
Jelena Santic

Au cours des dernières années, nous avons observé une nouvelle tendance inquiétante dans les espaces internationaux consacrés aux droits humains. Les discours axés sur « la protection de la famille » sont en effet utilisés pour défendre des violations des droits de membres de la famille, pour renforcer et justifier l’impunité des auteurs de ces violations et pour restreindre l’égalité des droits au niveau de la vie familiale.
La campagne en faveur de la « Protection de la famille » est motivée par une volonté conservatrice d’imposer des conceptions « traditionnelles » et patriarcales de la famille et de priver les membres de la famille de leurs droits pour les transférer à « l’institution familiale ».
Depuis 2014, un groupe d’Etats travaille de front dans les espaces dédiés aux droits humains sous le nom de « Group of Friends of the Family » (Groupe des ami-e-s de la famille) ; des résolutions sur la « Protection de la famille » ont été adoptées chaque année depuis 2014.
Ce programme s’est propagé au-delà du Conseil des droits humains. Nous avons observé l’introduction d’un discours régressif autour de la « famille » à la Commission sur la condition de la femme, ainsi que des tentatives d’introduction dans les négociations sur les Objectifs de développement durable.
L’AWID travaille avec des partenaires et des allié-e-s pour s’opposer ensemble à la « Protection de la famille » et à d’autres programmes régressifs et défendre l’universalité des droits humains.
En réponse à l’influence croissante d’acteurs régressifs au sein des espaces dédiés aux droits humains, l’AWID a rejoint des allié-e-s afin de créer l’Observatoire sur l'Universalité des droits (OURs) (site en anglais). L’OURs est un projet de collaboration qui surveille, analyse et diffuse les informations concernant les initiatives anti-droits telles que la « Protection de la famille ».
Le premier rapport de l’OURs, Nos droits en danger, trace une cartographie des acteurs et actrices qui constituent le lobby mondial anti-droits et identifie leur réthorique et stratégies clés ainsi que leur impact sur les droits humains.
Le rapport précise que le programme de « Protection de la famille » a développé une collaboration entre un large éventail d’acteurs régressifs aux Nations Unies, qu’il décrit comme « un cadre stratégique abritant des positions anti-droits et patriarcales multiples, où le cadre vise entre autres à légitimer et institutionnaliser ces positions. »
Isabel Cabanillas de la Torre fue una activista joven y una artista feminista muy querida de Ciudad Juárez, México, conocida por sus hermosos diseños evocadores de indumentaria pintada a manoen los que los ojos eran una característica emblemática de su trabajo. Sus murales transformaron los edificios abandonados y vacíos del centro de Ciudad Juárez, al sumarles vida y crítica política a sus paredes.
A través de su arte y de su activismo político, Isabel buscó llamar la atención sobre la violencia de género que se extendía por su ciudad natal. Colaboró como voluntaria con la red Mesa de Mujeres en el proyecto «Observatorio Ciudadano de Género», que monitoreaba la actuación de jueces, fiscales y defensorxs públicxs en casos de femicidios y otras violaciones a los derechos basadas en el género. Integró también «Hijas De Su Maquilera Madre», una colectiva feminista cuyo nombre alude a las hijas de madres que son trabajadoras de la maquila. Algunas de estas madres fueron las primeras víctimas de femicidio en Ciudad Juárez.
El último proyecto de Isabel (todavía en curso) fue una instalación artística para protestar contra una compañía canadiense que quería extraer cobre de los Médanos de Samalayuca.
El 18 de enero de 2020 Isabel fue atacada a balazos mientras volvía a su casa del centro de Ciudad Juárez en bicicleta, víctima, aparentemente, de un asesinato selectivo. Su cuerpo fue encontrado junto a su bicicleta.
El asesinato de Isabel desató una nueva ola de indignación contra los femicidios de la región: cientos de personas marcharon hacia el puente de la frontera entre EEUU y México, y lo bloquearon durante horas mientras cantaban «Ni una más», que es la protesta continua de las colectivas feministas contra los asesinatos de las mujeres en todo México. Solamente en 2019, 3.142 mujeres y niñas fueron asesinadas en el país; muchas de ellas fueron atacadas específicamente por su género.
Amaba andar en bicicleta.
«La bicicleta era un símbolo de libertad para ella. Simbolizaba ser libre en las calles.» - Marisol, amiga de Isabel
Да, доступ к опросу можно получить с помощью смартфона.
六大主軸支持起論壇中女性主義理念實現的框架。每個主軸都以實現的女性主義理念、經驗和願景為中心,探討抵抗與主張、奮鬥與另類選擇之間持續不斷的關係。我們希望能共同探討出女性主義理念實現的構成要素,並找到讓女性主義理念實現在人生不同領域,欣欣向榮發展的推動力。
這些實現的理念可能以生活方式、夢想和構思中的想法充分表達,或是寶貴的經驗和重要的時刻。
這些主軸並不是孤立的主題,而是與論壇活動相互串連的載體。我們預期許多活動會處在這些主題的交匯處,不同的爭取方式、社群和運動之間的交匯處。這些說明只是初步的描述,會隨著女性主義理念實現之旅的開展而不斷地演變。
本議題主軸聚焦以下問題:個人、社群和運動如何滿足自身的基本需求,並用以人為本及自然為本的方式,確保我們所需繁盛發展的資源。「資源」指的是食物、水、清潔的空氣以及金錢、勞動力、資訊、知識和時間等等。
女性主義者對抗以剝削和榨取掛帥的主流經濟體制,對於組織我們的經濟與社會生活,女性主義提出了方案、累積經驗與付諸實踐,本主軸借重其經驗,表彰深具影響力與啟發性者。糧食和種子主權、女性主義的工作和勞動願景、公正和永續的貿易體系等等,只是將要探索的一部分問題而已。我們將勇敢面對在壓迫的經濟體制下為了生存而產生的矛盾。
女性主義針對經濟正義與創造財富進行了廣泛分析,本主軸以此為前提研究組織與運動獲得資金與資源的主題,探討如何將資源轉移到需要的地方,如何從稅捐正義和基本收入的模式轉移到不同的慈善模式以及運動該如何發揮創意並自主開源。
我們力求樹立新的願景,並擴展女性主義治理、當責和正義以實現的理念與經驗。面對全球危機以及法西斯主義和基本教義派崛起,這個主軸以女性主義的、激進又解放的模式、實務與理念為重心,從在地到全球,探討社會與政治生活的組織。
本議題主軸將探討女性主義治理的樣貌,從女性主義的地方自治經驗、在民族國家以外建立制度,再到我們對多邊主義的願景。我們將交流社群、組織和運動中正義和當責製程序的經驗,包括修復式、以社群為本、轉型正義模式,而這些模式拒絕國家暴力和監獄產業綜合體。
以旅行、移民和難民以及女性主義組織經驗為中心,我們追求一個沒有致命邊境政權的世界:一個可以自由移動,旅程令人雀躍的世界。
科技在我們生活中扮演的角色越來越吃重,線上與線下真實之間的分野越來越模糊。女性主義者廣泛應用科技與線上空間來營造社群、相互學習和動員行動。借助線上空間,我們可以拓寬實體世界的邊界。但另一方面,數位通訊主要歸企業所有,而其對用戶的責任卻很少。資料探勘、監視和安全漏洞已成為常態,網路暴力和騷擾也是。
本議題主軸探討了數位化現實下的女性主義機遇和挑戰。我們將探討主導數位環境私有平台的替代方案、探索網路空間時維持身心健康的策略,以及如何應用科技來克服取得服務的挑戰。關於愉悅、信任和人際關係,我們將探索科技可發揮的潛力。
女性主義理念實現也存在於自身:體現的經驗。父權、順性別異性戀與資本主義掛帥結構的核心依然為對勞動、移動、生殖以及性相的掌控。要顛覆這種壓迫,擁有多元性別、性相和能力的人相會,打造喜悅、關懷、愉悅及強烈欣賞自我與他人的空間以及次文化。
本議題主軸將探討不同社會與文化中。女性、跨性別者、非二元性別者、非常規性別者、陰陽人,對於授意權、能動性與慾望的多元想法、敘事、想像力及文化表現。
我們將分享贏得生育權和正義的戰略,並闡明能實現和尊重人身自主、完整和自由的社會實務。該議題主軸串連不同抗爭和運動,相互交流彼此關於身心健康和愉悅的經驗和觀點。
想像一顆女性主義的星球。水的聲音聽起來如何?空氣的味道聞起來如何?土壤的觸感摸起來如何?星球與包括人類在內的生命之間有什麼關係?實現的女性主義理念亦即環境和氣候正義的實現。女性主義、原住民、去殖民和生態抗爭通常源自轉型願景以及人與自然之間的關係。
本議題主軸以我們星球的福祉為中心,反映了人類與地球互動並重塑地球的方式。永續女性主義星球包含探索傳統知識和生物多樣性,並學習女性主義關於以下議題的實踐,包括去成長(degrowth)、公社共有實踐、平行經濟模式、農業生態、糧食和能源主權倡議等。
雖然我們認為所有的議題主軸息息相關,但此主軸確實是貫串所有主軸,因此無論您提交的活動與哪一類議題主軸串連,我們也邀請您在提案中加入組織面向。
當今的世界是如何組織女性運動的?這個問題將我們的注意力轉移到參與者、權力機制、資源、領導力,我們所處的經濟狀態,我們對正義和當責的認知,數位化時代,以及對自治、身心健康和集體關懷的經驗上。我們希望所有議題主軸都可以創造一個可以誠實反思的空間,思考運動中的權力分配、資源分配與協商。
該論壇不僅僅是一個四天的會議。它更為女權主義現實實踐的運動增強之旅提供了另一個驛站,該旅程早已開始也將在論壇結束後繼續。
Aïssata Kane, surnommée affectueusement “Yaye Kadia” (Mère Kadia), a de tout temps été une féministe engagée dans la défense des droits des femmes africaines, et particulièrement mauritaniennes.
Au cours de sa carrière politique, en 1975, elle fut nommée ministre de la protection de la famille et des affaires sociales et travailla avec ardeur à l’amélioration du statut des femmes dans son pays; c’était la première fois qu'une femme occupait un tel poste.
Ce travail consista notamment à promouvoir l’éducation des filles et des femmes, à lutter contre la pratique du gavage sur les jeunes femmes, à faire pression pour l’inclusion d’une disposition sur les droits maritaux et à plaider en faveur de la création d’un quota de représentation féminine au Parlement.
“[Aïssata] a réalisé toutes ses passions avec humilité, courage et détermination. Elle ne voulait déranger personne avec ce combat qu’elle menait sur tous les fronts à la fois.” Ball Halimata Dem, la nièce d’Aïssata
Ayant fondé l'Union nationale des femmes de Mauritanie (UNFM), elle avait cocréé et publié pour elles le magazine Marienou, dédié à l’émancipation des femmes mauritaniennes. Aïssata dirigea également plusieurs organisations sous-régionales et locales, notamment en tant que présidente de l'Association internationale des femmes francophones (AIFF) et, en écologiste résolue, fut présidente de l'Association pour la protection de l'environnement en Mauritanie (APEM).
En 2018, on lui décerna le Prix de la Femme africaine pionnière. Ce prix honore son engagement à faire progresser le statut de la femme en Mauritanie et reconnaît son grand leadership et son sens de l'innovation.
Aïssata est décédée le 10 août 2019.
Sim, encorajamo-lo a partilhar mais sobre questões importantes para si ao responder à(s) pergunta(s) aberta(s) no final do inquérito.
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Te presentamos a Sabrina Sanchez, increíble mujer trans, migrante, trabajadora sexual, organizadora, transfeminista y una de las fundadoras del sindicato OTRAS.
Originaria de la Ciudad de México, emigró a España hace 17 años después de graduarse en comunicaciones y comenzó a trabajar como trabajadora sexual.
No pasó mucho tiempo antes de que se involucrara con el activismo trans y el activismo de trabajadoras sexuales en Barcelona. Después de unirse al colectivo Asociación de Profesionales del Sexo (Aprosex), comenzó a trabajar en su secretaría y fundó el sindicato español de trabajadoras sexuales OTRAS.
Actualmente vive en Ámsterdam, donde trabaja como coordinadora de la Alianza Europea de Trabajadoras Sexuales.
Dato divertido: ¡también es mecánica de automóviles y corredora!
En este Foro, vamos a celebrar y multiplicar las propuestas poderosas que nos rodean, en sus distintos estadios de evolución.
Barbara Allimadi was a political and human rights activist from Uganda. In 2012, she co-organized a protest against a televised police assault of Ingrid Turinawe, an opposition politician who had her breast squeezed by a police officer.
During the protest, Barbara, along with other fellow activists stripped to their bras in front of the Central Police Station in Kampala. This came to be known as the infamous ‘bra protest’ in Uganda.
“We settled on the bra protest. We thought it would be most appropriate for what had happened. It’s not like we were saying we don’t respect ourselves. We were disgusted by what had been done.” - Barbara Allimadi, 2013 (Daily Monitor)
With a Degree in Electronics and Communications Engineering from the London Metropolitan University, Barbara was a network engineer in the United Kingdom and an avid fan of reggae music. She returned to Uganda In 2007, when her mother passed away.
In 2019, she was appointed Coordinator for International and Diaspora Affairs at the Alliance for National Transformation (ANT), a political party launched that year by an opposition leader.
“We want security of life and property, not pain, injury and even death at the hands of security forces who are meant to protect us. Most importantly, we want a stable and enabling environment where we can realize our dreams and aspirations.” - Barbara Allimadi, ANT video
Barbara passed away on 27 April 2020.
“I was so proud of my sister for many things but in particular her fearless pursuit of peace, democracy, justice and equality in Uganda. At the height of her activism she led many marches on the streets of Kampala, to police stations, and Parliament.” - Doris Allimadi, Barbara’s sister
“It is with deep sadness that we have learnt of the untimely passing of Barbara Allimadi. She has been a valiant, relentless and courageous force for the liberation movement of Uganda. Our deepest condolences to her family. She will be sorely missed.” - Akina Mama wa Afrika (tweet on 28 April 2020)
“The passing on of Barbara is so sad for us and her entire family. She dedicated herself to fighting for justice, freedom and rights of others while serving in the civil society until she recently joined us at the party.” Maj Gen Mugisha Muntu, ANT national coordinator
“A beautiful, charming, funny, charismatic and inspirational sister. My children lost their aunty. Uganda lost a brave and courageous freedom fighter. Barbara once said, ‘As long as there is still breath in you, keep working towards your dreams.’” - Doris Allimadi, Barbara’s sister
سيتم جمع المعطيات لأهداف إحصائية لتسليط الضوء على وضع التمويل للحركات النسوية العالمية وسيتم عرضها فقط بشكل إجمالي. لن تنشر AWID المعلومات عن اي منظمة محددة ولن تعرض أي من المعلومات التي ستمكّن من التعرّف على منظمة عن طريق موقعها أو صفاتها دون موافقة المنظمة.
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Register here to watch this film from June 18-22
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
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