome

We are committed to holistically approaching accessibility by being mindful of different physical, language, mental and safety needs. We want a space that is welcoming of folks from various  backgrounds, beliefs, abilities and experiences. We will be proactive but we also ask that you communicate your needs with us, and we will do our best within our capacity to address these needs.

  • all of us feel safe and respected:

We all commit individually and collectively to respect each other’s privacy and to seek people’s consent before sharing any images or content generated during the conversation that involves them.


Creating a safer, respectful and enjoyable environment for the conversations, is everybody's responsibility.


Reporting

If you notice that someone is behaving in a discriminatory or offensive manner, please contact the reference person who will be indicated at the beginning of the session.

Any participants that express oppressive language or images, will be removed from the call and will not be readmitted. We will not engage with them in any way.

Snippet FEA Title Main (FR)

 

 

 

Les Économies Féministes

QUE NOUS ADORONS

 

 

FRMag - Freeing the Church

Libérer l’église et décoloniser la bible pour les femmes de Papouasie occidentale

par Rode Wanimbo

Seigneur, nous sommes indignes. C’est nous qui avons péché car Ève a mangé le fruit dans le jardin d’Eden.  (...)

Lire


< illustration : « Offrandes pour les vies Noires » par Sokari Ekine

AWID Community Jobs board - EN

Community Jobs Board

Are you job hunting? One of the perks of joining the AWID Community, is getting access to our community curated jobs board. You'll get to explore new opportunities, and you will also have the chance to share vacancies and call for proposals with all members.

Michelle D'Cruz

Biography

Michelle est une féministe d'Asie du Sud-Est qui aime concerterer pour rassembler des gens et susciter des conversations en faveur du changement social et du partage des connaissances féministes, à travers l'art, la poésie, la musique et les jeux. Forte d'une expérience en plaidoyer digital et en développement de stratégies de communication, elle a contribué à des initiatives en matière de droits digitaux, de recherche sur les droits humains et de création de coalitions de la société civile dans toute l'Asie du Sud-Est. Elle est titulaire d'une licence de droit de l'Université nationale de Singapour, aime se balader dans des rues au hasard de la ville et apprécie un peu trop le café.

Position
Coordonnatrice de l’Adhésion et de l’Engagement des Membres
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Upasana Agarwal

Forgotten Song
“Forgotten Song” [«Canción Olvidada»]
Ode to the Moon
“Ode to the Moon” [Oda a la Luna»]
Vapour and Fire
“Vapour and Fire” [«Vapor y Fuego»]

Sobre Upasana Agarwal

Upasana Agarwal
Upasana es unx ilustradorx y artista no binarie de Calcuta, India. Su obra explora narrativas identitarias y personales, que empean restos o evidencias visuales de los contextos con los que trabaja. Le atraen especialmente los diseños en patrones que, para ellx, comunican verdades complejas sobre el pasado, el presente y el futuro. Cuando Upasana no está ilustrando, organiza y dirige un centro de arte comunitario queer y trans de la ciudad.

Snippet - That Feminist Fire Logo (EN)

White text over transparent background. It says "that feminist fire" in all caps.